{"id":11962,"date":"2018-11-04T15:35:06","date_gmt":"2018-11-04T20:35:06","guid":{"rendered":"http:\/\/hunterword.com\/?p=11962"},"modified":"2018-11-04T22:36:07","modified_gmt":"2018-11-05T03:36:07","slug":"holiday-film-review-nordic-international-film-fest-greggwmorris","status":"publish","type":"post","link":"https:\/\/hunterword.com\/index.php\/holiday-film-review-nordic-international-film-fest-greggwmorris\/","title":{"rendered":"HOLIDAY Film Review<br>Screened at the Nordic International Film Festival 2018<br>Part 1"},"content":{"rendered":"<div id=\"attachment_12060\" style=\"width: 1010px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-12060\" class=\"size-full wp-image-12060\" src=\"http:\/\/hunterword.com\/wp-content\/uploads\/2018\/11\/pubP1080073.jpg\" alt=\"\" width=\"1000\" height=\"667\" srcset=\"https:\/\/hunterword.com\/wp-content\/uploads\/2018\/11\/pubP1080073.jpg 1000w, https:\/\/hunterword.com\/wp-content\/uploads\/2018\/11\/pubP1080073-300x200.jpg 300w, https:\/\/hunterword.com\/wp-content\/uploads\/2018\/11\/pubP1080073-768x512.jpg 768w, https:\/\/hunterword.com\/wp-content\/uploads\/2018\/11\/pubP1080073-560x374.jpg 560w, https:\/\/hunterword.com\/wp-content\/uploads\/2018\/11\/pubP1080073-260x173.jpg 260w, https:\/\/hunterword.com\/wp-content\/uploads\/2018\/11\/pubP1080073-160x107.jpg 160w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-12060\" class=\"wp-caption-text\">Ambassador Anne Dorte Riggelsen, Consulate General, Denmark, Ingrid Rudefors, Festival Manager, former European Film Commissioner; Linnea Larsdotter, Founder &amp; Creative Director); Johan Matton, Founder &amp; Festival Director: Salutations to packed screening included a blunt caveat: The film contains a scene of sexual violence that is beyond belief.<\/p><\/div>\n<p><strong>131 minutes, <\/strong>English<br \/>\n<strong>Director: <\/strong>Isabella Ekl\u00f6f<br \/>\n<strong>Writers:<\/strong> Johanne Algren, Isabella Ekl\u00f6f<br \/>\n<strong>Stars: <\/strong>Victoria Carmen Sonne, Lai Yde, Thijs R\u00f6mer<br \/>\n<strong><a href=\"https:\/\/www.imdb.com\/title\/tt7328154\/fullcredits\/?ref_=tt_ov_st_sm\" target=\"_blank\" rel=\"noopener\">Full cast &amp; Crew<\/a><\/strong><\/p>\n<div class=\"credit_summary_item\"><\/div>\n<p>&nbsp;<\/p>\n<hr align=\"center\" noshade=\"noshade\" size=\"2\" width=\"50%\" \/>\n<p>&nbsp;<\/p>\n<h3><strong>Thought the review should begin with succinct comments of praise for the film \u2013 before I cut to the chase.<\/strong><\/h3>\n<p style=\"padding-left: 30px;\"><em>A love triangle featuring the trophy girlfriend of a petty drug lord, caught up in a web of luxury and violence in a modern dark gangster tale set in the beautiful port city of Bodrum on the Turkish Riviera&#8221; \u2013 IMDB. <\/em><\/p>\n<hr style=\"padding-left: 30px;\" align=\"center\" noshade=\"noshade\" size=\"1\" width=\"30%\" \/>\n<p style=\"padding-left: 30px;\"><em>Devastating Danish Drama Has the Most Unsettling Rape Scene Since \u2018<a href=\"https:\/\/www.rogerebert.com\/reviews\/irreversible-2003\" target=\"_blank\" rel=\"noopener\">Irreversible\u2019<\/a> \u2014 IndieWire.com<\/em><\/p>\n<hr style=\"padding-left: 30px;\" align=\"center\" noshade=\"noshade\" size=\"1\" width=\"30%\" \/>\n<p style=\"padding-left: 30px;\"><em>Like a crafty predator, the Danish knock-out HOLIDAY lays patiently in wait as long as it needs to \u2014 in this case nearly an hour \u2014 before stunning its prey, the spectator, with a shocking scene that catapults the film to a whole different level \u2013 The Hollywood Reporter.<\/em><\/p>\n<hr style=\"padding-left: 30px;\" align=\"center\" noshade=\"noshade\" size=\"1\" width=\"30%\" \/>\n<p><em>In the video below, stage left, <\/em>Ambassador Anne Dorte Riggelsen, Consulate General (Denmark), <em>warns the audience to be prepared to be diabolically disturbed at what they are going to see. She didn&#8217;t use the word &#8220;diabolically&#8221; but I believe it&#8217;s an appropriate paraphrase of what she said. She also says the film is revelatory about the dark side of Nordic nations.<\/em> A foretelling of Director Isabella Eklof&#8217;s denouement?<\/p>\n<p>Just how unusual is that at a screening? And from a big government official?<\/p>\n<p><center><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/Canmm7eh4Ds\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/center>&nbsp;<\/p>\n<hr \/>\n<p>Though I&#8217;ve seen many foreign films and TV serials about Nordic and Scandinavian countries or American films based on Nordic and Scandinavian authors, writers and producers, I know little about the dark side of those societies. That&#8217;s one of the reason for the idiosyncratic film review salutation.<\/p>\n<p>I know a lot about the dark side of American society. I had what would be considered a normal working class upbringing: I grew up in neighborhoods where friends, neighbors were slain, shot, attacked and under siege before they reach adulthood. As a journalist, reporter and <a href=\"https:\/\/www.goodreads.com\/book\/show\/417161.The_Kids_Next_Door\" target=\"_blank\" rel=\"noopener\">author,<\/a> I interviewed kids (most from middle-class families) who fatally shot, stabbed and bludgeoned parents (and sometimes sisters and brothers and aunts and uncles), and inmates \u2013 <a href=\"http:\/\/nymag.com\/intelligencer\/2018\/05\/for-america-to-be-white-blacks-must-be-an-underclass.html\" target=\"_blank\" rel=\"noopener\">almost all from America&#8217;s underclass<\/a> \u2013 sentenced to death row when they weren&#8217;t old enough to be enrolled in middle school.<\/p>\n<p>The United States has greatest crop of serial killers per capital than any other country in the world, and I believe that reality must be appreciated if one wants to understand the dark side of America. [I think but can&#8217;t prove \u2013 and wouldn&#8217;t waste time trying to argue \u2013 that President Donald Trump understands this better than any elected president in American history.]<\/p>\n<p>To make up for a lack of a medical degree, I&#8217;ve studied manuals of the <a href=\"https:\/\/en.wikipedia.org\/wiki\/Diagnostic_and_Statistical_Manual_of_Mental_Disorders\" target=\"_blank\" rel=\"noopener\">Diagnostic and Statistical Manual of Mental Disorders<\/a> and medical texts to sharpen as much as possible my understanding the depths of mental illness, especially about <a href=\"http:\/\/depressiond.com\/sociopath-vs-psychopath-differences-between-psychopathic-sociopathic-personality-disorders\/\" target=\"_blank\" rel=\"noopener\">sociopathy and psychopathy<\/a>, and, without too much exaggeration, to understand the actions of humans more horrific than any of the fictionalized<em><a href=\"https:\/\/twentytwowords.com\/ranking-the-10-most-disturbing-horror-films-ever-made\/\" target=\"_blank\" rel=\"noopener\"> things that go bump in the night.<\/a>\u00a0 <\/em>That <em>research<\/em> makes me conversant in contacts with psychologists and psychiatrists \u2013 the good, the bad and the ugly \u2013 for really good interviews.<\/p>\n<h4><strong>Cutting to the chase, the sexual violence scenes committed against women in <a href=\"https:\/\/www.imdb.com\/title\/tt0094608\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener\">THE ACCUSED (2008)<\/a>, <a href=\"https:\/\/www.imdb.com\/title\/tt1568346\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener\">THE GIRL WITH THE DRAGON TATTOO (2009)<\/a>, and <a href=\"https:\/\/www.imdb.com\/title\/tt0067800\/?ref_=nm_flmg_wr_3\" target=\"_blank\" rel=\"noopener\">STRAW DOGS (1971)<\/a> are incredibly brutal, realistic and disturbing; the subplots of the films are pretty much in tandem with societal norms: Women are at risk from the time they are born. <\/strong><\/h4>\n<h4><strong>The vicious sex scene in HOLIDAY \u2013 it was more weird than vicious \u2013 doesn&#8217;t come close to the terror, rage, righteous rage, prurience and salaciousness of those three movies. HOLIDAY&#8217;S purportedly licentious pi\u00e8ce de r\u00e9sistance <\/strong><strong>was as moving to watch as observing an auto repair mechanic replace spark plugs.<\/strong><\/h4>\n<h4><strong>If there was a rating system, say Movie Cringe Factor, as there are rating systems for movies, I would rate Holiday&#8217;s scene on a scale from one to five, 1 star for cringing-ness, two stars, perhaps, because it was weird.<br \/>\n<\/strong><\/h4>\n<p>What to say about the rest of the movie? The first 50 minutes or seemed interminably long but my eyes stayed glued to the screen.<\/p>\n<p>&nbsp;<\/p>\n<p><center><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/kcmkZJ8ThDI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/center>&nbsp;<\/p>\n<p>Eyes glued to the screen?<\/p>\n<h3 style=\"text-align: center;\"><strong>End of Part 1<\/strong><\/h3>\n<p><em>Gregg W. Morris can be reached at gmorris@hunter.cuny.edu<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thought the review should begin with succinct comments of praise for the film. Then the reviewer cuts to the chase.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/hunterword.com\/index.php\/holiday-film-review-nordic-international-film-fest-greggwmorris\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[1029,1028,1027,306,1026,1030],"class_list":["post-11962","post","type-post","status-publish","format-standard","hentry","category-film-tv-reviews","tag-danish-films","tag-foreign-films","tag-isabella-eklof","tag-new-york-film-festivals","tag-nordic-international-film-review-2018","tag-swedish-films"],"_links":{"self":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/11962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/comments?post=11962"}],"version-history":[{"count":60,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/11962\/revisions"}],"predecessor-version":[{"id":12106,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/11962\/revisions\/12106"}],"wp:attachment":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/media?parent=11962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/categories?post=11962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/tags?post=11962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}