Author: Greggory Morris

Tribeca Festival Announces 2023 Feature Film Line Up – Part 1 of the Announcement

The 2023 features program – this reviewer feels it’s a monster – includes 109 feature films from 127 filmmakers across 36 countries. The lineup includes 93 world premieres, one international premiere, eight North American premieres, one U.S. premiere, and six New York premieres. There are 43 first-time directors and 29 directors returning to Tribeca with their latest projects. 41 percent (45) of all feature films are directed by women and, for the first time, more than half of competition feature films are directed by women at 68 percent (19). Additionally, 36 percent (39) of feature films are directed by BIPOC filmmakers, including two indigenous filmmakers. – Article by Gregg W. Morris

A Riveting, Sweeping Cinematic Saga: SWEETWATER by Writer-Director Martin Guigui

SWEETWATER doesn’t blink, doesn’t shy away, mostly certainly doesn’t shrug as it mesmerizes and resonates and, again, is sweeping in scope in its way of telling the bitter-sweet epic saga of Nat “Sweetwater” Clifton. The elements that make a movie a 5-star movie soar most certainly beyond imagination in this film: Casting – wisely selected. Plot and subplots – astutely rendered. Settings & themes & subthemes – marvelously done. Review by Gregg W. Morris

SUMMONING SYLVIA LGBTQ Horror Comedy Film Review – Warning! Are You Ready to Die Laughing? 🤣

The Horror Collective has released its North American theatrical and TVOD release of a daredevil LGBTQ horror comedy smothered in layers of cinematic derring-do. Written and directed with considerable aplomb by Wesley Taylor (Smash, The Spongebob Musical, it’s soon to recur on Hulu’s “Only Murders in the Building”) and Alex Wyse (Marvel’s IRON FISH, soon to join Broadway’s Good Night, Oscar). It hit theaters nationwide March 31, 2023 and is scheduled for Cable VOD and Digital HD, four days from now: April 7, 2023.

ALL THE WORLD IS SLEEPING Film Review

A viscerally gripping, 145-minute drama with scenes of incredible intensity, many searing, about Chama, a single mom in her early 20s, played by Melissa Barrera whose character is a system-impacted woman teetering on the edge of an abyss.

Numerous cinema accolades : NY HBO Latino Film Festival – Winner of Best Film; Las Cruces International Film Festival – Winner of Best Film & Grand Jury Prize; Los Angeles Diversity Film Festival – Winner of Best Editing; Santa Fe Independent Film Festival – Winner of Best Film; Ojai International Film Festival – Honorable Mention Best Director; Seattle Latino Film Festival – Honorable Mention Best Film, Best Director.
Review by Gregg W. Morris

STILL THE WATER is an exquisitely made 5-star art house film that is transcendent – yet audiences should know up front that scenes linger and linger and linger in an exquisite storytelling style that may test the patience of the not so patient

Unveiled at Cannes Nine years ago but not released theatrically until now. Premiered on VOD & digital MARCH 3, 2023. Streaming on Prime Video, Amazon, iTunes, Google Pay, VUDU Fandango, AppleTV, kanopy, DirectTV. Imagine getting into a sublime luxury car…

Film Review of Recently Re-released IRRESVERSIBLE (2002) with its companion IRREVERSIBLE: STRAIGHT CUT (2023) by Gaspar Noé.

Excerpt from the production notes: “On the original release of IRREVERSIBLE, critics responded vehemently, and the relationship between the violence of the film and its form was central to how it was perceived and valued. However, as yet, there has been little critical response to the Straight Cut and, as a result, there has been little discussion about how the revised structure impacts on the film’s meaning and the permissibility of its depiction of violence.”


This reviewer wonders what respected American filmmakers in these contemporary times will be saying about the new release. What will respected Filmmakers of Color as well as respected Film Reviewers of Color say? Last, but absolutely not least, what’s will be on the minds of respected women filmmakers and film reviewers? – Review by Gregg W. Morris