{"id":38141,"date":"2026-01-01T10:08:29","date_gmt":"2026-01-01T15:08:29","guid":{"rendered":"https:\/\/hunterword.com\/?p=38141"},"modified":"2026-01-05T16:33:54","modified_gmt":"2026-01-05T21:33:54","slug":"filmmaker-suzannah-herberts-tribeca-festival-award-winning-documentary-natchez-opens-january-30","status":"publish","type":"post","link":"http:\/\/hunterword.com\/index.php\/filmmaker-suzannah-herberts-tribeca-festival-award-winning-documentary-natchez-opens-january-30\/","title":{"rendered":"Film Preview Filmmaker Suzannah Herbert\u2019s Award Winning Documentary NATCHEZ Opens January, 30 at Film Forum WINNER \u2013 Best Documentary, 2025 Tribeca Festival"},"content":{"rendered":"<p>Natchez, Mississippi: a town of 15,000 for generations has drawn tourists to its immaculately restored antebellum mansions, hosted by hoop-skirted white matriarchs, for an experience dubbed \u201cPilgrimage.\u201d As interest declines in and questions arise about showcasing these regal estates with tall tales of the \u201cOld South,\u201d Natchez faces a reckoning\u2014with a romanticized, sanitized historical narrative and the debt it owes to the descendants of enslaved people.<br \/>\nDirected by Suzannah Herbert\u2014a documentary filmmaker whose work focuses on the American South\u2014NATCHEZ follows owners of historic plantations, local activists and politicians, and both white and African American tour guides as they tell their ever-more conflicting versions of the town&#8217;s past, and of American history.<\/p>\n<p>NATCHEZ had its world premiere at the 2025 Tribeca Festival where it was awarded the prize for Best Documentary and Special Jury Awards for cinematography (Noah Collier) and editing (Pablo Proenza). It was also featured at Charlotte Film Festival (Winner: Documentary Feature Audience Award), Philadelphia Film Festival (Winner: Best Documentary Feature), and more. NATCHEZ was named one of the Top 5 Documentaries of the Year by the National Board of Review and was awarded for Best Editing at the International Documentary Association IDA Awards.<\/p>\n<p>Executive Producer Sam Pollard has been called one of \u201ccinema\u2019s most dedicated chroniclers of the Black experience in America.\u201d He has collaborated with Spike Lee since 1990, editing and co-producing a number of Lee\u2019s films. Pollard has directed and produced SLAVERY BY ANOTHER NAME (PBS), AUGUST WILSON: THE GROUND ON WHICH I STAND (American Masters), TWO TRAINS RUNNIN \u2019(American Masters), and more. His 2020 film MLK\/FBI (IFC Films) was shortlisted for an Academy Award for Best Documentary Feature.<\/p>\n<p>Darcy McKinnon is a documentary filmmaker whose work focuses on the American South and the Caribbean. Recently released projects include A KING LIKE ME and ROLEPLAY, premiering at SXSW 2024, COMMUTED (PBS, 2024), ALGIERS, AMERICA (Hulu, 2023), UNDER G-D (Sundance 2023), LOOK AT ME! XXXTENTACION (SXSW, Hulu, 2022) and THE NEUTRAL GROUND (Tribeca, POV, 2021), recipient of LEH Documentary of the Year 2022. Darcy is an alum of the Impact Partners Producing Fellowship and the Sundance Institute Creative Producing Fellowship, and a recipient of American Documentary\u2019s Creative Visionary Award in 2023.<\/p>\n<p>&#8220;Raises urgent questions\u2026. The genteel politeness on display at the start of the film falls away, revealing an unsettling core. How can a city move forward without acknowledging the past? That\u2019s not just a question for Natchez, but one for America as a whole.&#8221;<br \/>\n<strong>\u2013 Lovia Gyarke, <i>The Hollywood Reporter<\/i><\/strong><\/p>\n<p>\u201cA tough and complex depiction of intractable racism\u2026Thanks to the discerning eyes of Herbert and cinematographer Noah Collier, we see hypocrisy leak from the faces of their subjects, exactly as it does from the faces of the actors in Jordan Peele\u2019s GET OUT. But NATCHEZ is not a horror film. Rather, it depicts the contest between two versions of history, the stakes of which are the American present and its possible future.\u201d<br \/>\n<strong>\u2013 Amy Taubin, <\/strong><i><strong>Film Comment<\/strong> <\/i><\/p>\n<p>\u201cCaptures the contradictions and tensions of a small Mississippi town reliant on Antebellum tourism with polyphonic complexity. Its implications broaden as its focus grows ever more specific, and in Herbert\u2019s humanistic yet uncompromising direction, Natchez emerges as a microcosm of how the violent white supremacy embedded in the founding of the United States continues to infect the present. In her probing and critical, yet invariably empathetic, interrogation of this tension in the unsettled community of Natchez, Herbert has crafted a major achievement in documentary filmmaking.\u201d<br \/>\n\u2013 <strong>Robert Stinner,<i> In Review Online<\/i><\/strong><\/p>\n<p>Directed and Produced by Suzannah Herbert. Produced by Darcy McKinnon. Executive Producers: Sam Pollard, Cindy Meehl, Carrie Lozano, Lois Vossen, Ted Haddock. Director of Photography: Noah Collier. Editor: Pablo Proenza. Music: James Newberry. Featuring Tracy &#8220;Rev&#8221; Collins, Tracy McCartney, David Garner, Deborah Cosey, Kathleen Bond, Barney Schoby, Mayor Dan Gibson, Ser Boxley. USA. An Oscilloscope Laboratories Releas<\/p>\n<p><i>Presented with support from The Richard Brick, Geri Ashur, and Sara Bershtel Fund for Social Justice Documentaries and The Endowed Fund for Emerging Filmmakers.<\/i><\/p>\n<div id=\"attachment_37953\" style=\"width: 110px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-37953\" class=\"size-thumbnail wp-image-37953\" src=\"http:\/\/hunterword.com\/wp-content\/uploads\/2017\/08\/cropped-gwm-700x700-1-150x150.jpg\" alt=\"\" width=\"100\" height=\"150\" \/><p id=\"caption-attachment-37953\" class=\"wp-caption-text\"><em><strong>the WORD<\/strong><\/em> Editor Gregg W. Morris<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Natchez, Mississippi: a town of 15,000 for generations has drawn tourists to its immaculately restored antebellum mansions, hosted by hoop-skirted white matriarchs, for an experience dubbed \u201cPilgrimage.\u201d As interest declines in and questions arise about showcasing these regal estates with&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"http:\/\/hunterword.com\/index.php\/filmmaker-suzannah-herberts-tribeca-festival-award-winning-documentary-natchez-opens-january-30\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2269,15],"tags":[],"class_list":["post-38141","post","type-post","status-publish","format-standard","hentry","category-2269","category-news-commentary-opinion-fit-to-print"],"_links":{"self":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/38141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/comments?post=38141"}],"version-history":[{"count":11,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/38141\/revisions"}],"predecessor-version":[{"id":38200,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/38141\/revisions\/38200"}],"wp:attachment":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/media?parent=38141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/categories?post=38141"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/tags?post=38141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}