{"id":14213,"date":"2019-06-22T13:33:29","date_gmt":"2019-06-22T17:33:29","guid":{"rendered":"http:\/\/hunterword.com\/?p=14213"},"modified":"2019-08-24T22:45:03","modified_gmt":"2019-08-25T02:45:03","slug":"de-lo-mio-film-review-bamcinemafest-gregg-w-morris","status":"publish","type":"post","link":"https:\/\/hunterword.com\/index.php\/de-lo-mio-film-review-bamcinemafest-gregg-w-morris\/","title":{"rendered":"<span style=\"color: #800000;\">BAMcinemaFest Closing Night Film<\/span><br>DE LO MIO Movie Review"},"content":{"rendered":"<p><em>DE LO MIO written and directed by Diana Peralta; produced by Alexandra Byer and Michelle Peralta. Cinematographer Tim Curtin, edited by Max Bowens. Starring Darlene Demorizi as Carolina, Sasha Merci as Rita, H\u00e9ctor An\u00edbal as Dante.<\/em><\/p>\n<div id=\"attachment_14219\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-14219\" class=\"size-full wp-image-14219\" src=\"http:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubdirector-DLM_BTS-Photo_Michelle-Peralta.jpg\" alt=\"\" width=\"1000\" height=\"675\" srcset=\"https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubdirector-DLM_BTS-Photo_Michelle-Peralta.jpg 1000w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubdirector-DLM_BTS-Photo_Michelle-Peralta-300x203.jpg 300w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubdirector-DLM_BTS-Photo_Michelle-Peralta-768x518.jpg 768w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubdirector-DLM_BTS-Photo_Michelle-Peralta-560x378.jpg 560w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubdirector-DLM_BTS-Photo_Michelle-Peralta-260x176.jpg 260w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubdirector-DLM_BTS-Photo_Michelle-Peralta-160x108.jpg 160w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-14219\" class=\"wp-caption-text\">Left to right: Sasha Merci who plays Rita, Director Diana Peralta and Cinematographer Tim Curtin.<br \/>Picture by Michelle Peralta<\/p><\/div>\n<p>Director Diana Peralta:<\/p>\n<p style=\"padding-left: 40px;\"><em>&#8220;De lo mio is one of those Dominican idiomatic expressions that\u2019s hard to describe. If you were to type it into Google, it would translate (literally and nonsensically) to \u201cof mine.\u201d To me, it\u2019s a phrase you use when describing those closest to you. It\u2019s what you would call your homie, your people, your closest friends, your fam.&#8221;<\/em><\/p>\n<p style=\"padding-left: 40px;\"><em>DE LO MIO the movie &#8230; &#8220;is an ode to my family, my people, my island.&#8221;<\/em><\/p>\n<p>&nbsp;<\/p>\n<hr align=\"center\" noshade=\"noshade\" size=\"3\" width=\"60%\" \/>\n<p>&nbsp;<\/p>\n<p>Storyline: A Latinix saga about the complex smoldering familial issues that combust when the family bloodline in Santiago meets up with the family bloodline in The States, that is, New York City&#8217;s The Bronx \u2013 so it may seem in the first third of the movie. Two Dominican sisters, Carolina (Darlene Demorizi) and Rita (Sasha Merci), born in The States, fly to Santiago to meet up with their half brother, Dante (H\u00e9ctor An\u00edbal) in order to help him settle their Dad&#8217;s estate. Dad left Dante, when he was very young, and his wife in Santiago to find work in The States \u2013 but he betrayed them, starting another second family and never returning to Santiago.<\/p>\n<p>Dante and the sisters have had little contact with each other, yet, the three undeniably embrace Dominican culture as they have experienced it, shaped through their own diasporic experiences fated for them. It&#8217;s the sublime cinematic way Director Diana Peralta and Cinematographer Tim Curtin tell this gem of a story that will make DE LO MIO an unforgettable closing night film experience at the BAMcinemaFest. Closing night is tonight, Saturday, June 22, 7:30 p.m.<\/p>\n<p>The tip-off off to the grandeur, as well as the deepest meanings of the narrative, is in the exquisite opening scene, 62 seconds long, of the darkness of a large room inexorably giving way to rays of sunlight being let in by Dante unshuttering rows of windows for the dawn of a new day, evoking the visceral surprise that this is an augury about timeless vexing issues of identity, culture and issues coming to the fore, told through three siblings and revelatory more than just about them. The sisters and brother are passionate true believers about their perceptions and mis-perceptions of themselves and their personal experiences, fated by their father. It is this dynamic driving this movie augmented by magnificent cinematographic landscapes of Santiago as well as the passionate interplay of the siblings as they spar and spar, the familial combat taking them to a higher level. The dynamic is transcendent, opening up a vista about millions of Dominicans and their diaspora.<\/p>\n<p>Vivacious filmmaking at its best.<\/p>\n<p>&nbsp;<\/p>\n<hr align=\"center\" noshade=\"noshade\" size=\"1\" width=\"60%\" \/>\n<p>&nbsp;<\/p>\n<div id=\"attachment_14227\" style=\"width: 1010px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-14227\" class=\"size-full wp-image-14227\" src=\"http:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubsistersDLM_BAM_STILL.jpg\" alt=\"\" width=\"1000\" height=\"563\" srcset=\"https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubsistersDLM_BAM_STILL.jpg 1000w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubsistersDLM_BAM_STILL-300x169.jpg 300w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubsistersDLM_BAM_STILL-768x432.jpg 768w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubsistersDLM_BAM_STILL-560x315.jpg 560w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubsistersDLM_BAM_STILL-260x146.jpg 260w, https:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pubsistersDLM_BAM_STILL-160x90.jpg 160w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-14227\" class=\"wp-caption-text\">Sasha Merci as Rita &amp; Darlene Demorizi as Carolina. Picture by Michelle Peralta<\/p><\/div>\n<h3><strong>About the Cast<br \/>\n<\/strong><\/h3>\n<p><strong><u>SASHA MERCI \u2013 RITA<\/u><\/strong><\/p>\n<p>An actress, comedian, and social media star who is well known for her self-titled Instagram account. She has earned massive popularity there for her observational and dating-themed sketch comedy. Latina Magazine named her web series DATING HAS NO MERCI one of the Top 5 every Latinx has to watch in 2017. She has amassed more than 90,000 Instagram followers.<\/p>\n<p><strong><u>DARLENE DEMORIZI \u2013 CAROLINA<\/u><\/strong><\/p>\n<p>An actress, comedian, and Instagram influencer. She has taken part in Upright Citizen Brigade in New York City.\u00a0 She fills her Instagram with sketches inspired by modern day life. She has been a long time collaborator of comedian Sasha Merci and appears on the web series DATING HAS NO MERCI.<\/p>\n<p><strong><u>H\u00c9CTOR AN\u00cdBAL \u2013 DANTE<\/u><\/strong><\/p>\n<p>An actor and singer born and raised in Dominican Republic. He started his career at the age of seven, and from 1993 to 1999 was lead singer of the reggae\/fusion group TRANS-FUSION. He has developed a significant acting career by participating in the musicals GREASE, JESUS CHRIST SUPERSTAR, where he played the role of Judas, LES MISERABLES playing the role of Enjolras, CATS as Munkunstrap, CHICAGO playing the lawyer Billy Flynn, MAN OF LA MANCHA, DREAMGIRLS as Curtis Taylor Jr., and RENT as Roger Davis. The actor and singer has also developed a career as a television producer and host. In January 2012 he played the antagonist in PERLA ANFITRIONA, in the Dominican production of MUJERES ASESINAS.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>About the Filmmakers<br \/>\n<\/strong><\/h3>\n<p><strong>DIANA PERALTA<\/strong><br \/>\nDiana Peralta is a producer, filmmaker, and writer by way of New York City and the Dominican Republic. She currently works as a Producer at Revlon, where she leads a range of projects across content production, brand design, digital design, industrial design, and marketing activation. Her work as a producer on the short documentary LA FERIA CONCRETA was screened as part of the Dominican Republic\u2019s first pavilion installation at the 2014 Venice Biennale of Architecture. Her short films have been featured in several festivals and theatrical productions across the US. Aside from her own work, Peralta has collaborated below-the-line on films like Matthew Porterfield\u2019s PUTTYHILL (Berlin, SXSW \u201810) and I USED TO BE DARKER (Sundance, Berlin \u201813). She graduated from Johns Hopkins University in 2011 with a B.A. in Film &amp; Media Studies.<\/p>\n<p><strong>ALEXANDRA BYER &#8211; PRODUCER<\/strong><br \/>\nAlexandra Byer is a Brooklyn-based producer. She most recently produced Tom Quinn\u2019s COLEWELL, starring Karen Allen and Kevin J O\u2019Connor, as well as production supervised Benh Zeitlin\u2019s WENDY (Fox Searchlight). Byer has produced Matt Porterfield\u2019s SOLLERS POINT (Oscilloscope Laboratories, 2018) and Tim Sutton\u2019s DARK NIGHT (Sundance Film Festival 2016, Venice Film Festival 2016; Cincelicious Pics). She participated in the 2016 Cannes Producer\u2019s Workshop as well as the 2015 Berlinale Talents lab. Byer co-produced Sutton&#8217;s MEMPHIS (Kino Lorber) and also co-produced STAND CLEAR OF THE CLOSING DOORS (dir. Sam Fleischner; Oscilloscope Laboratories). Byer owns and runs the production company RATHAUS, which focuses on producing branded content, music videos, and films.<\/p>\n<p><strong>MICHELLE PERALTA \u2013 PRODUCER<\/strong><br \/>\nMichelle Peralta is a photographer, digital producer and visual artist based in Brooklyn, New York. A graduate of NYU Tisch School of the Arts with a B.F.A. in Photography &amp; Imaging, she has gone on to assist some photography greats in studio and on set, including Arthur Elgort, Andreas Laszlo Konrath, and Jamie Hawkesworth. She has also worked alongside Konrath in producing art and photography books as part of his independent publishing company Pau Wau Publications. Peralta has most recently worked as a digital producer and editor at WSJ. Magazine, and has contributed content to several leading print and online publications including The New Yorker, Teen Vogue, Refinery29, vogue.it, forbes.com, and It\u2019s Nice That.<\/p>\n<p><strong>TIM CURTIN \u2013 CINEMATOGRAPHER<\/strong><br \/>\nTim Curtin s a New York-based cinematographer. In addition to Diana Peralta\u2019s DE LO MIO, he shot Jonas Carpignano\u2019s A CIAMBRA, which premiered at Cannes in 2017 in the Directors&#8217; Fortnight category. Curtin received a nomination for Best Cinematography at the David di Donatello Awards in 2018 for his work on A CIAMBRA. He has also camera operated He has also camera operated on numerous other films including, MEDITERRANEA, BULL and BRIMSTONE &amp; GLORY.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Gregg W. Morris can be reached at gmorris@hunter.cuny.edu<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s the sublime cinematic way Director Diana Peralta and Cinematographer Tim Curtin tell this gem of a story that will make DE LO MIO an unforgettable closing night film experience.<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/hunterword.com\/index.php\/de-lo-mio-film-review-bamcinemafest-gregg-w-morris\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[1326,1327,1328,1331,1329,1330],"class_list":["post-14213","post","type-post","status-publish","format-standard","hentry","category-film-tv-reviews","tag-bamcinemafest","tag-dominican-republic","tag-dominican-republic-diaspora","tag-latina","tag-latinix","tag-latino"],"_links":{"self":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/14213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/comments?post=14213"}],"version-history":[{"count":19,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/14213\/revisions"}],"predecessor-version":[{"id":14238,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/14213\/revisions\/14238"}],"wp:attachment":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/media?parent=14213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/categories?post=14213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/tags?post=14213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}