{"id":26539,"date":"2023-07-08T17:54:40","date_gmt":"2023-07-08T21:54:40","guid":{"rendered":"https:\/\/hunterword.com\/?p=26539"},"modified":"2024-05-21T19:01:20","modified_gmt":"2024-05-21T23:01:20","slug":"2023-new-york-asian-film-festival-nyaff-part-2-whats-playing-by-greggwmorris","status":"publish","type":"post","link":"http:\/\/hunterword.com\/index.php\/2023-new-york-asian-film-festival-nyaff-part-2-whats-playing-by-greggwmorris\/","title":{"rendered":"2023 New York Asian Film Festival (NYAFF) – Part 2 – What’s Playing"},"content":{"rendered":"

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Tickets went on sale June 23 for the 22nd edition of the New York Asian Film Festival (NYAFF) presented by the New York Asian Film Foundation and Film at Lincoln Center (FLC).<\/strong><\/h3>\n

It’s running from July 14\u201330 at Film at Lincoln Center with a special weekend of screenings, July 21\u201323, at a new venue in the historic Barrymore Film Center in Fort Lee,<\/a> N.J., the birthplace of the motion picture industry in America. In the works are WORD<\/strong><\/em> Film reviews of pre-fest screeners provided for review. More about that later.<\/p>\n

The 22nd edition will include eight world premieres, nine international premieres, thirty-two North American premieres, three U.S. premieres, and sixteen East Coast\/New York premieres, showcasing the most exciting new action, comedy, drama, thriller, romance, horror, and art-house films from Hong Kong, Japan, China, South Korea, the Philippines, Malaysia, Indonesia, Taiwan, Thailand, Kazakhstan, Kyrgyzstan, Singapore, Vietnam, the United Kingdom, and the United States.<\/p>\n

NYAFF is pleased to unveil the nine wildly diverse and remarkable titles nominated for this year\u2019s Uncaged Award for Best Feature Film Competition, which shines a spotlight on feature filmmakers whose singular cinematic visions should be internationally heralded, and celebrates their passion, imagination, and willingness to take risks.The winner of the Uncaged Award will be selected by a jury, composed of prominent figures from the film industry bridging Asia and the United States, to be announced.<\/p>\n

The Uncaged Award nominees<\/strong> are: The Abandoned (Tseng Ying-ting, Taiwan), a masterful blend of police procedural with psychological themes and social issues, as a female cop pursues a serial killer.<\/p>\n

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THE ABANDONED. Courtesy 2023 NYAFF<\/p><\/div>\n

There are more Uncaged Award nominees are: Abang Adik (Jin Ong, Malaysia) is a raw, neorealist drama about two immigrant brothers whose unshakeable bond is sorely tried by an unspeakable act.<\/p>\n

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BACK HOME. Courtesy, 2023 NYAFF<\/p><\/div>\n

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ABANG ADIK. Courtesy 2023 NYAFF<\/p><\/div>\n

Back Home (Nate Ki, Hong Kong) is a hallucinogenic horror opus in which a young man who can see ghosts returns to his childhood home and is trapped in a waking nightmare; Faces of Anne (Rasiguet Sookkarn and Kongdej Jaturanrasmee, Thailand) is a horror thriller that examines, in high-concept fashion, profound and daunting questions about identity and the meaning of life.<\/p>\n

Flaming Cloud (Liu Siyi, China): An exquisite homage to Disney movies and Chinese folklore in which a young man embarks on a phantasmagorical journey; Greenhouse (Lee Sol-hui, South Korea)is a gripping, slow-burn drama-cum-thriller about a woman whose plans to be reunited with her son are shockingly upended; Home Sweet Home (Takumi Saitoh, Japan) is a sublime horror story in which the perfect family buys the perfect house, only to discover that it is not;<\/p>\n

Mountain Onion (Eldar Shibanov, Kazakhstan) is a hilariously offbeat family comedy in which two resourceful siblings embark on a journey to save their parents\u2019 failing marriage; and Redemption with Life (Zhang Wei, China), a dark meditation on capitalistic corruption in which classic codes of honor and loyalty are put to the ultimate test.<\/p>\n

The NYAFF 2023 Centerpiece Film is the International Premiere of Lee Byeong-heon\u2019s Dream, one of the year\u2019s most highly anticipated blockbusters, with the director in attendance. Both pulse-raising and heartwarming, the story is inspired by the real-life Korean team that participated in the 2010 Homeless World Cup, featuring South Korea\u2019s superstar Park Seo-joon as a virtuoso soccer player-turned-coach and K-pop sensation Lee Ji-eun, best known to the world as IU, as cynical producer.<\/p>\n

NYAFF\u2019s 2023 Star Asia Lifetime Achievement Award will go to maverick filmmaker Junji Sakamoto, a singular writer-director who has primarily worked outside Japan\u2019s studio system and challenged himself to do something utterly different with each film. Even after 30 films, five of them shot partially overseas, he continues to produce surprising work that shares little more with his earlier titles than a male-centric focus, sumptuous visuals, provocative characters, and a humanist heart.<\/p>\n

Since his debut nearly 35 years ago, Sakamoto has genre-hopped with enviable dexterity and no fear of controversial topics, creating work that is both bold and poetic, including Face (2000), KT (2002), Children of the Dark (NYAFF 2008), The Projects (2016),<\/p>\n

Ernesto (2017), and My Brother, the Android and Me (2022). He will appear at NYAFF with his latest masterwork, the jidaigeki eco-fable Okiku and the World.<\/p>\n

Inaugurated last year, NYAFF\u2019s 2023 Best from the East Award honors a singularly outstanding performance in a film, and this year, the award is being bestowed on Korean actress-musician Lee Hanee, star of NYAFF\u2019s Opening Film, Killing Romance.<\/p>\n

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Actress-Musician Lee Hanee right. Picture, ourtesy of 2023 NYAFF.<\/p><\/div>\n

Lee\u2019s absolutely dazzling comedic performance as a former superstar whose would-be dream marriage takes her to the depths of an existential hell and back proves the actress an unstoppable force of nature. Also not to be missed is her turn as a total badass (who may or may not be a spy) busting heads and taking names in Lee Hae-young\u2019s Phantom. She will be on hand late in the festival to receive her award and introduce the screenings of both films.<\/p>\n

A beauty queen, taekwondo black belt, scuba diver, competitive skier, prodigy of traditional Korean music, and Goodwill Ambassador, Lee was a television host and musical theater star before embarking on her illustrious career as a film and TV actress in 2009. Recent highlights include her star turns in megahit Extreme Job (2019), Black Money (2019), and her role in NYAFF 2022 closing film, Alienoid (2022).<\/p>\n

As previously announced, the 2023 Screen International Rising Star Asia Award goes to Japanese star Ryohei Suzuki. Many of his films have been screened at NYAFF in the past. The busy actor first earned international attention for his role in HK: Forbidden Super Hero (NYAFF 2013), as well as Tokyo Tribe (NYAFF 2015) and One Night (NYAFF 2019).<\/p>\n

His performance in Last of the Wolves (NYAFF 2021) won him Best Supporting Actor accolades at the Japan Academy Prize, among many others. He will be on stage for the award ceremony and a Q&A for his latest film, Egoist.<\/p>\n

NYAFF\u2019s 2023 Daniel A. Craft Award for Excellence in Action Cinema will go to wunderkind Thai filmmaker Lee Thongkham for his outrageous action movie sendup Kitty the Killer, an anarchic tale of female assassins that goes for the jugular with gleeful abandon. He started Thongkham Films during the throes of the pandemic, directing its inaugural feature, The Maid (2020).<\/p>\n

The gonzo horror movie became the first Thai Netflix Original Film. Lee next directed the Thai-Chinese kaiju movie, The Lake (2022). He then produced the insane slasher satire Night of the Killer Bears (2023). Thongkham Films has already proven a production powerhouse with several more ambitious projects in the pipeline.<\/p>\n

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Also previously announced, actor and producer Louis Koo, one of Hong Kong\u2019s biggest stars, is being honored with NYAFF\u2019s Extraordinary Star Asia Award. Koo will be on stage for the award ceremony, as well as to introduce his new heart-thumping lifesaving drama Vital Signs.He also appears with compatriot legends Aaron Kwok and Sean Lau for the first time on the big screen in genre maestro Herman Yau\u2019s The White Storm 3: Heaven or Hell. Making its North American premiere at NYAFF, the latest entry of the hit franchise ratchets up the gonzo action while blurring the lines between good and evil.<\/p>\n

NYAFF is delighted to welcome even more creative forces from across Asia and the diaspora to meet the audience in New York: singer-dancer-actor Anson Kong, a member of Cantopop supergroup Mirror and star of Uncaged Competition film Back Home, along with the film\u2019s director, Nate Ki; actor Gong Myoung, who showcases his versatile ability in Killing Romance after starring in TV series Lovers of the Red Sky and blockbuster Extreme Job.<\/p>\n

Japanese star Takumi Saitoh, director of the Uncaged Competition film Home Sweet Home; Rebound director Chang Hang-jun; Kwak Eun-mi, director of A Tour Guide, about a young North Korean defector; Anastasia Tsang, director of the love letter to nighttime Hong Kong, A Light Never Goes Out; Wanweaw Hongvivatana and Weawwan Hongvivatana, directors of Thai teen romance You & Me & Me; director Isher Sahota and producer Jon Tarcy with their hilarious diasporic film, The Effects of Lying; Laha Mebow, Taiwan\u2019s first indigenous female director.<\/p>\n

Philippines director Quark Henares and actress EJ Jallorina with Where Is the Lie?; and Eunice Lau, director of the hard-hitting documentary A-Town Boyz..<\/p>\n

NYAFF will celebrate opening night July 14 with its beloved Opening Night Market Soir\u00e9e, featuring live music and Asian food stalls serving scrumptious delights. The Monday Matsuri to Midnight event takes place all afternoon and evening on July 24, with screenings of Japanese films, Japanese music, and Japanese delicacies.<\/p>\n

Masterclasses with filmmakers and panels, including the Asian Diaspora Filmmaker Forum, a panel discussion bringing together producers, directors to share their experiences in the film industry and offer insight into their creative processes, participants to be announced.<\/p>\n

NYAFF Closing Night will conclude this year\u2019s festival with a fabulous awards ceremony and the world premiere of a new all-star family-friendly animation blockbuster, to be revealed in a future announcement.<\/p>\n

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The New York Asian Film Festival is co-presented by the New York Asian Film Foundation and Film at Lincoln Center. It takes place from July 14\u201330, 2023 at FLC\u2019s Walter Reade Theater (165 West 65th Street), and July 21\u201323 at Barrymore Film Center (153 Main Street, Fort Lee, NJ). It is curated by executive director Samuel Jamier, associate director Claire Marty, and programmers David Wilentz, Karen Severns, Koichi Mori, and Jenny Lin.<\/p>\n

FULL LINEUP (78 films)<\/strong>
\n(Please note the program is still subject to change)<\/strong><\/h3>\n

OPENING FILM<\/strong>
\n– Killing Romance<\/strong><\/em> | dir. Lee Won-suk, South Korea, 2023 | North American Premiere<\/p>\n

CENTERPIECE FILM<\/strong>
\n– Dream<\/strong><\/em> | dir. Lee Byeong-heon, South Korea, 2023 | International Premiere<\/p>\n

OUTDOOR FILM<\/strong>
\n– The Host<\/strong><\/em> | dir. Bong Joon-ho, South Korea, 2006 | Special Screening<\/p>\n

CLOSING FILM
\n– 2023 | World Premiere<\/p>\n

BEYOND BORDERS (3) Films that tell stories about characters confronting different cultures<\/strong><\/h3>\n

– Mountain Woman<\/em><\/strong> | dir. Takeshi Fukunaga, Japan, USA, 2022 | North American Premiere
\n– The Sunny Side of the Street<\/em><\/strong> | dir. Lau Kok-rui, Hong Kong, Malaysia, 2022 | New York Premiere
\n– A Tour Guide<\/em><\/strong> | dir. Kwak Eun-mi, South Korea, 2023 | North American Premiere<\/p>\n

CROWD PLEASERS (5) Films that captivate, comfort, and cheer<\/strong><\/h3>\n

– Bear Man<\/strong><\/em> | dir. Park Sung-kwang, South Korea, 2023 | North American Premiere
\n– Gaga<\/strong> <\/em>| dir. Laha Mebow \/ Chieh-Yao Chen, Taiwan, 2022 | East Coast Premiere
\n– I Love You,<\/strong><\/em> Beksman | dir. Percival Intalan, Philippines, 2022 | North American Premiere
\n– Marry My Dead Body<\/strong><\/em> | dir. Cheng Wei-hao, Taiwan, 2022 | East Coast Premiere
\n– Rebound<\/strong><\/em> | dir. Chang Hang-jun, South Korea, 2023 | New York Premiere<\/p>\n

DIASPORIC DISCOVERIES (3)Films that blur the clear-cut lines of East-West identities<\/strong><\/h3>\n

– The Effects of Lying<\/strong><\/em> | dir. Isher Sahota, U.K., 2023 | North American Premiere
\n– Shaky Shivers<\/strong> <\/em>| dir. Sung Kang, USA, 2023 | East Coast Premiere
\n– A-Town Boyz<\/strong> <\/em>| dir. Eunice Lau, USA, 2023 | World Premiere<\/p>\n

FRONTLINES (6) Films grounded in the lives of those in marginalized communities, with narratives that examine pressing issues<\/strong><\/h3>\n

– 12 Weeks<\/strong><\/em> | dir. Anna Isabelle Matutina, Philippines, 2022 | International Premiere
\n– December<\/strong><\/em> | dir. Anshul Chauhan, Japan, 2022 | North American Premiere
\n– Eye of the Storm<\/em><\/strong> | dir. Lin Chun-Yang, Taiwan, 2023 | International Premiere
\n– Glorious Ashes<\/strong><\/em> | dir. Bui Thac Chuy\u00ean, Vietnam, France, Singapore, 2022 | North American Premiere
\n– In Broad Daylight<\/em> <\/strong>| dir. Lawrence Kan, Hong Kong, 2023 | North American Premiere
\n– Vital Signs<\/em><\/strong> | dir. Cheuk Wan-chi, Hong Kong, 2023 | North American Premiere<\/p>\n

Genre Masters, (6) Innovative new work that tweaks and twists genre conventions<\/strong><\/p>\n

– #Manhole | dir. Kazuyoshi Kumakiri, Japan, 2023 | East Coast Premiere
\n– Geylang | dir. Boi Kwong, Singapore, 2022 | North American Premiere
\n– Kitty the Killer | dir. Lee Thongkham, Thailand, 2023 | International Premiere
\n– Mad Fate | dir. Soi Cheang, Hong Kong, 2023 | North American Premiere
\n– Miss Shampoo | dir. Giddens Ko, Taiwan, 2023 | North American Premiere
\n– The White Storm 3: Heaven or Hell | dir. Herman Yau, Hong Kong, 2023 | North American Premiere<\/p>\n

Next\/Now (7) Highlighting emerging voices and promising works by up-and-coming directors<\/strong><\/p>\n

– Bad Education | dir. Kai Ko, Taiwan, 2022 | North American Premiere
\n– The Cord of Life | dir. Qiao Sixue, China, 2022 | New York Premiere
\n– Extreme Festival | dir. Kim Hong-ki, South Korea, 2023 | International Premiere
\n– Hail to Hell | dir. Lim Oh-jeong, South Korea, 2022 | North American Premiere
\n– A Light Never Goes Out | dir. Anastasia Tsang, Hong Kong, 2022 | U.S. Premiere
\n– Mayhem Girls | dir. Shinichi Fujita, Japan, 2022 | International Premiere
\n– You & Me & Me | dir. Weawwan Hongvivatana, Wanweaw Hongvivatana, Thailand, 2023 | North American Premiere<\/p>\n

Standouts (6) Exceptional films, regardless of premiere status<\/strong><\/p>\n

– Art College 1994 | dir. Liu Jian, China, 2023 | North American Premiere
\n– Egoist | dir. Daishi Matsunaga, Daishi Matsunaga, Japan, 2023 | New York Premiere
\n– A Hundred Flowers | dir. Genki Kawamura, Japan, 2022 | New York Premiere
\n– Motherhood | dir. Ryuichi Hiroki, Japan, 2022 | U.S. Premiere
\n– Phantom | dir. Lee Hae-young, South Korea, 2023 | North American Premiere
\n– A Woman | dir. Wang Chao, China, 2022 | North American Premiere<\/p>\n

VANGUARDS (5) Original films that break away from formalistic and\/or narrative conventions<\/strong><\/h3>\n
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EVERYPHONE EVERYWHERE. Picture courtesy of 2023 NYAAF<\/p><\/div>\n

– Everyphone Everywhere | dir. Amos Why, Hong Kong, 2023 | North American Premiere
\n– In Her Room | dir. Chihiro Ito, Japan, 2022 | North American Premiere
\n– Nomad (Director\u2019s Cut) | dir. Patrick Tam, Hong Kong, 1982 | East Coast Premiere
\n– Okiku and the World | dir. Junji Sakamoto, Japan, 2023 | North American Premiere
\n– Where Is the Lie? | dir. Quark Henares, Philippines, 2023 | New York Premiere<\/p>\n

FILMMAKER IN FOCUS: ZHANG WEI (4)<\/strong><\/h3>\n

– Empty Nest | dir. Zhang Wei, China, 2020 | North American Premiere
\n– Factory Boss | dir. Zhang Wei, China, 2014 | Special Screening
\n– Redemption with Life | dir. Zhang Wei, China, 2023 | World Premiere (also in the Uncaged Competition)
\n– The Rib (Director\u2019s Cut) | dir. Zhang Wei, China, 2018 | Special Screening<\/p>\n

UNCAGED AWARD FOR BEST FEATURE FILM COMPETITION (9):<\/h3>\n

– The Abandoned | dir. Tseng Ying-ting, Taiwan, 2022 | North American Premiere
\n– Abang Adik | dir. Jin Ong, Malaysia, 2023 | North American Premiere
\n– Back Home | dir. Nate Ki, Hong Kong, 2023 | World Premiere
\n– Faces of Anne | dir. Rasiguet Sookkarn, Kongdej Jaturanrasmee, Thailand, 2022 | North American Premiere<\/h3>\n

– Flaming Cloud | dir. Liu Siyi, China, 2023 | World Premiere
\n– Greenhouse | dir. Lee Sol-hui, South Korea, 2022 | North American Premiere
\n– Home Sweet Home | dir. Takumi Saitoh, Japan, 2023 | North American Premiere
\n– Mountain Onion | dir. Eldar Shibanov, Kazakhstan, 2022 | North American Premiere
\n– Redemption with Life | dir. Zhang Wei, China, 2023 | World Premiere (also in Filmmaker in Focus)<\/p>\n

SHORTS: SHORTS SHOWCASE – ANIMATION<\/strong><\/h3>\n

– Borderline | dir. Kong Son-hee, South Korea, 2022 | World Premiere
\n– Confusion of the Afternoon | dir. Yung-Chieh Lee, Taiwan, 2023 | East Coast Premiere
\n– Goose Mountain | dir. Hu Rui, Chen Liaoyu, China, 2023
\n– Handwritten | dir. Jaime Sunwoo, USA, 2022 | New York Premiere
\n– Hidari | dir. Masashi Kawamura, Iku Ogawa, Japan, 2023
\n– Impurrfection | dir. Chiang Yao, Taiwan, 2022 | New York Premiere
\n– The Kidnapping (Old Man Yang) | dir. Gu Yang, Liu Kuang, Chen Liaoyu, China, 2023
\n– Little Pig Demon (Nobody) | dir. Yu Shui, Chen Liaoyu, China, 2023
\n– Ship Down the Well | dir. Chen Xi, Zhou Xiaolin, Chen Liaoyu, China, 2023
\n– What We Leave Behind | dir. Kang Nam-jin, South Korea, 2022 | International Premiere<\/p>\n

Shorts: Shorts Showcase -Live Action<\/strong><\/h3>\n

– All Your Fault, PD | dir. Kim Sun-yeun, South Korea, 2022 | North American Premiere
\n– Fix Anything | dir. L\u00ea L\u00e2m Vi\u00ean, Vietnam, 2022 | North American Premiere
\n– Infant (Perzent) | dir. Karash Zhanyshov, Kyrgyzstan, 2022 | U.S. Premiere
\n– Kumbang (Bugs) | dir. Gwai Lou, Malaysia, 2023 | World Premiere
\n– Neo Portraits | dir. Gazebo, Japan, 2023 | International Premiere
\n– Pufferfish | dir. Mohamad Kamal Alavi, Iran, 2023 | World Premiere
\n– Resellers | dir. Lee Seung-ju, South Korea, 2022 | International Premiere
\n– A Roadside Banquet | dir. Peiqi Peng, United States, China, 2023 | East Coast Premiere
\n– Sweet Refuge | dir. Maryam Mir, USA, 2023 | East Coast Premiere
\n– Will You Look At Me | dir. Shuli Huang, China, 2022<\/p>\n

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