{"id":15681,"date":"2020-02-16T14:03:58","date_gmt":"2020-02-16T19:03:58","guid":{"rendered":"http:\/\/hunterword.com\/?p=15681"},"modified":"2022-01-12T20:54:32","modified_gmt":"2022-01-13T01:54:32","slug":"25th-rendezvous-with-french-cinema-2020-greggwmorris","status":"publish","type":"post","link":"http:\/\/hunterword.com\/index.php\/25th-rendezvous-with-french-cinema-2020-greggwmorris\/","title":{"rendered":"<small><strong><span style=\"color: #800000;\">Film at Lincoln Center &#038; UniFrance Announcement<\/span> <\/strong><\/small><br>25th Rendezvous with French Cinema, March 5-15"},"content":{"rendered":"<div id=\"m_-2377091857640000789text-block-1557764663956\">\n<div>\n<p><span lang=\"EN\">The annual French cinema showcase celebrates a quarter century with new work from Bruno Dumont, Quentin Dupieux, Christophe Honor\u00e9, Claude Lelouch, Alice Winocour, Rebecca Zlotowski, and more. <\/span><b><span lang=\"EN\">Opening Night: <\/span><\/b><span lang=\"EN\">Hirokazu Kore-eda\u2019s <\/span><span lang=\"EN\"><i>The Truth,<\/i><\/span><span lang=\"EN\"> starring Catherine Deneuve, Juliette Binoche, and Ethan Hawke, with a Binoche-Hawke Q&amp;A in person<\/span><b><span lang=\"EN\">.<\/span><\/b> Festival introduces first ever Air France Audience Award.<\/p>\n<div align=\"center\"><img decoding=\"async\" class=\"CToWUd a6T\" tabindex=\"0\" src=\"https:\/\/ci5.googleusercontent.com\/proxy\/gFP5cxOE-KE9iR3X2qXJdY3UEucs3r_w6CIlYpCfbKoBJSYv1uw3QMGCg5q3v5wLyCV_IyArUMB0uXrNd6kXmx1XVsq1E8_W_70F-ZTYraq1MjK9z_MMnzaFaEWmc_88eQ945IabkY0XQWZBzT1sNPiUHwgmM4x1_tnoJQ=s0-d-e1-ft#https:\/\/media.wordfly.com\/filmsocietylincolncenter\/laverite2-l-champoussin-c-3b-bunbuku-mimovies-fr3.jpeg\" \/><\/div>\n<p align=\"center\">Caption: Juliette Binoche, Catherine Deneuve, and Ethan Hawke in The Truth<\/p>\n<div align=\"left\">\n<p><span lang=\"EN\">\u201cIt is a great honor to open our 25th edition of Rendez-Vous with French Cinema with Hirokazu Kore-eda\u2019s new film <i>The Truth<\/i> in the presence of French and American film icons Juliette Binoche and Ethan Hawke,\u201d said the new Executive Director of UniFrance, Daniela Elstner.<\/span><\/p>\n<p><span lang=\"EN\">\u201cTheir presence highlights what French Cinema represents for American audiences today: An alternative voice and vision on world issues and collective consciousness, which is reflected throughout this year\u2019s selection,&#8221; he said. &#8220;As ever, we are thrilled to introduce American audiences to bold new French voices, this year including Mounia Meddour, St\u00e9phane Batut, Sarah Suco, Nicolas Pariser, and Mehdi Idir, and to present the latest works from returning filmmakers including Christophe Honor\u00e9, Rebecca Zlotowski, Bruno Dumont, Alice Winocour, and Claude Lelouch.\u201d<\/span><\/p>\n<p><span lang=\"EN\">The 2020 Opening Night selection is the New York premiere of <i>The Truth<\/i>, the first-ever French-language film from Japanese auteur Hirokazu Kore-eda. Featuring screen legends Catherine Deneuve and Juliette Binoche as a strained mother-daughter duo, <i>The Truth<\/i> is a dynamic family drama co-starring Ethan Hawke. Binoche and Hawke will appear in person at the festival for opening night, and for a special conversation about their collaboration with Kore-eda. <\/span><\/p>\n<p><span lang=\"EN\">Highlights of the 22-film lineup include a number of prizewinning titles and festival hits, including Christophe Honor\u00e9\u2019s fantastical <i>On a Magical Night<\/i>, for which Chiara Mastroianni won an award in Cannes\u2019s Un Certain Regard section; Quentin Dupieux\u2019s absurdist satire <i>Deerskin <\/i>starring Oscar winner Jean Dujardin and Ad\u00e8le Haenel; Bruno Dumont\u2019s <i>Joan of Arc, <\/i>which received a Cannes Special Jury Mention; Mounia Meddour\u2019s <i>Papicha<\/i>, an unflinching story of young women\u2019s resistance set during the Algerian Civil War.<\/span><\/p>\n<p><span lang=\"EN\">Also included are Alice Winocour\u2019s space drama <i>Proxima<\/i> starring Eva Green; Prix Jean Vigo\u2013winner<i> Burning Ghost<\/i>, a supernatural tale of love and loss from St\u00e9phane Batut; Nicolas Pariser\u2019s sharp political drama <i>Alice and the Mayor; <\/i>Damien Manivel\u2019s transfixing Locarno prizewinner<i> Isadora\u2019s Children; The Specials,<\/i> from the directing duo behind <i>The Intouchables, <\/i>Olivier Nakache and \u00c9ric Toledano, and starring Vincent Cassel and Reda Kateb; Ma\u00efmouna Doucour\u00e9\u2019s vibrant hip-hop dance drama <i>Cuties<\/i>, which premieres later this month at Sundance; and more.\u00a0<\/span><\/p>\n<p><span lang=\"EN\">For the first time ever, the festival is introducing an Audience Award, sponsored by Air France, allowing moviegoers the chance to give a prize to their favorite film.<\/span><\/p>\n<p><span lang=\"EN\">&#8220;We are so pleased to be celebrating 25 years of partnership with UniFrance, marking a quarter century of bringing the best of French cinema to New York audiences,&#8221; said Film at Lincoln Center Associate Director of Programming Florence Almozini. &#8220;This year&#8217;s edition of Rendez-Vous brings a global perspective to French cinema, with the first French-language film from Japanese master Hirokazu Kore-eda alongside films that explore the traumas of Algerian Civil War, cultural differences and integrations in French suburbia, or environmentalism all the way to the Arctic Circle.&#8221;<\/span><\/p>\n<p><span lang=\"EN\">&#8220;Rendez-Vous showcases the strength of French cinema today and tomorrow, with exciting new work from returning filmmakers like Pascal Bonitzer, Rebecca Zlotowski, Quentin Dupieux, and Christophe Honor\u00e9; remarkable debut films from St\u00e9phane Batut, Sarah Suco, Mounia Meddour, and Ma\u00efmouna Doucour\u00e9; and stunning performances from some of France&#8217;s greatest actresses, including Juliette Binoche, Catherine Deneuve, Chiara Mastroianni, and Eva Green.&#8221; <\/span><\/p>\n<p><span lang=\"EN\">This year\u2019s lineup also features a number of new works from returning Rendez-Vous filmmakers, including Claude Lelouch with <i>The Best Years of a Life<\/i>, a sequel to his Palme d\u2019Or\u2013winning classic <i>A Man and a Woman<\/i>, reuniting Jean-Louis Trintignant and Anouk Aim\u00e9e; <i>An Easy Girl<\/i>, a sumptuous coming-of-age tale from Rebecca Zlotowski, set on the beaches of Cannes; Safy Nebbou\u2019s catfishing drama <i>Who Do You Think I Am <\/i>starring Juliette Binoche; C\u00e9dric Kahn\u2019s <i>Happy Birthday<\/i>, starring Catherine Deneuve and Emmanuelle Bercot; Lucie Borleteau\u2019s thriller <i>Perfect Nanny; <\/i>almost-romantic drama <i>Someone, Somewhere <\/i>from C\u00e9dric Klapisch<i>; <\/i>and Pascal Bonitzer\u2019s update of a Henry James ghost story, <i>Spellbound. <\/i><\/span><\/p>\n<p><span lang=\"EN\">A this year&#8217;s fest: St\u00e9phane Batut, Juliette Binoche, Pascal Bonitzer, Lucie Borleteau, Ma\u00efmouna Doucour\u00e9, Bruno Dumont, Ethan Hawke, Mehdi Idir, C\u00e9dric Klapisch, Claude Lelouch, Chiara Mastroianni, Mounia Meddour, Safy Nebbou, Nicolas Pariser, Sarah Suco, Alice Winocour, and Rebecca Zlotowski. <\/span><\/p>\n<p><span lang=\"EN\">Special events and free talks include a rare opening day conversation between Binoche and Hawke on March 5; Alice Winocour in conversation with a surprise guest about exploring space on film; a discussion and book signing with UniFrance President Serge Toubiana upon the release of his new book on the legendary cinema figure Helen Scott; and a filmmaker panel focusing on adapting literature to the screen in partnership with French in Motion and IFP. <\/span><\/p>\n<p><span lang=\"EN\">The 2020 festival, as always, places a focus on young people, with school screenings of <i>School Life<\/i> and <i>Spread Your Wings <\/i>for middle and high schoolers, as well as college students. In conjunction, the festival is holding a contest for cinephiles under 30: interested writers can submit a review of a Rendez-Vous film of their choice, and the best critique will win a round-trip flight to Paris and <\/span><span lang=\"EN\">a free one-year subscription to TV5MONDE.<\/span><\/p>\n<p><span lang=\"EN\">Visit <a href=\"http:\/\/email.wordfly.com\/click?sid=NTU1XzEyNTQ3XzIxNzk3MF83NDI1&amp;l=846832b2-493d-ea11-bd94-e61f134a8c87&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=RDV2020lineup&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/email.wordfly.com\/click?sid%3DNTU1XzEyNTQ3XzIxNzk3MF83NDI1%26l%3D846832b2-493d-ea11-bd94-e61f134a8c87%26utm_source%3Dwordfly%26utm_medium%3Demail%26utm_campaign%3DRDV2020lineup%26utm_content%3Dversion_A&amp;source=gmail&amp;ust=1581894480457000&amp;usg=AFQjCNGxW_rH4EWw8kRPgMtRsNF1LJUQ9Q\">filmlinc.org<\/a> in the coming weeks for more information. Additionally, the festival is expanding its industry-facing events with a day-long networking event to bring together French sales agents, French producers, and key American industry players on Friday, March 6. <\/span><\/p>\n<p><span lang=\"EN\">Press screenings will take place the week of February 18 and will be announced in the coming days.<\/span><\/p>\n<p style=\"text-align: center;\"><em><span lang=\"EN\">Organized by Florence Almozini with UniFrance.<\/span><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><span lang=\"EN\">Tickets go on sale Thursday, February 20, with early access for Film at Lincoln Center members beginning Tuesday, February 18. Tickets are $17; $12 for members, students, seniors, and persons with disabilities; Opening Night tickets are $25; $20 for members and students. Learn more at <a href=\"http:\/\/filmlinc.org\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/filmlinc.org&amp;source=gmail&amp;ust=1581894480457000&amp;usg=AFQjCNFDy0lcW2mUkGbToyVz8epLFRYlZg\">filmlinc.org<\/a>.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"m_-2377091857640000789text-block-1557766071029\">\n<div>\n<div align=\"center\"><\/div>\n<h2 align=\"center\"><u><b>FILMS &amp; DESCRIPTIONS<\/b><\/u><\/h2>\n<div align=\"center\">\n<p align=\"center\"><i><span lang=\"EN\">All screenings take place at the Walter Reade Theater (165 W 65th St) unless otherwise noted.<\/span><\/i><\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"m_-2377091857640000789text-block-1557766109590\">\n<div>\n<p><b><span lang=\"EN\">Opening Night<br \/>\n<\/span><\/b><b><span lang=\"EN\">The Truth \/ La v\u00e9rit\u00e9<br \/>\n<\/span><\/b><b><span lang=\"EN\">Hirokazu Kore-eda, France\/Japan, 2019, 106m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French and English with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>In his follow-up to the Palme d\u2019Or\u2013winning <i>Shoplifters<\/i>, Hirokazu Kore-eda casts two titans of French cinema, Catherine Deneuve and Juliette Binoche, in a film structured around the rippling tensions underlying a family gathering. With controlled intensity, Deneuve plays Fabienne, a screen icon preparing to publish her memoirs. The version of her life as presented on the page, however, is critiqued by her daughter Lumir (Binoche), visiting Fabienne\u2019s secluded home with her American TV actor husband (Ethan Hawke) and their young daughter.<\/p>\n<p>Resentments seep out\u2014and eventually explode\u2014as Fabienne and Lumir confront the reality of their dynamic; meanwhile, their drama begins to affect Fabienne\u2019s next project, in which she uneasily shares the screen with a rising young actress (Manon Clavel). Kore-eda deftly grapples with aging, memory, and guilt, while locating a tenderness that can thaw even the deepest-rooted conflicts. An IFC Films release.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/2sH3lh4hmJY\" width=\"1000\" height=\"563\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<em><b><span lang=\"EN\">Thursday, March 5, 6:30 p.m. <span style=\"text-decoration: underline;\">Introduced by Juliette Binoche and Ethan Hawke. <\/span><\/span><\/b><b><span lang=\"EN\">Thursday, March 5, 9:15 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Alice and the Mayor \/ Alice et le maire<br \/>\n<\/span><\/b><b><span lang=\"EN\">Nicolas Pariser, France\/Belgium, 2019, 103m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Alice (Ana\u00efs Demoustier) leaves her Oxford philosophy professorship for a new communications post at the mayor\u2019s office in her hometown of Lyon. But when the mayor (Fabrice Luchini) confides in her that he\u2019s having trouble generating any ideas to improve the city, Alice realizes that her true task is to reawaken the progressive spirit that inspired his initial run for office. Directed by Nicolas Pariser (2016 Rendez-Vous highlight <i>The Great Game<\/i>) and featuring supporting turns from Nora Hamzawi (<i>Non-Fiction<\/i>) and Antoine Reinartz (<i>BPM<\/i>), <i>Alice and the Mayor <\/i>finds an unsentimental urgency in idealism, unfolding in heartfelt and thought-provoking conversations that inspire meaningful political action over empty rhetoric. A selection of the 2019 Cannes Film Festival Directors\u2019 Fortnight.<br \/>\n<em><b><span lang=\"EN\">Saturday, March 7, 1 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Nicolas Pariser<\/span>. <\/span><\/b><b><span lang=\"EN\">Wednesday, March 11, 9:30 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">The Best Years of a Life \/ Les plus belles ann\u00e9es d\u2019une vie<br \/>\n<\/span><\/b><b><span lang=\"EN\">Claude Lelouch, France, 2019, 90m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French and Italian with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>In this stirring sequel to Claude Lelouch\u2019s classic 1966 Palme d\u2019Or\u2013winner <i>A Man and a Woman, <\/i>Jean-Louis Trintignant and Anouk Aim\u00e9e reprise their roles. Jean-Louis (Trintignant) now struggles with dementia in a nursing home, unable to recall his glory days as a racecar driver; his former lover Anne (Aim\u00e9e) has retired from producing films to maintain a fabric shop in sleepy Normandy. But then Jean-Louis\u2019s son (Antoine Sire) seeks out Anne to remind his now prickly and standoffish father of the affair that once brought him so much joy. With a thoughtful, ruminative script by Lelouch and Val\u00e9rie Perrin, <i>The Best Years of a Life <\/i>weaves a career-spanning tapestry for Trintignant, Aim\u00e9e, and Lelouch, and traces the indelible arc of life as it\u2019s lived.<br \/>\n<em><b><span lang=\"EN\">Saturday, March 7, 3:45 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Claude Lelouch and Val\u00e9rie Perrin.<\/span><\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\"><em>Burning Ghost \/ Vif-argent<\/em><br \/>\n<\/span><\/b><b><span lang=\"EN\">St\u00e9phane Batut, France, 2019, 104m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nU.S. Premiere<br \/>\n<\/span><\/b>Winner of the prestigious Prix Jean Vigo, this smoldering feature debut from St\u00e9phane Batut\u2014a renowned casting director whose credits include <i>Let the Sunshine In <\/i>and <i>Stranger by the Lake<\/i>\u2014is an entrancing tale of love and loss. Juste (Thimot\u00e9e Robart) drifts through a liminal Paris: able to see spirits of the dead, he guides them into the afterlife, while at the same time he\u2019s unsettled in his own personal purgatory. Entirely by chance, he runs into long-lost acquaintance Agathe (Judith Chemla of <i>A Woman\u2019s Life<\/i>), and falls into an entanglement that\u2019s not quite compatible with his ethereal world. <i>Burning Ghost <\/i>locates an aching romanticism that precariously exists on the precipice between life and death.<br \/>\n<em><b><span lang=\"EN\">Tuesday, March 10, 1:45 p.m. <\/span><\/b><b><span lang=\"EN\">Friday, March 13, 6:30 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with St\u00e9phane Batut<\/span>.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Cuties \/ Mignonnes<br \/>\n<\/span><\/b><b><span lang=\"EN\">Ma\u00efmouna Doucour\u00e9, France, 2020, 95m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Shy 11-year-old Amy (Fathia Youssouf Abdillahi) becomes fascinated by her self-possessed neighbor Anjelica when she spots her dancing in their apartment building\u2019s laundry room. So when Amy discovers that Anjelica is part of a hip-hop dance troupe, the \u201cCuties,\u201d she tries her best to fit in with the group, already deep in training for a local competition. Amy masters the routine, but her newfound talents conflict with her family\u2019s traditional expectations for the woman she should become; meanwhile her mother anxiously awaits her father\u2019s return from Senegal with his second wife. Ma\u00efmouna Doucour\u00e9\u2019s vibrant debut feature, which screened at both Sundance and the Berlin Film Festival, is exceptionally attuned to the internal yearnings and external pressures of adolescence. A Netflix release.<br \/>\n<em><b><span lang=\"EN\">Tuesday, March 10, 6:30 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Ma\u00efmouna Doucour<\/span>\u00e9<\/span><\/b><\/em><\/p>\n<p><b><\/b><em><b><span lang=\"EN\"><br \/>\n<\/span><\/b><b><span lang=\"EN\">Thursday, March 12, 2 0pm<\/span><\/b><\/em><\/p>\n<p><b><span lang=\"EN\">The Dazzled \/ Les \u00e9blouis<br \/>\n<\/span><\/b><b><span lang=\"EN\">Sarah Suco, France, 2019, 99m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Actress-turned-director Sarah Suco\u2019s debut feature is a mesmerizing slow burn set in an insular Catholic community. When promising 12-year-old acrobat Camille (a breakout C\u00e9leste Brunnquell) performs in a sketch that seems to make light of prayer, the church\u2019s leader\u2014known only as \u201cThe Shepherd\u201d (Jean-Pierre Darroussin of <i>Le Havre<\/i>)\u2014asks her parents to withdraw her from circus training. Her mother (Camille Cottin) has become emotionally dependent on the parish, while her father (\u00c9ric Caravaca, <i>Lover for a Day<\/i>) seems brainwashed; amidst this, covertly secular Camille and her younger brothers must come into their own.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/P1x1PFMPRG4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<em><b><span lang=\"EN\">Sunday, March 8, 6:30 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Sarah Suco. <\/span><\/span><\/b><b><span lang=\"EN\">Friday, March 13, 4:15 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Deerskin \/ Le daim<br \/>\n<\/span><\/b><b><span lang=\"EN\">Quentin Dupieux, France, 2019, 77m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Oscar-winner Jean Dujardin (<i>The Artist<\/i>) stars in this rollicking, absurdist, and lightly surrealist take on the midlife crisis movie, directed by Rendez-Vous mainstay Quentin Dupieux (<i>Reality, Keep an Eye Out!<\/i>). Georges (Dujardin) drops several thousand Euros on an <i>Easy Rider<\/i>\u2013style, 100%-deerskin jacket, then absconds to a country inn in a sleepy town far away from his wife. There, he starts experimenting with a mini-DV camcorder, enlisting the help of an aspiring film editor (<i>Portrait of Lady on Fire<\/i>\u2019s Ad\u00e8le Haenel) to assemble a most unusual docufiction\u2014for which a certain garment comes to act as an unconventional muse. Dupieux\u2019s romp\u2014in which ATM withdrawal freezes, parka confiscations, and a repurposed ceiling fan all play unforgettable roles\u2014opened last year\u2019s Director\u2019s Fortnight at Cannes. A Greenwich Entertainment release.<br \/>\n<em><b><span lang=\"EN\">Sunday, March 8, 9:15 p.m. <\/span><\/b><b><span lang=\"EN\">Saturday, March 14, 9 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">An Easy Girl \/ Une fille facile<br \/>\n<\/span><\/b><b><span lang=\"EN\">Rebecca Zlotowski, France, 2019, 92m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNorth American Premiere<br \/>\n<\/span><\/b>During a sweltering summer on the beaches of Cannes, 16-year-old Na\u00efma (Mina Farid) passes languid days working in a restaurant and preparing for acting auditions with her close friend Dodo (Lakdhar Dridi). When her glamorous cousin Sofia (Zahia Dehar) arrives for an extended stay, Naima begins to shadow her seemingly thrilling lifestyle, which gets complicated when Sofia becomes entangled with two art dealers (Nuno Lopes and <i>The Piano Teacher<\/i>\u2019s Beno\u00eet Magimel). Breezy yet sumptuous, Rebecca Zlotowski\u2019s fourth feature (her previous, <i>Planetarium<\/i>, played at Rendez-Vous in 2017) taps into the universal hunger of adolescence, and imbues an empathetic coming-of-age story with a sharp class critique. A Netflix release.<br \/>\n<em><b><span lang=\"EN\">Saturday, March 7, 9 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Rebecca Zlotowski<\/span>. <\/span><\/b><b><span lang=\"EN\">Thursday, March 12, 4 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Happy Birthday \/ F\u00eate de famille<br \/>\n<\/span><\/b><b><span lang=\"EN\">C\u00e9dric Kahn, France\/Belgium, 2019, 101m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Both buoyant and bittersweet, this perceptive ensemble piece directed by C\u00e9dric Kahn (whose <i>Wild Life<\/i> played in Rendez-Vous 2015) and headlined by Catherine Deneuve tests the ties that bind a family. Deneuve is matriarch Andr\u00e9a, whose family comes together to celebrate her 70th birthday. Everything seems to be in order with her strait-laced son (Kahn) and his family, as well as with her more free-spirited son (<i>Non-Fiction<\/i>\u2019s Vincent Macaigne), who plans to document the gathering on video. But when her mentally unstable daughter Claire (Emmanuelle Bercot, Cannes Best Actress winner for <i>My King<\/i>) reappears after three years, old resentments surface, not least from the teenager (<i>Portrait of a Lady on Fire<\/i>\u2019s Lu\u00e0na Bajrami) Claire abandoned. Kahn coaxes mood swings of warmth and vitriol from his cast in a film that takes place over the course of one hectic day.<br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/BmrgKvZuLqI\" width=\"1000\" height=\"563\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\n<em><b><span lang=\"EN\">Thursday, March 12, 9:15p.m. <\/span><\/b><b><span lang=\"EN\">Sunday, March 15, 6:15 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Isadora\u2019s Children \/ Les enfants d\u2019Isadora<br \/>\n<\/span><\/b><b><span lang=\"EN\">Damien Manivel, France\/South Korea, 2019, 84m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNorth American Premiere<br \/>\n<\/span><\/b>Dance legend Isadora Duncan responded to the tragic death of her children by choreographing a three-part piece called <i>Mother<\/i>. In <i>Isadora\u2019s Children<\/i>, Damien Manivel depicts a trio of characters engaging with Duncan\u2019s work of art: an introspective choreographer (Agathe Bonitzer) feeling her way through the piece\u2019s movements; a dance teacher and her student rehearsing the dance for a recital; and a member of the audience (played by renowned dancer and choreographer Elsa Wolliaston), who carries the memory of the performance through a solitary evening. Manivel, who won Best Director at the Locarno Film Festival, makes something hypnotic out of precisely timed gestures, and explores how to infuse a choreographed routine with a shared, intimate humanity.<br \/>\n<em><b><span lang=\"EN\">Friday, March 3, 4 p.m. <\/span><\/b><b><span lang=\"EN\">Saturday, March 14, 2 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Joan of Arc \/ Jeanne<br \/>\n<\/span><\/b><b><span lang=\"EN\">Bruno Dumont, France, 2019, 137m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nU.S. Premiere<br \/>\n<\/span><\/b>Ten-year-old Lise Leplat Prudhomme commands the center of Bruno Dumont\u2019s inventive reimagining of the story of Joan of Arc, a sequel to Dumont\u2019s musical <i>Jeannette: The Childhood of Joan of Arc <\/i>(2017) that\u2019s singular and entrancing enough to stand on its own. Joan, compelled by visions of God, leads the French charge against invading English forces, and is later captured and put on trial for heresy. Although this chapter is cinematically well-trod, Dumont turns it into an uncanny, absurdist mood piece, strikingly shot amid rolling hills and vaulted cathedrals. As legendary singer-songwriter Christophe\u2019s synthesizers slice through the droll stillness, Joan comes into her own, gaining a gravitas that makes her a force to be reckoned with. As always, Dumont proves his mastery with this enthralling, witty, and deeply rewarding work. A KimStim release.<br \/>\n<em><b><span lang=\"EN\">Wednesday, March 11, 6:15 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Bruno Dumont. <\/span><\/span><\/b><\/em><b><span lang=\"EN\"><em>Friday, March 13, 1:30 p.<\/em>m.<\/span><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">On a Magical Night \/ Chambre 212<br \/>\n<\/span><\/b><b><span lang=\"EN\">Christophe Honor\u00e9, France\/Belgium\/Luxembourg, 2019, 87m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Chiara Mastroianni won Best Actress in the Cannes Film Festival\u2019s Un Certain Regard section for her fierce performance in this playful, fantastical spin on a Rohmerian moral tale, the latest from Christophe Honor\u00e9 (<i>Sorry Angel<\/i>, NYFF56). Mastroianni is law professor Maria, whose 25-year marriage to Richard (singer-songwriter Benjamin Biolay) is ruptured when he discovers texts from Maria\u2019s younger lover on her phone. After checking into a hotel across the street, she doesn\u2019t exactly find herself alone with her thoughts: over the course of a hallucinatory evening, she\u2019s visited by a series of impossible guests, including Richard\u2019s twenty-something self (Vincent Lacoste) and the embodiment of her own free will (St\u00e9phane Roger). Honor\u00e9\u2019s stylish and sensual aesthetic makes for a swooning reflection on love and memory that becomes even more heartrending thanks to the brilliant cast. A Strand Releasing release.<br \/>\n<em><b><span lang=\"EN\">Friday, March 6, 8:45 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Chiara Mastroianni. <\/span><\/span><\/b><\/em><b><span lang=\"EN\"><em>Monday, March 9, 4:15 p.m<\/em>.<\/span><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Papicha<br \/>\n<\/span><\/b><b><span lang=\"EN\">Mounia Meddour, France\/Algeria\/Belgium\/Qatar, 2019, 106m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French and Arabic with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Nedjma (Lyna Khoudri) is a university student during the Algerian Civil War. Although she\u2019s studying French, her passion is fashion design: defying religious conservatism, she custom-makes dresses for her peers that are examples of individual expression. Attacks on civilians are on the rise from fundamentalist Islamist sects, and a shocking incident drives Nedjma to stage a unique protest: a fashion show centered around repurposing the haik, a traditional veil, into secular garments. Anchored by a remarkable naturalism and camaraderie among its lead actresses (especially from Khoudri and Shirine Boutella), <i>Papicha\u2014<\/i>a highlight of Cannes\u2019 Un Certain Regard section\u2014tells an unflinching story of resistance and resilience, and marks an inspired, sometimes harrowing debut for Mounia Meddour. A Distrib Films release.<br \/>\n<em><b><span lang=\"EN\">Friday, March 6, 1:45 p.m. <\/span><\/b><b><span lang=\"EN\">Thursday, March 12, 6:15 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Mounia Meddour.<\/span><\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Perfect Nanny \/ Chanson douce<br \/>\n<\/span><\/b><b><span lang=\"EN\">Lucie Borleteau, France, 2019, 100m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Seeking a nanny, young parents Myriam (Le\u00efla Bekhti) and Paul (Antoine Reinartz) think they\u2019ve found the perfect solution in Louise (Karin Viard). She comes with glowing references from multiple families, and she immediately takes a shine to their two young children. But as Myriam reimmerses herself in her legal job, Louise entrenches herself deeper and deeper into their family life, her behavior growing ever stranger. Under the watchful eye of director Lucie Borleteau (<i>Fidelio: Alice\u2019s Odyssey<\/i>, Rendez-Vous 2015), this adaptation of Le\u00efla Slimani\u2019s best-seller becomes a vividly detailed, unsettling thriller that probes our tendencies to trust those we barely know. A Distrib Films release.<br \/>\n<em><b><span lang=\"EN\">Monday, March 9, 6:15 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Lucie Borleteau. <\/span><\/span><\/b><b><span lang=\"EN\">Wednesday, March 11, 1:45 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Proxima<br \/>\n<\/span><\/b><b><span lang=\"EN\">Alice Winocour, France\/Germany, 2019, 107m<br \/>\n<\/span><\/b><b><span lang=\"EN\">English, French, Russian, and German with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>Sarah (Eva Green), an astronaut living in Cologne, is selected for a yearlong spaceflight to help pave the way for future voyages to Mars. Before liftoff, she must spend a grueling year at a training facility in Moscow, which separates her from her young daughter (Z\u00e9lie Boulant), left in the care of her ex-husband (<i>Clouds of Sils Maria<\/i>\u2019s Lars Eidinger). Highly aware that she\u2019s the only woman involved in the mission, Sarah tries to stay focused and stoic, suppressing any weaknesses that her condescending captain (Matt Dillon) might notice, and trying to soothe her daughter\u2019s newfound loneliness from afar. Set to an atmospheric score from Ryuichi Sakamoto, the third feature from Alice Winocour (<i>Disorder<\/i>, Rendez-Vous 2016) wrestles poignantly with the earthly loose ends and internal pressures of space travel. A Vertical Entertainment release.<br \/>\n<em><b><span lang=\"EN\">Saturday, March 7, 6:15 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Alice Winocour.<\/span> <\/span><\/b><b><span lang=\"EN\">Tuesday, March 10, 9:15 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">School Life \/ La vie scolaire<br \/>\n<\/span><\/b><b><span lang=\"EN\">Grand Corps Malade and Mehdi Idir, France, 2019, 111m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French and Arabic with English subtitles<br \/>\nNorth American Premiere<br \/>\n<\/span><\/b>The new vice principal of a middle school in Parisian suburb Saint Denis, Samia (Zita Hanrot, from <i>Paul Sanchez Is Back!<\/i>) is warned by her fellow teachers that the students are unmotivated and hard to discipline. She sees things differently, however, when she gets to know the students, especially Yanis (Liam Pierron), who\u2019s sharp and driven but disillusioned by a world that seems to have turned its back on him and his family. Slam poet Grand Corps Malade and Mehdi Idir\u2019s second collaboration after 2016\u2019s <i>Step by Step<\/i> is both vivid institutional critique and lively ensemble piece\u2014a rousing look at the importance of encouraging untapped potential despite institutional odds. A Netflix release.<br \/>\n<em><b><span lang=\"EN\">Sunday, March 8, 1 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Mehdi Idir.<\/span> <\/span><\/b><b><span lang=\"EN\">Tuesday, March 10, 4 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Someone, Somewhere \/ Deux moi<br \/>\n<\/span><\/b><b><span lang=\"EN\">C\u00e9dric Klapisch, France\/Belgium, 2019, 110m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNew York Premiere<br \/>\n<\/span><\/b>In this almost-romance from C\u00e9dric Klapisch (<i>Paris<\/i>, Rendez-Vous 2008), warehouse employee R\u00e9my (Fran\u00e7ois Civil) and research assistant M\u00e9lanie (Ana Girardot) have never met, but they live parallel lives: they reside in neighboring apartment buildings, ride the same subway route, and are troubled by bouts of insomnia and depression. Their days punctuated by unfulfilling jobs, they seek meaningful romantic and platonic connection. As they stumble through psychotherapy, dating apps, fainting spells, and family visits, the seemingly star-crossed duo orbit around each other but remain just out of reach. Klapisch spins a delicate \u201cwhat-if\u201d from their compartmentalization, exploring our increasingly hermetic modern urban life. A Distrib Films release.<br \/>\n<em><b><span lang=\"EN\">Monday, March 9, 9 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with C\u00e9dric Klapisch. <\/span><\/span><\/b><\/em><b><span lang=\"EN\"><em>Saturday, March 14, 6:30 p.<\/em>m.<\/span><\/b><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">South Terminal \/ Terminal Sud<br \/>\n<\/span><\/b><b><span lang=\"EN\">Rabah Ameur-Za\u00efmeche, France, 2019, 96m<br \/>\n<\/span><\/b>French and Arabic with English subtitles<br \/>\nU.S. Premiere<br \/>\nThe haunting, experiential latest from Rabah Ameur Za\u00efmeche (<i>Story of Judas<\/i>, Rendez-Vous 2016) centers on a doctor (Ramzy Bedia) in nineties Algeria, which is rapidly becoming a war zone. He spends his days tending to the wounded and comforting the suffering, yet maintains a stoic neutrality toward the ambiguous conflict, resolving that his job is simply to help those in pain. But once he starts receiving death threats and horrors begin to encroach on his own life, his moral position is shaken. As each day\u2019s work wears on the doctor, the inhumanity of the violence turns his life into a purgatory, pushing him to question whether or not more drastic action might be called for.<br \/>\n<em><b><span lang=\"EN\">Wednesday, March 11, 4 p.m. <\/span><\/b><b><span lang=\"EN\">Sunday, March 15, 4 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">The Specials \/ Hors normes<br \/>\n<\/span><\/b><b><span lang=\"EN\">Olivier Nakache and \u00c9ric Toledano, France, 2019, 114m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nU.S. Premiere<br \/>\n<\/span><\/b>This heartfelt comic drama from the directing duo behind <i>The Intouchables <\/i>(Rendez-Vous 2012) targets structural neglect in the French medical system. Bruno (Vincent Cassel) runs a shelter for autistic young people turned away by hospitals, while his friend Malik (Reda Kateb) mentors underprivileged youths seeking employment. Both men, based on real-life people, are constantly frustrated by the lack of consistent funding and institutional support\u2014which eventually leads them to confront the government head-on. With help from a spirited ensemble, <i>The Specials<\/i>\u2014the 2019 Cannes Film Festival\u2019s closing night selection\u2014crackles with fiery commitment as Bruno and Malik advocate for those living on the margins.<br \/>\n<em><b><span lang=\"EN\">Saturday, March 14, 4 p.m. <\/span><\/b><b><span lang=\"EN\">Sunday, March 15, 8:45 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Spellbound \/ Les envo\u00fbt\u00e9s<br \/>\n<\/span><\/b><b><span lang=\"EN\">Pascal Bonitzer, France, 2019, 90m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nNorth American Premiere<br \/>\n<\/span><\/b>An uncanny triangle emerges in this update of Henry James\u2019s short story \u201cThe Way It Came,\u201d directed by Pascal Bonitzer (<i>Right Here Right Now<\/i>, Rendez-Vous 2017). Book critic Coline (Sara Giraudeau) is assigned a profile of a reclusive, brooding painter (<i>Let the Sunshine In<\/i>\u2019s Nicolas Duvauchelle), who claims to have seen his mother\u2019s spirit just before her death. Curiously, Coline\u2019s close friend (Anabel Lopez), also an artist, says she witnessed an apparition of her father on the brink of his sudden passing, as well. An ethereal brew of lust, grief, and jealousy propels this transfixing story of invisible frequencies and mortal hungers.<br \/>\n<em><b><span lang=\"EN\">Sunday, March 8, 4 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Pascal Bonitzer<\/span>. <\/span><\/b><b><span lang=\"EN\">Friday, March 13, 9:15 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Spread Your Wings \/ Donne moi des ailes<br \/>\n<\/span><\/b><b><span lang=\"EN\">Nicolas Vanier, France\/Norway, 2019, 113m<br \/>\n<\/span><\/b><b><span lang=\"EN\">English, French, and Norwegian with English subtitles<br \/>\nU.S. Premiere<br \/>\n<\/span><\/b>Sulky teenager Thomas (Louis Vazquez) dreads spending summer with his father (Jean-Paul Rouve), an environmentalist in a rural, wifi-less hamlet. Much to his surprise, he grows attached to his father\u2019s new project: an ambitious plan to train a flock of endangered geese to follow a new migratory path, avoidant of pollution and human-made threats. The duo embarks on a journey to the Arctic circle with an ultralight glider, which they\u2019ll fly to guide the geese along their new route. Writer-director Nicolas Vanier (<i>Loup<\/i>) channels his passion for nature into this tale of our civic responsibility to protect it, a freewheeling adventure of both suspense and enlightening civic action.<br \/>\n<em><b><span lang=\"EN\">Sunday, March 15, 1:30 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Who You Think I Am \/ Celle que vous croyez<br \/>\n<\/span><\/b><b><span lang=\"EN\">Safy Nebbou, France\/Belgium, 2019, 101m<br \/>\n<\/span><\/b><b><span lang=\"EN\">French with English subtitles<br \/>\nU.S. Premiere<br \/>\n<\/span><\/b>Juliette Binoche balances impulsiveness, determination, and vulnerability as only she can in <i>Who You Think I Am<\/i>, Safy Nebbou\u2019s follow-up to her survivalist drama <i>In the Forest of Siberia <\/i>(Rendez-Vous, 2017). Heartbroken after a breakup with her twentysomething boyfriend, philosophy professor Claire (Binoche) longs to stay close to him. On Facebook, she adds her ex\u2019s good friend Alex (Fran\u00e7ois Civil) so that she can browse though his tagged photos; yet to hide her identity, she uses a profile for a 24-year-old alter ego named Clara. When Alex messages her\u2014and she begins responding as Clara\u2014Claire\u2019s plans veer into uncharted territory. In this ingenious adaptation of Camille Laurens\u2019s best-seller, Nebbou turns a romantic comedy premise into a dizzying and dangerous game of mirrors between the real and the virtual. A Cohen Media release.<br \/>\n<em><b><span lang=\"EN\">Friday, March 6, 6 p.m. <span style=\"text-decoration: underline;\">Q&amp;A with Safy Nebbou and Juliette Binoche.<\/span> <\/span><\/b><b><span lang=\"EN\">Monday, March 9, 2 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><b><u><span lang=\"EN\">SPECIAL EVENTS<\/span><\/u><\/b><\/h2>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">The Truth with Juliette Binoche and Ethan Hawke<br \/>\n<\/span><\/b>Over the past thirty years, Juliette Binoche and Ethan Hawke have been icons of French and American film acting, respectively. They have collaborated for the first time on <i>The Truth<\/i>, Hirokazu Kore-eda\u2019s follow-up to his Palme d\u2019Or-winning <i>Shoplifters<\/i>, and the Opening Night selection of this year\u2019s Rendez-Vous with French Cinema. In this intimate, in-depth conversation between professional peers, Binoche and Hawke will discuss the experience of working with Kore-eda on his first French-language film, and the process of probing the dynamics of married life and intergenerational family drama in the context of hyperconnected 21st-century life.<br \/>\n<em><b><span lang=\"EN\">Thursday, March 5, 5 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Exploring Space on Film<br \/>\n<\/span><\/b>At a moment when we are increasingly looking to the stars for a vision of a future and a path forward, filmmakers around the world have responded by transposing timeless themes of love, loss, family ties, and spiritual transcendence from the earth to the realm of outer space. The result has been a rich bounty of films contemplating what might become of humanity once we leave our planet behind. In this talk, Alice Winocour, director of the astronaut drama <i>Proxima<\/i>, will explore the variety of approaches that artists have taken to crafting such stories, and how those perspectives differ across countries, genres, genders, and production contexts.<br \/>\n<em><b><span lang=\"EN\">Saturday, March 7, 5 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">Serge Toubiana on Helen Scott<br \/>\n<\/span><\/b>Celebrated author Serge Toubiana, president of Unifrance and former director of the Cinematheque fran\u00e7aise, will discuss the life and work of Helen Scott, subject of his latest book, <i>L&#8217;amie am\u00e9ricaine. <\/i>A legendary figure for film buffs on both sides of the Atlantic, Helen Scott is perhaps best known for her passionate work and friendship with Fran\u00e7ois Truffaut, but she led a fascinating and mysterious life all her own. A book signing with Toubiana will follow the talk. Presented in collaboration with Albertine Books.<br \/>\n<em><b><span lang=\"EN\">Sunday, March 8, 3 p.m.<\/span><\/b><\/em><\/p>\n<p>&nbsp;<\/p>\n<p><b><span lang=\"EN\">From Book to Film<br \/>\n<\/span><\/b>Cinema and literature are deeply interconnected art forms that keep inspiring each other. What are the challenges and implications of adapting a book to the screen, and how does literature nurture cinema? How do films allow creators and audiences not only to revisit but also reimagine familiar narratives? What are the concrete steps one must take to adapt a book? And how can the power of literature and words influence screenwriting and filmmaking? A selection of French and American filmmakers and writers will join to discuss these topics. Presented in partnership with French in Motion and IFP.<br \/>\n<em><b><span lang=\"EN\">Monday, March 9 p.m.<\/span><\/b><\/em><\/p>\n<div align=\"center\">\n<div>\n<p style=\"text-align: left;\"><b><u><span lang=\"EN\"><br \/>\nUNIFRANCE<\/span><\/u><\/b><\/p>\n<p style=\"text-align: left;\"><span lang=\"EN\">For 70 years, UniFrance has been using its experience of the international marketplace to support French cinema worldwide. UniFrance is based in Paris and also has representatives in New York, Seoul, Beijing, and Tokyo. Its membership brings together around 1,000 French producers, filmmaking talents, agents, and sales companies, which are working together to promote French film among foreign audiences, industry executives, and media.<\/span><\/p>\n<p style=\"text-align: left;\"><b><span lang=\"EN\">UniFrance receives generous, year-round support from CNC, the French Ministry of Culture, the French Ministry for Europe and Foreign Affairs, Institut fran\u00e7ais, PROCIREP, Alliance Renault-Nissan-Mitsubishi, Lacoste, Air France, and TitraFilm. The 24th edition of Rendez-vous with French Cinema benefits from the support of CNC, the French Ministry of Culture, the French Ministry for Europe and Foreign Affairs, PROCIREP, Alliance Renault-Nissan-Mitsubishi, Lacoste, TV5 Monde, Cultural Services of the French Embassy, Sacem, and The ENGIE Foundation. For more information, visit <\/span><\/b><span lang=\"EN\"><a href=\"http:\/\/email.wordfly.com\/click?sid=NTU1XzEyNTQ3XzIxNzk3MF83NDI1&amp;l=856832b2-493d-ea11-bd94-e61f134a8c87&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=RDV2020lineup&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/email.wordfly.com\/click?sid%3DNTU1XzEyNTQ3XzIxNzk3MF83NDI1%26l%3D856832b2-493d-ea11-bd94-e61f134a8c87%26utm_source%3Dwordfly%26utm_medium%3Demail%26utm_campaign%3DRDV2020lineup%26utm_content%3Dversion_A&amp;source=gmail&amp;ust=1581894480458000&amp;usg=AFQjCNGK6BU7DrWJbGkZNrNa7KD9peCjpQ\"><b>en.unifrance.org<\/b><\/a><\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: left;\"><b><u><span lang=\"EN\">FILM AT LINCOLN CENTER<br \/>\n<\/span><\/u><\/b><\/p>\n<p style=\"text-align: left;\"><span lang=\"EN\">Film at Lincoln Center is dedicated to supporting the art and elevating the craft of cinema and enriching film culture.<\/span><\/p>\n<p style=\"text-align: left;\"><span lang=\"EN\">Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of <i>Film Comment<\/i>; the presentation of podcasts, talks, and special events; the creation and implementation of Artist Initiatives; and our Film in Education curriculum and screenings. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned arts complex Lincoln Center, making the discussion and appreciation of cinema accessible to a broad audience, and ensuring that it remains an essential art form for years to come.<\/span><\/p>\n<p style=\"text-align: left;\"><span lang=\"EN\">Film at Lincoln Center receives generous, year-round support from <i>The New York Times<\/i>, Shutterstock, the National Endowment for the Arts, and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. American Airlines is the Official Airline of Film at Lincoln Center. For more information, visit\u00a0<\/span><span lang=\"EN\"><a href=\"http:\/\/email.wordfly.com\/click?sid=NTU1XzY2MDhfOTE0MjVfNzQyMg&amp;l=ed706ab8-d9a5-e611-bdf9-e41f1345a46a&amp;utm_source=wordfly&amp;utm_medium=email&amp;utm_campaign=RDV2020lineup&amp;utm_content=version_A\" target=\"_blank\" rel=\"noopener noreferrer\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/email.wordfly.com\/click?sid%3DNTU1XzY2MDhfOTE0MjVfNzQyMg%26l%3Ded706ab8-d9a5-e611-bdf9-e41f1345a46a%26utm_source%3Dwordfly%26utm_medium%3Demail%26utm_campaign%3DRDV2020lineup%26utm_content%3Dversion_A&amp;source=gmail&amp;ust=1581894480458000&amp;usg=AFQjCNErXym5GneY9kALM7b6jkTGuyrjfA\">www.filmlinc.org<\/a><\/span><span lang=\"EN\">\u00a0and follow @filmlinc on Twitter.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;It is a great honor to open our 25th edition of Rendez-Vous with French Cinema with Hirokazu Kore-eda\u2019s new film The Truth in the presence of French and American film icons Juliette Binoche and Ethan Hawke,&#8221; says new Executive Director of UniFrance, Daniela Elstner. &#8220;Their presence highlights what French Cinema represents for American audiences today: An alternative voice and vision on world issues and collective consciousness, which is reflected throughout this year\u2019s selection.&#8221;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/hunterword.com\/index.php\/25th-rendezvous-with-french-cinema-2020-greggwmorris\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[1542,1538,1537,1540,1541,1101,1536,1539,1543],"class_list":["post-15681","post","type-post","status-publish","format-standard","hentry","category-archives","tag-alice-winocour","tag-bruno-dumont","tag-catherine-deneuve","tag-christophe-honore","tag-claude-lelouch","tag-ethan-hawke","tag-juliette-binoche","tag-quentin-dupieux","tag-rebecca-zlotowski"],"_links":{"self":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/15681","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/comments?post=15681"}],"version-history":[{"count":16,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/15681\/revisions"}],"predecessor-version":[{"id":15703,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/15681\/revisions\/15703"}],"wp:attachment":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/media?parent=15681"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/categories?post=15681"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/tags?post=15681"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}