\u2013 \u201cFear the Walking Dead\u201d actors Jenna Elfman, Alycia Debnam-Carey, Colman Domingo, Danay Garcia and Austin Amelio joining Exec Producer Scott M. Gimple, and Chief Content Officer of the Walking Dead Universe, for a live-watch of the fifth season premiere of the AMC hit series;<\/p>\n
\u2013 A closer look into a breakout episode from season one of The Twilight Zone, CBS All Access\u2019 re-imagining of the classic anthology series, followed by a conversation with cast member Sanaa Lathan and screenwriter Selwyn Seyfu Hinds;<\/p>\n
\u2013 Emmy-nominated star of Deadwood: The Movie and the original HBO series, Robin Weigert, will join fans to experience the epic conclusion of the legendary Western series on the big screen along with a half-hour Deadwood companion doc written by Matt Zoller Seitz, followed by a discussion with co-star Ian McShane (live via satellite).<\/p>\n
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New York, May 22, 2019 – IFC Center, home to DOC NYC — the largest documentary festival in the US — unveiled its final lineup for the third annual Split Screens TV Festival taking place Wednesday, May 29 through Monday, June 3, 2019, at NYC\u2019s IFC Center.<\/p>\n
The 2019 program, celebrating the art and craft of storytelling, puts a spotlight on wide-ranging themes including identity, the mystery of existence itself, dystopian realities and alternate timelines, and invites fans to enjoy screenings and events that transport us into any number of time periods and places, be it a late-1800s South Dakota town or the tensions of New York City at the end of the 1980s.<\/p>\n
Tickets to the public are on sale (www.splitscreensfestival.com) for exclusive screenings and compelling panel conversations featuring the biggest and boldest names in scripted content, both in front of and behind the camera. Follow us on Facebook, Twitter and Instagram at @SplitScreensTV.<\/p>\n
Split Screens Festival is produced and presented by IFC Center, one of New York\u2019s leading independent cinemas, and is organized by the core team of its successful DOC NYC documentary film festival, including Executive Director Raphaela Neihausen, Director of Development Deborah Rudolph and Operations Director Dana Krieger. Collaborating with broadcasters, cable networks and streaming services, the festival will highlight great content from a range of platforms to bring together the creative talent behind TV\u2019s most acclaimed shows and sophisticated New York audiences.<\/p>\n
Split Screens Festival is made possible by Event Sponsors FX and National Geographic; Friends of the Festival include Essentia, PTEX and Wheelhouse Creative.<\/p>\n
\u00b7 All festival events take place at IFC Center, 323 Sixth Ave. (at West 3rd St), with the exception of Deadwood: The Movie on May 31, which screens at the SVA Theatre, 333 West 23rd St.
\n\u00b7 Tickets for all events are available online at splitscreensfestival.com or at the IFC Center box office, open daily 10:30am-10:00pm. Same-day tickets for Deadwood: The Movie will also be available at the SVA Theatre box office starting at 6:30pm on May 31.
\n\u00b7 Tickets for the TV Talk events on June 1 are $12 general admission \/ $9 IFC Center members
\n\u00b7 Tickets for all other festival events are $17 general admission \/ $14 IFC Center members
\n\u00b7 A discounted 3-ticket pack is available for $40\/$35 IFC Center members.<\/p>\n
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Pamela Adlon\u2019s voice is as likely to get her recognized in public as her face. Between 1997 and 2010 she spoke for King of the Hill\u2019s favorite son \u201cBobby,\u201d while premium cable viewers loved her as the straight-shooting \u201cMarcy Runkle\u201d on Californication, which ran for seven seasons on Showtime.<\/p>\n
Now, the Emmy\u00ae-award winning actress, writer, producer and director has emerged as one of television\u2019s most distinguished auteurs via Better Things, her Peabody Award winning series on FX. Adlon frequently describes Better Things as a handmade show, owing to her practice of mining her own life\u2019s experiences to inform the adventures of her character \u201cSam Fox,\u201d Sam\u2019s daughters \u201cMax,\u201d \u201cFrankie\u201d and \u201cDuke,\u201d and mother \u201cPhil.\u201d No moment is too intimate for Adlon, who breaks her heart wide open in every episode.<\/p>\n
In this candid conversation, we\u2019ll take a stroll through Adlon\u2019s painstakingly personal approach to her cinematically-complex series, and seasons of stories enriched by conversations about power, inclusion and all the shifts a woman\u2019s identity undergoes at various stages in her life.<\/p>\n
7:15 PM – Deadwood: The Movie (HBO) – SPECIAL EVENT
\n*Location: SVA Theatre – 333 W 23rd St, New York, NY 10011
\nIn attendance: Actress Robin Weigert and live via satellite actor Ian McShane<\/p>\n
When David Milch\u2019s Western Deadwood debuted on HBO in 2004, it earned solid ratings and comparisons to both The Sopranos (which it followed on the network\u2019s schedule) and Shakespeare. Its sudden cancellation in 2006, three seasons into what Milch hoped would be at least a four-season run, shocked the show\u2019s cast and crew as well as its fans. Deadwood: The Movie reunites the story\u2019s major players for a two-hour film set ten years after the end of the last episode. The eponymous one-time former camp, now a thriving town, celebrates South Dakota\u2019s induction into the United States, while monumental life events happen publicly and often simultaneously, in classic Deadwood fashion.<\/p>\n
Join hundreds of Deadwood fans at the SVA Theatre in Chelsea as we watch Deadwood: The Movie during its broadcast on a big screen. The film will be preceded by \u201cA Lie Agreed Upon: David Milch\u2019s Deadwood,\u201d a half-hour documentary about the series, written by Split Screens Co-Creative Director Matt Zoller Seitz, edited by Steven Santos, and narrated by Supernatural star Jim Beaver, who played Whitney Ellsworth on the show for three seasons. The movie will be followed by a discussion with stars Robin Weigert and via live video Ian McShane.<\/p>\n
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Women have been holding their own in the action front on TV since Annie Oakley fronted a western in the 1950s. And as battles for equality and recognition evolved over the decades, the power these characters wield and the battles they fight have come to symbolize more than just plot points. They give us patterns to follow to make sexist workplaces bearable, to navigate the pressures of family life, to process trauma and light the way through life\u2019s darker moments.<\/p>\n
Split Screens is delighted to present this passionate, fan-driven appreciation of television\u2019s most inspirational, take-charge women, with devotees offering presentations on subjects ranging from classic heavies such as Sydney Bristow of Alias and Lana Kane of Archer to the magical Julia Wicker of The Magicians and Anya, the unsung demon doll of Buffy the Vampire Slayer. Roll up your sleeves and strap in for this high-spirited celebration of sheroes.<\/p>\n
2:00 PM – Skip Credits: Critics on Storytelling In the Age of Streaming – TV TALK
\nIn attendance: Critics Caroline Framke (Variety), Soraya McDonald (The Undefeated), James Poniewozik (The New York Times) and Sonia Saraiya (Vanity Fair)<\/p>\n
In the era of streaming TV platforms, shows are increasingly designed so that every season functions as a self-contained unit, using storytelling hooks to fuse every hour (or half-hour) into a single, self-contained chunk that drops all at once and gets binge-watched in days or less. This is the opposite of how the medium used to tell stories: they called TV \u201cepisodic\u201d for a reason, and until fairly recently, shows that dared to fuse more than three episodes together to make an ongoing linear narrative were just asking to be abandoned by viewers. Some critically acclaimed but low-rated serialized shows, including the original Twin Peaks, Crime Story, and The Wire, found that out the hard way.<\/p>\n
How has streaming technology changed TV storytelling at the level of narrative and character? What has been lost, and what has been gained? A panel of veteran critics, moderated by Split Screens Co-Creative Directors Melanie McFarland and Matt Zoller Seitz, will ponder the question in a self-contained, hour-long program that will wrap things up neatly, without closing credits, though we reserve the right to end with a cool song.<\/p>\n
3:30 PM – That\u2019s Some Catch: Christopher Abbott in Catch-22 (Hulu) – CLOSE-UP
\nIn attendance: Actor Christopher Abbott<\/p>\n
“Just because you’re paranoid doesn’t mean they’re not after you.” Revisit the premiere episode of Hulu\u2019s epic black comedy miniseries adapted from Joseph Heller’s 1961 classic anti-war novel, followed by an in-depth conversation with star Christopher Abbott. Abbott (Girls, James White) plays John “Yo-Yo” Yossarian, a WWII bombardier who has a sense of the absurd and his own role in it, but would rather escape combat and live to a ripe old age than savor the war zone’s ironies. He’s trapped by the conundrum of the title, which holds that anyone requesting mental evaluation in order to be declared insane and relieved of combat duty can’t actually be crazy, because only a rational person would make such a request.<\/p>\n
This Catch-22 reaffirms the timelessness of Heller’s vision and is anchored by an alternately sardonic and touching performance by Abbott as an extraordinary ordinary man who’s fighting as hard as he can against bureaucratic forces that can twist even the nimblest mind into pretzels. The six-part limited series is executive produced by Oscar-winning actor-filmmaker George Clooney (who costars as Scheisskopf, a dunderhead who keeps failing upward), Oscar-winning filmmaker Grant Heslov, series writers Luke Davies and David Mich\u00f4d, and Ellen Kuras, who, along with Clooney and Heslov, also directed.<\/p>\n
Hulu’s Catch-22 is produced by Paramount Television, Anonymous Content and Smokehouse Pictures.<\/p>\n
5:30 PM – Vanguard Award: Janet Mock – SPECIAL EVENT
\nFree screening of Love Is the Message from season 1 of FX\u2019s Pose
\nDue to an unforeseen Pose schedule change, Janet Mock will be unable to attend as originally announced.
\nFree screening of the acclaimed Love Is the Message episode of FX\u2019s Pose, written and directed by Janet Mock, recipient of the 2019 Split Screens Festival\u2019s Vanguard Award, with a taped video introduction by Mock. Tickets will be distributed on a first-come, first served basis at the IFC Center box office, starting at 4:30 pm on Saturday, June 1.<\/p>\n
Split Screens is proud to honor pioneering writer, producer, director and advocate Janet Mock with the 2019 Vanguard Award.A New York Times bestselling author, Mock\u2019s writing has appeared in the New York Times, The New Yorker, and Marie Claire, where she’s a contributing editor. Time named her one of its 100 Most Influential people in the world, she was featured on Ebony\u2019s Power 100 list, and the PEN Center USA honored her with an Award of Honor during their 2017 Literary Awards. She made history as the first trans woman of color to write and direct an episode of television with the landmark script for Love Is the Message.<\/p>\n
Season two of Pose will premiere June 11th.<\/p>\n
8:00 PM – Is it Safe? Sam Esmail on Mr. Robot, Homecoming and the Paranoid Thriller – CLOSE-UP
\nIn attendance: Sam Esmail – Event includes a screening of Kubrick\u2019s Eyes Wide Shut<\/p>\n
No movie genre better expresses the creeping dread of modern life than the paranoid thriller, a mode where the heroes are marginalized, truth is elusive, and justice is deferred or denied. The genre arose in the chaos of the 1960s and \u201970s, and thrived for a period of about fifteen years, producing such classics as Blow-Up, Klute, The Parallax View, The Conversation, Marathon Man, Three Days of the Condor, All the President\u2019s Men, and Blow-Out.<\/p>\n
One of its most devoted disciples is Sam Esmail, a writer-director who has produced two TV series in a similar vein, USA\u2019s Golden Globe\u00ae award winning hacker drama Mr. Robot and Amazon\u2019s military conspiracy thriller Homecoming (adapted from the hit podcast). In \u201cIs it Safe?\u201d\u2014named after the mysterious phrase repeated by the villain of Marathon Man\u2014Esmail takes the Split Screens audience on a tour of the genre, from the distant past through the present day, and its influence on his own work, concluding with a 35mm screening of Stanley Kubrick\u2019s 1999 masterwork, the ultra-paranoid Eyes Wide Shut.<\/p>\n
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Split Screens is proud to screen the premiere episode of season four of Queen Sugar, followed by a discussion with key cast-members, creators, and the showrunner. Created by Academy Award-nominated filmmaker Ava DuVernay and focusing on a multi-generational, African-American family, Queen Sugar follows the Bordelon siblings as they fight to preserve their father\u2019s legacy and deal with the everyday drama and joys of life. As season four picks up, Charley (Dawn-Lyen Gardner) continues to battle the Landry family while also trying to ensure Micah\u2019s (Nicholas Ashe) safety and future. Nova (Rutina Wesley) publishes her memoir and is unnerved to encounter significant people from her past while on book tour. Ralph Angel (Kofi Siriboe) adjusts to co-parenting with his ex-fianc\u00e9 Darla (Bianca Lawson) after learning he is not the biological father of his son, Blue (Ethan Hutchison), and is encouraged by an old friend to create opportunities for formerly incarcerated men.<\/p>\n
Executive produced by Ava DuVernay, Oprah Winfrey, Paul Garnes and Anthony Sparks, who also serves as showrunner, the series is helmed by an entirely female directorial team, led this season by producing director Cheryl Dunye.<\/p>\n
Queen Sugar is produced for OWN by Forward Movement and Harpo Films in association with Warner Horizon Scripted Television.<\/p>\n
2:30 PM – The Good Place: A Conversation with William Jackson Harper (NBC) – CLOSE-UP
\nIn attendance: Actor William Jackson Harper<\/p>\n
In what universe does a comedy centered upon questions of ethics and philosophy make it onto a major broadcast network, let alone last for four seasons? This one, luckily for us. But The Good Place leans much deeper into queries of what it means to be good and the nature of grace than it trades in liberal arts nerdiness. Well, there\u2019s that, and its protagonists\u2019 leaps across realities as inter-dimensional fugitives pursued by an assortment of demons and Maya Rudolph\u2019s all-powerful cosmic judge.<\/p>\n
Even more unlikely is the budding romance between Kristen Bell\u2019s Eleanor Shellstrop, once a selfish, proudly ignorant slob, and William Jackson Harper\u2019s professor of moral philosophy Chidi Anagonye, whose inflexibility and indecisiveness tortured everyone around him.<\/p>\n
Harper joins Split Screens to walk us through season 3\u2019s game-changing finale and discuss the creative challenges of a performance which, at this point in the series, asks him to rebuild his character from square 1. And maybe he\u2019ll even provide us some insight to the thesis of Chidi\u2019s greatest work, \u201cWhat We Owe to Each Other.\u201d<\/p>\n
The Good Place is produced by Universal Television in association with 3 Arts Entertainment and Fremulon.<\/p>\n
4:00 PM – The Twilight Zone (CBS All Access) – REWIND
\nIn attendance: Actress Sanaa Lathan and screenwriter Selwyn Seyfu Hinds<\/p>\n
Created by Rod Serling, the classic anthology series The Twilight Zone never shied away from political and social themes. CBS All Access\u2019 re-imagining of the show, executive produced by Jordan Peele (Get Out, Us) and Simon Kinberg (X-Men), continues the tradition in a distinctly contemporary voice. One of the highlights from its first season is \u201cReplay,\u201d an ominous, unforgettable thriller about police brutality and institutional racism.<\/p>\n
Star Sanaa Lathan (The Affair, Native Son) and \u201cReplay\u201d screenwriter Selwyn Seyfu Hinds join us for a closer look into this chilling episode, centered around Nina (Lathan), a mother who discovers her old camcorder can rewind time during a trip with her college-bound son Dorian (Damson Idris of Snowfall). Their journey turns nightmarish when they are continually targeted by Officer Lasky (Glenn Fleshler).<\/p>\n
Now available to watch in stunning black-and-white, \u201cReplay\u201d turns a persistent modern American tragedy into a parable that also evokes elements of the classic series.<\/p>\n
6:00 PM – Warrior (Cinemax) – PREMIERE
\nIn attendance: Executive producer Shannon Lee, and creator and executive producer Jonathan Tropper<\/p>\n
Nearly 50 years after Bruce Lee first wrote a concept for a TV series, Lee\u2019s daughter Shannon, with the help of creator and executive producer Jonathan Tropper (Banshee), has brought the martial arts legend\u2019s vision to life in the form of Cinemax\u2019s Warrior, a gritty, action-packed crime drama set during the brutal Tong Wars of San Francisco\u2019s Chinatown in the second half of the 19th century.<\/p>\n
Following an exclusive sneak preview screening of the Season 1 finale, Tropper and Lee will join us live to walk the audience through their process of bringing Bruce Lee\u2019s story to life. They\u2019ll reveal the careful efforts they made to honor his iconic vision, from correctly interpreting the strained politics of the era to rendering the intricate, highly athletic martial arts choreography believably \u2013 and brutally.<\/p>\n
Warrior is produced for Cinemax by Perfect Storm Entertainment, Tropper Ink Productions and Bruce Lee Entertainment.<\/p>\n
8:15 PM – Fear the Walking Dead Season 5 Premiere (AMC) – SPECIAL EVENT
\nIn attendance: Actors Jenna Elfman, Alycia Debnam-Carey, Colman Domingo, Danay Garcia and Austin Amelio, and Scott M. Gimple, Executive Producer of Fear the Walking Dead and Chief Content Officer of the Walking Dead Universe<\/p>\n
Join us for a live screening of the season 5 premiere, followed by a conversation with the cast and executive producer.<\/p>\n
As AMC\u2019s Fear the Walking Dead enters Season 5, with a powerful ensemble including Lennie James, Alycia Debnam-Carey, Colman Domingo, Danay Garcia, Garret Dillahunt, Maggie Grace, Jenna Elfman, Alexa Nisenson, Austin Amelio, Ruben Blades and Karen David, its core characters\u2019 mission is clear: locate survivors and help make what\u2019s left of the world a slightly better place. With dogged determination, Morgan Jones (James) leads the group with a philosophy rooted in benevolence, community and hope. Each character believes that helping others will allow them to make up for the wrongs of their pasts. But their mission of helping others will be put to the ultimate test when the group finds themselves in uncharted territory, one which will force them to face their fears and perhaps discover an entirely new way to live.<\/p>\n
Fear the Walking Dead is produced by AMC Studios.<\/p>\n
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Join us for an exclusive sneak preview presentation of the highly-anticipated third season premiere of the Emmy\u00ae and Golden Globe Award\u00ae-winning drama.<\/p>\n
A world decimated by endless conflict, environmental disaster and declining birth rates. A government that has more control over what a woman can do with her body than she does. Some say the fictional world Gilead has a little too much in common with America in 2019, even though author Margaret Atwood introduced it in 1985.<\/p>\n
If that is so, perhaps Bruce Miller\u2019s latest season of The Handmaid\u2019s Tale offers a ray of hope.<\/p>\n
In Season 3 Elisabeth Moss\u2019 heroic June \u2013 or Offred, as she\u2019s known to her totalitarian captors \u2013 steps up her efforts to resist in a world bent on breaking her will. And as rebellion begins to take shape around her, June\u2019s determination is buoyed by a new twist on a familiar prayer: \u201cBlessed be the fight.\u201d<\/p>\n
Season 3 of The Handmaid\u2019s Tale has its streaming premiere on Hulu June 5. The Handmaid\u2019s Tale is produced by MGM Television<\/p>\n
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Final lineup for the third annual Split Screens TV Festival taking place Wednesday, May 29 through Monday, June 3, 2019, at NYC\u2019s IFC Center. <\/p>\n