{"id":4049,"date":"2016-10-02T15:48:03","date_gmt":"2016-10-02T19:48:03","guid":{"rendered":"http:\/\/hunterword.com\/?p=4049"},"modified":"2017-04-30T23:39:12","modified_gmt":"2017-05-01T03:39:12","slug":"nyff54-complete-lineup-for-free-daily-talk-series-live","status":"publish","type":"post","link":"http:\/\/hunterword.com\/index.php\/nyff54-complete-lineup-for-free-daily-talk-series-live\/","title":{"rendered":"NYFF54 Complete Lineup for Free Daily Talk Series Live"},"content":{"rendered":"
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HBO\u00ae is the presenting sponsor of NYFF Live, which features actors, directors, writers, critics, and other industry insiders participating in daily evening discussions from October 1 \u2013 14 in the Amphitheater at the Elinor Bunin Munroe Film Center.<\/p>\n

Expanding on the previously announced free Directors Dialogues<\/a>\u00a0lineup, for which HBO\u00ae is also the presenting sponsor, a conversation with Ang Lee has been added on Saturday, October 15. This Directors Dialogues talk invites Lee, in a discussion with festival director Kent Jones, to select clips from work that has inspired and informed his latest film, Billy Lynn\u2019s Long Halftime Walk<\/i>.<\/p>\n

Free tickets to both NYFF Live and Directors Dialogues events will be distributed at the Elinor Bunin Munroe Film Center box office (144 West 65th Street, between Broadway and Amsterdam) on a first-come, first-served basis starting one hour prior to the talks. Limit one ticket per person, subject to availability. <\/i>For those unable to attend, video from the event will be available online at filmlinc.org<\/a>.<\/p>\n

NYFF Live features panels on 13TH<\/i>, Moonlight<\/i>, Neruda<\/i>, and other films from NYFF54, as well as discussions with festival talent including Olivier Assayas, S\u00f4nia Braga, and Barry Jenkins. For updates and additional details about panelists and moderators, visit filmlinc.org\/nyff<\/a>. NYFF Live is organized by Brian Brooks, Film Society of Lincoln Center\u2019s Manager of Talks and Artist Programs.<\/p>\n

The 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Kent Jones, also includes Dennis Lim, FSLC Director of Programming; Florence Almozini, FSLC Associate Director of Programming; Amy Taubin, Contributing Editor, Artforum<\/i> and Film Comment<\/i>; and Gavin Smith, who serves as a consultant.<\/p>\n

DESCRIPTIONS & SCHEDULE
\n<\/u><\/b>All talks will take place in the Elinor Bunin Munroe Film Center\u2019s Amphitheater,144 West 65th Street<\/i><\/p>\n

13TH<\/i> Panel
\n<\/b>The day after Ava DuVernay\u2019s new film, 13TH<\/i>, opens the 54th New York Film Festival, subjects interviewed in the film come together for an extended conversation exploring the many issues highlighted in this powerful documentary about race and criminal justice.<\/p>\n

From the portrayal of black men in popular culture, dating back to D. W. Griffith\u2019s 1915 Birth of a Nation<\/i>, to the progression from slavery to mass incarceration and the persistent demonization and killing of black men by police in our cities today, the discussion will consider how the past connects with our present reality. Participants will include Ashley Clark (BFI), Jelani Cobb (The New Yorker<\/i>, The Substance of Hope: Barack Obama and the Paradox of Progress<\/i>), Malkia Cyril (Center for Media Justice), Kevin Gannon (Center for Excellence in Teaching and Learning), and Khalil Gibran Muhammad (Harvard Kennedy School; former Director of the Schomburg Center for Research in Black Culture). 13TH <\/i>is a Netflix original documentary.
\nSaturday, October 1, 7:00 pm<\/b><\/p>\n

Film Comment<\/i><\/b> Live: Living Cinema
\n<\/b>For its September-October 2016 edition, Film Comment<\/i>, the most important and renowned critical film magazine in the U.S. for more than 50 years, has come out of the gate with an issue devoted to the vitality of movies today, as well as an elaborate special section on films featured in the 54th New York Film Festival. For this panel a selection of the magazine\u2019s editors, new contributors, and longtime writers will join to discuss issues raised and questions asked in its pages. Scheduled guests include critics Shonni Enelow, Michael Koresky, Nick Pinkerton, Imogen Sara Smith, and Farihah Zaman. Moderated by Film Comment<\/i> Editor Nicolas Rapold.
\nSunday, October 2, 8:00 pm<\/b><\/p>\n

Making Moonlight
\n<\/i><\/b>The second feature by American filmmaker Barry Jenkins is already one of the most talked-about independent films of the year. Set and shot in South Florida, Moonlight<\/i> is inspired by Tarell Alvin McCraney\u2019s In Moonlight Black Boys Look Blue<\/i>. The three-part narrative portrays a gay African-American man at three distinct stages of his life, childhood, adolescence, and adulthood. This discussion will take an in-depth look at the making of the film, from Jenkins\u2019s adaptation of the story to his collaborations with indie producer Adele Romanski, and Dede Gardner and Jeremy Kleiner from Plan B, Brad Pitt\u2019s production company. Moderated by Film Society of Lincoln Center Deputy Director Eugene Hernandez.
\nMonday, October 3, 7:00 pm<\/b><\/p>\n

Shorts Panel
\n<\/b>This year\u2019s Main Slate shorts programs include over two-dozen films divided into five programs: Narrative, International Auteurs, Genre Stories, New York Stories, and Documentary. Join a group of this year\u2019s attending filmmakers as they give insight into their latest work. Panelists include Francisca Alegria (And the Whole Sky Fit in a Dead Cow\u2019s Eye<\/i>), Lewie Kloster (Legal Smuggling with Christine Choy<\/i>), Nadav Lapid (From the Diary of a Wedding Photographer<\/i>), Lisanne Skyler (Brillo Box [3\u00a2 off]<\/i>), and Matt Tyrnauer (Jean Nouvel: Reflections<\/i>). Moderated by IndieWire\u2019s Jude Dry.
\nTuesday, October 4, 7:00 pm<\/b><\/p>\n

NYFF54 Filmmaker in Residence Conversation: Alice Rohrwacher
\n<\/b>The first two films by Italian director Alice Rohrwacher (Corpo Celeste<\/i>, The Wonders<\/i>) screened at the New York Film Festival, and this year she is back as the Film Society of Lincoln Center\u2019s fourth Filmmaker in Residence, a collaboration with Jaeger-LeCoultre.<\/p>\n

During her residency in New York, Rohrwacher is writing her third feature, Lazzaro Felice<\/i>, about the adventures of a man, almost a saint, who lives on the margins of his society and can seemingly travel through time. At this special conversation, Rohrwacher will talk about her work and career with Film Society of Lincoln Center Director of Programming Dennis Lim.<\/p>\n

Rohrwacher was born in Florence, Italy, in 1981. She graduated with a degree in Classic Literature from Torino University, and wrote for theater and worked as a musician before approaching filmmaking, initially as a documentary editor. Her first feature, Corpo Celeste<\/i>, premiered at the Cannes Film Festival\u2019s Directors\u2019 Fortnight in 2011, and was then selected for Sundance, New York, London, Rio, and Tokyo film festivals before being released in the U.S., UK, and France.<\/p>\n

Rohrwacher\u2019s second feature, The Wonders<\/i>, won the Grand Jury Prize at the 2014 Cannes Film Festival along with the Best Film Prize at Filmfest M\u00fcnchen, and the Black Pearl Award at the 2014 Abu Dhabi Film Festival. In 2015 she directed The Djess<\/i>, a short film commissioned by Prada as part of Miu Miu\u2019s Women\u2019s Tales film series that premiered during New York Fashion Week, and was also presented at the Venice Film Festival. She is currently working on directing her first opera, a new version of La Traviata<\/i> for Teatri di Reggio Emilia that will open in Fall 2016. Past Filmmakers in Residence include Athina Rachel Tsangari (Chevalier<\/i>), Lisandro Alonso (Jauja<\/i>), and Andrea Arnold (American Honey<\/i>).
\nTuesday, October 4, 8:00 pm<\/b><\/p>\n

Screenwriters Panel
\n<\/b>Fully conceptualized, credible characters bring viewers into a film. Without them, even the most engrossing plot may not resonate. The Writers Guild of America, East brings together the creators behind some unforgettable recent movie characters to tell us how they made them intriguing and believable. Panelists include Jean-Christophe Castelli (Billy Lynn\u2019s Long Halftime Walk<\/i>), Rebecca Miller (Maggie\u2019s Plan<\/i>), and Mike Mills (20th Century Women<\/i>). Moderated by WGAE President Michael Winship.
\nWednesday, October 5, 7:00pm<\/b><\/p>\n

Casting Panel
\n<\/b>Join three of New York\u2019s foremost casting directors, Gayle Keller (Certain Women<\/i>, Louie<\/i>), Henry Russell Bergstein (Manchester by the Sea<\/i>, Mozart in the Jungle<\/i>) and moderator Richard Hicks (Zero Dark Thirty<\/i>, Hell or High Water<\/i>, President of the Casting Society of America), as they shine a light on the intensely creative and collaborative art of casting. Topics will include the casting process for the festival films listed above, finding and advocating for that perfect match of actor to role, and opportunities and pitfalls surrounding casting in the digital age.
\nWednesday, October 5, 8:00 pm<\/b><\/p>\n

Gael Garc\u00eda Bernal and Pablo Larra\u00edn (Neruda<\/i>)
\n<\/b>After collaborating on the 2012 feature No<\/i>, Chilean director Pablo Larra\u00edn and Mexican actor Gael Garc\u00eda Bernal joined forces again for Neruda<\/i>, screening in this year\u2019s Main Slate. Join the duo as they talk about this latest project, a drama that blends fact and fiction in telling the story of the great Chilean poet Pablo Neruda\u2019s years of flight and exile after his 1948 denunciation of his government. A cat-and-mouse game ensues with a detective, played by Bernal.
\nThursday, October 6, 7:00 pm<\/b><\/p>\n

New Challenges in Film Preservation, presented with New York Women in Film & Television
\n<\/b>The Women\u2019s Film Preservation Fund of New York Women in Film & Television has helped to restore and preserve over 100 films in which women had a key creative role. Among these is Barbara Kopple\u2019s Oscar-winning Harlan County USA<\/i>, showing in the Revivals section at this year\u2019s NYFF. The result of this preservation project was a new 16mm print, which was used for exhibition. But what\u2019s next?<\/p>\n

There are few 16mm exhibition venues available today. However, we know that film is the most stable of all available moving image media. How does this affect the work of the preservationist? Should 16mm prints continue to be made? The conversation will also address the larger issue of the need for film preservation and the work of the WFPF. Panelists include NYWIFT Women\u2019s Film Preservation Fund Committee Co-chair Ann Deborah Levy, previous WFPF Chair and Producer\/Post-Production Supervisor Susan Lazarus, and other experts in the preservation field.
\nThursday, October 6, 8:00 pm<\/b><\/p>\n

I Am Indie: 20 Years of Independent Film, presented with IndieWire
\n<\/b>Independent filmmakers are working harder than ever to sustain their work. For 20 years, IndieWire has tracked the efforts of artists in the film community as they have evolved their careers on their own terms. To mark this anniversary, IndieWire has assembled a panel of several influential filmmakers whose work has made an impact.<\/p>\n

We’ll hear from them about the biggest challenges they face as they continue to pursue the stories they want to tell\u2014and what gives them hope for the future. Confirmed panelists include cinematographer Steve James (Hoop Dreams<\/i>, Abacus: Too Small to Jail<\/i>), Ellen Kuras (Eternal Sunshine of the Spotless Mind<\/i>), Ira Sachs (Little Men<\/i>), and Roger Ross Williams (Life Animated<\/i>). Moderated by Eric Kohn, Deputy Editor & Chief Film Critic of IndieWire.
\nFriday, October 7, 7:00 pm<\/b><\/p>\n

Film Comment<\/i><\/b> Live: Filmmakers Chat
\n<\/b>In this special roundtable discussion, a selection of different directors from around the world whose films are screening in this year\u2019s New York Film Festival talk together in a discussion moderated by Film Comment<\/i> editor Nicolas Rapold. It\u2019s the rare chance to see some of today\u2019s most important filmmakers in dialogue with each other, talking about their experiences watching and creating movies. Scheduled guests are Olivier Assayas (Personal Shopper<\/i>), Kleber Mendon\u00e7a Filho (Aquarius<\/i>), and Alison Maclean (The Rehearsal<\/i>).
\nSaturday, October 8, 7:00 pm<\/b><\/p>\n

David Godlis, History Is Made at Night
\n<\/i><\/b>A frequenter of the Film Society of Lincoln Center will likely have noticed the ubiquitous David Godlis, a longtime presence here who has documented on his camera our year-round events. What some may not know is that Godlis was also front and center during the heyday of the New York Punk scene, capturing the likes of the Ramones, Blondie, Richard Hell, Patti Smith, Television, Talking Heads, and Suicide.<\/p>\n

His new book, History Is Made At Night<\/i>, includes 119 of his iconic black-and-white images from nights on the Bowery at CBGB between 1974 and 1979, shot with his handheld Leica and TRI-X film. Salon<\/i> noted, \u201cThese pictures are so intimate you can practically smell the sweat.\u201d The event is moderated by FSLC Academy Organizer Brian Brooks and features a book-signing.
\nSunday, October 9, 7:00 pm<\/b><\/p>\n

S\u00f4nia Braga and Kleber Mendon\u00e7a Filho (Aquarius<\/i>)
\n<\/b>Brazilian filmmaker Kleber Mendon\u00e7a Filho\u2019s Aquarius<\/i> centers on Clara, a 65-year-old widow and retired music critic living in Recife. She is the last resident of the Aquarius, an original two-story building built in the 1940s on Boa Viagem Beach. All the neighboring apartments have already been acquired by a company that has other plans for the building; Clara, unwilling to leave, engages in a cold war with the company. Join Kleber Mendon\u00e7a Filho and actress S\u00f4nia Braga as they talk about Aquarius<\/i>, screening in NYFF\u2019s Main Slate. Moderated by FSLC Director of Digital Platforms Michael Gibbons.
\nMonday, October 10, 7:00 pm<\/b><\/p>\n

Documentary Panel
\n<\/b>Compressed and expansive, eclectic and v\u00e9rit\u00e9, objective examinations and works of passionate advocacy: this year\u2019s Spotlight on Documentary selections represent a wide spectrum of today\u2019s nonfiction cinema. A cross-section of this year\u2019s directors will be present to discuss their films in this panel. Guests include Kasper Collin (I Called Him Morgan<\/i>), Simon Dotan (The Settlers<\/i>), Alexis Bloom and Fisher Stevens (Bright Lights: Starring Carrie Fisher and Debbie Reynolds<\/i>), and Linda Saffire and Adam Schlesinger (Restless Creature: Wendy Whelan<\/i>). Moderated by FSLC Executive Director Lesli Klainberg.
\nTuesday, October 11, 7:00 pm<\/b><\/p>\n

Making My Entire High School Sinking into the Sea
\n<\/i><\/b>With My Entire High School Sinking into the Sea <\/i>playing in this year\u2019s Main Slate, celebrated graphic novelist Dash Shaw and his team have created a beautifully layered, colorful, and entertaining new animated film. Shaw\u2019s first feature is a comic adventure about friends overcoming their differences and having each other\u2019s backs in times of crisis, and its marvelously complex characters are voiced by Jason Schwartzman, Lena Dunham, Reggie Watts, Maya Rudolph, and Susan Sarandon. This discussion\u2014featuring writer-director Dash Shaw, lead animator Jane Samborski, and producer Kyle Martin\u2014will go behind the scenes to explore the making of this distinctive new movie.
\nWednesday, October 12, 7:00 pm<\/b><\/p>\n

Film Comment<\/i><\/b> Live: Festival Wrap
\n<\/b>For the second year in a row, Film Comment<\/i> contributing critics and editors gather for the festival\u2019s last weekend and talk about the films they\u2019ve seen, discussing\u2014and arguing about\u2014their favorites in the lineup, from Main Slate to beyond. Scheduled guests include critics K. Austin Collins, Eric Hynes, Violet Lucca, Aliza Ma, and Nick Pinkerton. Moderated by Film Comment <\/i>Editor Nicolas Rapold.
\nFriday, October 14, 7:00 pm<\/b><\/p>\n

Directors Dialogues: Ang Lee (Billy Lynn\u2019s Long Halftime Walk<\/i>)
\n<\/b>One of the most versatile artists at work in cinema today, Ang Lee has brought his extraordinary skills to a wide array of projects since he started making films in the early 90s. His work is as emotionally complex and delicate as it is challenging and technically adventurous. With Billy Lynn\u2019s Long Halftime Walk<\/i>, screening as a special world premiere presentation in this year\u2019s festival, Lee reaches a new peak in his career and takes the art of cinema one step further. Lee will join Kent Jones, Director of the New York Film Festival, for a wide-ranging discussion of his remarkable career.
\nSaturday, October 15, 3:30 pm<\/b><\/p>\n

SCHEDULE<\/u><\/b><\/h2>\n

Saturday, October 1
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 13TH <\/i>Panel<\/p>\n

Sunday, October 2
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 HBO Directors Dialogues: Maren Ade (Toni Erdmann<\/i>)
\n8:00PM\u00a0\u00a0\u00a0\u00a0 Film Comment<\/i> Live: Living Cinema<\/p>\n

Monday, October 3
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 Making Moonlight<\/i><\/p>\n

Tuesday, October 4
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 Shorts Panel
\n8:00PM\u00a0\u00a0\u00a0\u00a0 NYFF54 Filmmaker in Residence Conversation: Alice Rohrwacher<\/p>\n

Wednesday, October 5
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 Screenwriters Panel
\n8:00PM\u00a0\u00a0\u00a0\u00a0 Casting Panel<\/p>\n

Thursday, October 6
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 Gael Garc\u00eda Bernal and Pablo Larra\u00edn (Neruda<\/i>)
\n8:00PM\u00a0\u00a0\u00a0\u00a0 New Challenges in Film Preservation, presented with New York Women in Film & Television<\/p>\n

Friday, October 7
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 I Am Indie: 20 Years of Independent Film, presented with IndieWire<\/p>\n

Saturday, October 8
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 Film Comment<\/i> Live: Filmmakers Chat<\/p>\n

Sunday, October 9
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 David Godlis, History Is Made at Night<\/i><\/p>\n

Monday, October 10
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 S\u00f4nia Braga and Kleber Mendon\u00e7a Filho (Aquarius<\/i>)<\/p>\n

Tuesday, October 11
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 Documentary Panel<\/p>\n

Wednesday, October 12
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 Making My Entire High School Sinking into the Sea<\/i><\/p>\n

Thursday, October 13
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 HBO Directors Dialogues: Paul Verhoeven (Elle<\/i>)<\/p>\n

Friday, October 14
\n<\/u>7:00PM\u00a0\u00a0\u00a0\u00a0 Film Comment<\/i> Live: Festival Wrap<\/p>\n

Saturday, October 15
\n<\/u>3:30PM\u00a0\u00a0\u00a0\u00a0 Directors Dialogues: Ang Lee (Billy Lynn\u2019s Long Halftime Walk<\/i>)<\/p>\n

\u00a0<\/u><\/b><\/p>\n

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For more information about the New York Film Festival, visit <\/b>filmlinc.org\/NYFF<\/b><\/a>. For the latest news, subscribe to the festival\u2019s <\/b>newsletter<\/b><\/a>, follow the festival on <\/b>Facebook<\/b><\/a> and <\/b>Twitter<\/b><\/a>, and use the hashtag: #NYFF.<\/b><\/p>\n<\/div>\n

Edited by Gregg Morris who can be reached at gmorris@hunter.cuny.edu<\/em><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

HBO\u00ae is the presenting sponsor of NYFF Live, which features actors, directors, writers, critics, and other industry insiders participating in daily evening discussions from October 1 \u2013 14 in the Amphitheater at the Elinor Bunin Munroe Film Center. Expanding on…<\/p>\n

Read more →<\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[],"class_list":["post-4049","post","type-post","status-publish","format-standard","hentry","category-archives"],"_links":{"self":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/4049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/comments?post=4049"}],"version-history":[{"count":3,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/4049\/revisions"}],"predecessor-version":[{"id":5969,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/4049\/revisions\/5969"}],"wp:attachment":[{"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/media?parent=4049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/categories?post=4049"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/tags?post=4049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}