![\"\"](\"http:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/pub212-WARRIOR-STILL-3.jpg\")
\n212 Warrior<\/strong>
\nAngga Dwimas Sasongko, Indonesia, 2018, DCP, 124m<\/strong>
\nCast: Vino G. Bastian, Sherina Munaf, Marsha Timothy, Lukman Sardi<\/strong>
\nIndonesian with English subtitles<\/strong>
\nNorth American Premiere<\/strong><\/p>\n
In 16th century Java, after his parents are killed by a rogue martial artist, Wiro Sableng is rigorously trained by a benevolent silat master. She sends him off to capture the culprit, who now aims to take over the throne from the king. On the way Wiro meets an odd assortment of fellow warriors who help him on his quest for vengeance and righteousness. Based on a popular series of Indonesian martial arts novels (written by star Vino G. Bastian\u2019s father), this rollicking matinee-style adventure is imbued with equal parts action, fantasy and comedy.<\/p>\n
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\u4e94\u5104\u5186\u306e\u3058\u3093\u305b\u3044<\/strong> Mirai Takatsuki is a seemingly normal teenager, but when he was a child his life was saved from a terrible illness thanks to magnanimous donations from the local community that paid for his medical bills. Ongoing media attention and the pressure to excel have prompted Mirai to have suicidal tendencies. Urged on by mysterious and threatening text messages he sets off on a life-changing quest to repay the kindness bestowed on him and find out his life\u2019s true meaning. This unpredictable and innovative film reverses the terminal illness genre into a novel and illuminating coming-of-age road movie.<\/p>\n <\/p>\n \ubbf8\uc131\ub144<\/strong> Actor extraordinaire Kim Yoon-seok makes his directorial debut with this riveting film about family dysfunction, amour fou and coming of age in the oddest of circumstances. 17-year-old Joo-ri discovers her father is having an affair with the mother of her hard headed classmate Yoon-ah. While at first the two teens don\u2019t get along they soon team up to try and put the relationship to an end. But when they discover Yoon-ah\u2019s mother is pregnant, the stakes are raised and they become determined to help raise the sibling that brought them together in the first place.<\/p>\n <\/p>\n <\/p>\n \u4e00\u7d1a\u6307\u63a7<\/strong> A young man is accused of killing the daughter of Hong Kong\u2019s richest tycoon after a drunken tryst. His poor shop owner grandmother insists he is innocent and seeks legal aid. Hotshot lawyer Lei You Hui, who ten years prior lost a pivotal case defending local merchant\u2019s rights, agrees to defend the young man, seeking redemption for his previous defeat. Lei\u2019s investigation unearths a conspiracy that may not only expose the truth behind the crime but also unravel a web of corruption. Alex Fong shines as the eponymous attorney in this gripping thriller woven around class struggle and moral bankruptcy.<\/p>\n <\/p>\n Complicity<\/strong> Chen Liang, a young Chinese man working illegally in Japan, buys an ID and cell phone on the black market. When he gets a call offering a job he accepts blindly. Chen, now known as Liu, ends up an apprentice in a rural soba shop. As he acclimates to his new life he forms a strong bond with his most wise mentor, while also developing a quiet romance with a local woman. However, the threat of deportation always lurks around the corner. Chikaura Kei\u2019s moving and insightful debut offers a rare inside view of life as a marginalized immigrant in Japan.<\/p>\n <\/p>\n <\/p>\n \u8fc7\u6625\u5929<\/strong> 16-year-old Peipei lives in Shenzhen, just over the border from Hong Kong where she goes to school. In order to raise money for a trip to Japan she joins a smuggling ring, taking iPhones into the mainland. Her inconspicuous high school uniform makes her the perfect mule, but as her innocence quickly fades she may fall in too deep. Bai Xue\u2019s striking debut combines an often stark neo realist style with flourishes of cinematic bravado to explore this strong young woman\u2019s turbulent journey into adulthood.<\/p>\n <\/p>\n <\/p>\n \u6b62\u3081\u3089\u308c\u308b\u304b\u3001\u4ffa\u305f\u3061\u3092<\/strong> The 1960s-70s marked the Golden Age of Wakamatsu Productions, founded by revolutionary auteur Wakamatsu Koji (Caterpillar<\/em>) and staffed (for nearly free) with radical young artists like avant-garde filmmaker Adachi Masao, cinematographer Ito Hideo and scriptwriter Arai Haruhiko. Shiraishi Kazuya (The Blood of Wolves<\/em>) also cut his teeth making low-budget exploitation pictures at the company, and has directed this rambunctious, fact-based account of one young dreamer, Yoshizumi Megumi, who joins Wakamatsu in 1969 to make pinku eiga (softcore porn). As she struggles to fit into the testosterone-heavy \u201cfamily,\u201d and to find her own voice, Megumi\u2019s life is equal parts heroic and tragic.<\/p>\n <\/p>\n <\/p>\n \uc554\uc218\uc0b4\uc778<\/strong> An informant leads world-weary police detective Kim to small time crook Kang Tae Oh who says he murdered someone for hire 10 years ago. Before Kim can pursue the case, Kang is arrested for another crime. However he calls Kim from jail claiming he\u2019s actually killed seven people. What follows is a psychological game of cat and mouse as the purported murderer tauntingly sends the agitated policeman on wild goose chases after unreported cases. Inspired by actual events, Kim Yoon-seok and Ju Ji-hoon\u2019s riveting performances detail a fascinating police procedural that explores the dark side of human nature.<\/p>\n <\/p>\n <\/p>\n \u30b6\u30fb\u30d5\u30a1\u30d6\u30eb<\/strong> Fable is a legendary yakuza hitman, equal to none. Suddenly his boss orders him and his sultry associate to lay low and live a \u2018normal life\u2019 because \u201ctop assassins need that skill.\u201d While undercover he meets the charming Misaki who gets him a delivery job. Meanwhile, recent convict Kojima overdoses on hubris, stirring up the underworld and endangering Misaki. Fable is forced into action in order to rescue her. A picture-perfect antihero-comedy manga adaptation, The Fable<\/em> is a vibrant pastiche of kinetic storytelling, wry humor, nail biting suspense and hyperbolic action (by Jackie Chan\u2019s crew) that cannot be missed!<\/p>\n <\/p>\n ;<\/p>\n \u8fa3\u8b66\u9738\u738b\u82b12\u4e0d\u7fa9\u4e4b\u6230<\/strong> An ultraviolent cops vs. gangsters bloodbath leaves casualties on both sides. Fast forward twenty years as surviving team member Madam Fong (Jade Leung, Black Cat<\/em>) leads a new squad in pursuit of freckless young anarchists terrorizing Macao. An apparition from that fatal day falls into the fray, bringing everything full circle for a serpentine and explosive final confrontation. With badass modern women warriors at the forefront, director Jacky Lee effortlessly exudes the hyperbolic stylings of classic Hong Kong action, bringing back the irrepressible \u2018girls with guns\u2019 subgenre in full bombastic force.<\/p>\n <\/p>\n \u7b2c\u4e00\u6b21\u7684\u79bb\u522b<\/strong> This bittersweet narrative-documentary hybrid offers a precious glimpse into China\u2019s Uighur minority. When not in school or looking after his sickly mother, young Isa spends his days wandering the fields with his best friend Kalbinur who he raises a pet lamb with. When Isa\u2019s father decides to send his mother to a care facility the lamb goes missing and Kalbinur\u2019s parents move her away for a better education. Isa finds himself having to say many tender goodbyes. Wang Lina\u2019s confidently evocative debut is a charming ode to her own hometown that speaks volumes about this marginalized community.<\/p>\n <\/p>\n <\/p>\n \u7fd4\u3093\u3067\u57fc\u7389<\/strong> This riotously irreverent manga adaptation imagines the petty rivalries between Tokyo and neighboring Chiba and Saitama (think Manhattan versus bridge and tunnel) as a seething political struggle. ‘Saitamese’ are downtrodden and even need a visa to enter the big city. Cue a \u2018boys love\u2019 plot thread between the feminine-looking Momoi, son of the Tokyo governor (spunky Fumi Nikaido in her cosplay best) and a handsome male transfer student (Gackt) secretly from the other side of the tracks. Before long they are fighting side by side in the resistance as the prejudice-driven feud comes to a frothy head<\/p>\n <\/p>\n <\/p>\n Hai Ph\u01b0\u1ee3ng<\/strong> [premiere N\/A]<\/strong><\/p>\n Action powerhouse Veronica Ngo (The Rebel,<\/em> Star Wars: The Last Jedi<\/em>) delivers a tour de force performance as an unassuming peasant woman who will stop at nothing to rescue her daughter from a ruthless trafficking ring. From Vietnam\u2019s luscious countryside to its gritty back alleys, former gang leader Hai Phuong (Ngo) runs, leaps, steals motorbikes and mercilessly trounces thugs in hot pursuit of her kidnapped child. Featuring fight choreography by stuntman extraordinaire Kefi Abrikh (Jason Bourne<\/em>), and showcasing Ngo\u2019s talent in the dynamic Vietnamese martial art Vovinam, this is a hyperbolic adventure thriller not to be missed!<\/p>\n <\/p>\n <\/p>\n G<\/strong>\u6bba<\/strong> A brooding cellist plays in his apartment. A policeman meets his prostitute lover next door. A head crashes through a window. Thus begins this myriad of strange stories that satellite around the bad cop\u2019s daughter, pretty and top of her class high school student Yu Ting. She is having an affair with her teacher while the cellist and an easily manipulated autistic man pine after her. As this menagerie of odd souls intertwines, the mystery unravels, reflecting the darker chasms of Hong Kong society. Lee Cheuk-pan’s outrageous debut is the desperate scream of a bold and shocking new cinematic voice.<\/p>\n <\/p>\n <\/p>\n \u9283<\/strong> Murakami Nijiro (Destruction Babies)<\/em> stars as Toru, an aimless college student who comes upon the aftermath of a murder scene one night, and without thinking, grabs the titular weapon. He takes it home and keeps it safely hidden away, but curiosity gradually begins to consume him. His budding relationship with a sunny fellow student suffers as his obsession grows, and he becomes reclusive. Then one day, a detective (Lily Franky, Shoplifters<\/em>) turns up at his apartment and a dangerous cat-and-mouse game begins. Take Masaharu (100 Yen Love<\/em>) adapts a prizewinning novel for this noir-tinged tale, shot mostly in luminous black-and-white.<\/p>\n <\/p>\n <\/p>\n \u5bd2\u55ae<\/strong> An upstanding young man commits a reckless act that ends in life changing tragedy. His doomed rival becomes his friend only to become his rival again. Set against the tradition where men seek atonement by submitting themselves to ritualized firecracker attacks (as effigies of the deity Han Dan) this film not only reveals unique aspects of Taiwanese culture but it\u2019s complex psyche as well. Featuring stunning cinematography and nuanced performances, Han Dan<\/em> weaves universal themes into a novel, eye opening moral tale.<\/p>\n <\/p>\n \u30cf\u30fc\u30c9\u30fb\u30b3\u30a2<\/strong> Hirsute sad-sack Ukon (Yamada) and his only friend, Ushiyama (Arakawa), a kindhearted oddball, are hired by an aging nationalist to dig for the Shogun\u2019s buried gold, so he can restore Japan\u2019s Imperial honor. When Ushiyama finds a rusty old robot and Ukon\u2019s tech-savvy younger brother Sakon (Satoh) revives it, they name him Roboo and take him to work. Roboo is a gifted gold miner, but it\u2019s only when his friends are attacked one night that his true talents emerge, in a flash of blinding light. Yamashita\u2019s first sci-fi tinged tale is a mirthful drama about loneliness, male bonding, female lust and doing the right thing.<\/p>\n <\/p>\n <\/p>\n \u5b66\u533a\u623f72\u5c0f\u65f6<\/strong> In China parents buy homes in certain school districts at outrageous prices just to ensure a good education for their children. Professor Fu is desperate to sell his place in order to get such an apartment to guarantee his daughter\u2019s future. This real life drama is painted as an existential thriller, following Fu\u2019s dilemma with unseen obstacles at every turn. Bribery, infidelity, broken promises, and strict policy all conspire against Fu\u2019s quest for happiness. Through striking mise en scene and a vitriolic script built on cruel twists of fate, Chen Xiaoming\u2019s film delivers a surprisingly suspenseful critique of modern society.<\/p>\n <\/p>\n <\/p>\n \u5c11\u5e74\u9ec3\u98db\u9d3b\u4e4b\u9435\u99ac\u9a2e<\/strong> This classic from the early 90\u2019s \u2018new wave\u2019 of old school kung fu films features Donnie Yen as Wong Kei-ying, father of real life master Wong Fei-hong. A Robin Hood styled hero known as the Iron Monkey is the scourge of the local government. When Wong Kei-ying is seen using his formidable fighting skills to defend himself from bandits he is accused of being the Iron Monkey and arrested. But when the real Iron Monkey reappears, the governor forces Wong Kei-ying to track down and fight the masked vigilante. Yuen Woo-ping outdid himself with taut direction and revolutionary fight choreography.<\/p>\n <\/p>\n <\/p>\n \u760b\u72c2\u96fb\u8996\u53f0\u760b\u96fb\u5f71<\/strong> The unscrupulous owner of Crazy TV sets out to lower the channel’s ratings so he can sell it to mobster Mr. David for cheap and count his losses. He promotes failing producer Yeh to program director, and fires the staff. Yeh, his best friend, an aspiring actress and a team of interns create inventive DIY programs, from weird kiddie shows to offbeat celebrity homages. Surprisingly viewership grows, but the owner has something else up his sleeve. And then things get really crazy! This madcap farce is a glorious tribute to the spirit of creativity.<\/p>\n <\/p>\n <\/p>\n Jam<\/strong> Sabu\u2019s 18th feature is an absurdist dramedy driven by random chance and fateful encounters, as three characters inch closer to crossing paths. Hiroshi (Aoyagi, also in Mr. Long<\/em>) is a small-time enka singer who dreams of global stardom; Takeru (Machida) is intent on doing good deeds to undo the bad one that put his girlfriend in a coma; and ex-con Tetsuo (Suzuki) is out for revenge against the yakuza gang that sent him to prison. Jam<\/em> explores themes of fate and faith, guilt and retribution, coincidence and karmic payback before finally erupting into one of the cult director\u2019s trademark foot chases.<\/p>\n <\/p>\n <\/p>\n \u649e\u6b7b\u4e86\u4e00\u53ea\u7f8a<\/strong> Stoic truck driver Jinpa picks up a silver dagger wearing hitchhiker in the desolate Kekexili plateau. The stranger suddenly reveals he\u2019s going to kill the man who murdered his father. After they part ways, Jinpa starts to reflect and goes looking for him, ostensibly to prevent further bloodshed. Pema Tseden\u2019s sixth feature, produced by Wong Kar Wai, boasts mesmerizing cinematography, striking mise en scene and a deceptively minimalist story for an existential road movie of spiritual transcendence. Dream and reality meld in this stark tale, its Tibetan locales conjuring the feel of a philosophical arthouse western.<\/p>\n <\/p>\n \uaf2d\ub450 \uc774\uc57c\uae30<\/strong> Director Kim Tae-yong (Late Autumn<\/em>), composer Bang Jun-seok (Along with the Gods<\/em>), and 20 members of the National Gugak Center\u2019s traditional Korean orchestra bridge art forms in a universal story of loss and redemption, steeped in Korean folklore. Melding fantasy and reality, the film incorporates an elaborate theatrical piece to celebrate Korean myths and traditions. After losing their grandmother\u2019s precious shoes, Su-min and her younger brother Dong-min accidentally fall into the netherworld where they encounter a mischievous band of kokdu, the mysterious guardians of the afterlife. Filled with music, dance and folklore, Kokdu<\/em> is a once in-a lifetime FILM\/CONCERT experience.<\/p>\n <\/p>\n <\/p>\n \u9234\u6728\u5bb6\u306e\u5618<\/strong> Suzuki Koichi, a 30-something hikikomori shut-in, allows his mother to dotingly tend to his needs. When she discovers that Koichi has killed himself, the shock is so great she loses consciousness, and her memory of that day. Worried the truth might prompt a relapse, her husband and daughter lie to her. The fabrications just keep snowballing\u2026 until the family seems to implode with unspoken secrets. Lying to Mom<\/em> marks an impressively mature debut by Nojiri, a longtime AD (for veterans Kumakiri Kazuyoshi, Toyoda Toshiaki, Hashiguchi Ryosuke and Ishii Yuya), who laces his tale with as much humor as grief.<\/p>\n MA<\/strong> Two tragic stories of motherhood converge in a phantasmagorically macabre tale of loss, sacrifice and evil. After his mother dies suddenly, Samuel goes into a mysterious cave that claims to grant wishes and asks for his mother\u2019s life back. The cave wants something in exchange. Meanwhile, a childhood friend of Samuel\u2019s mother returns to town pregnant, reeling from her fianc\u00e9\u2019s suicide. She has what the cave wants so Samuel enlists his little brother and sister in a sinister plan to take it at any cost. Director Kenneth Lim Dagatan\u2019s chilling feature debut proves he was born to make horror films.<\/p>\n <\/p>\n <\/p>\n \uba54\uae30 A couple\u2019s hospital tryst is caught on X-Ray. Thinking she and her boyfriend are the ones in the compromising radiograph, nurse Yoon-young goes in the next day to resign only to find that everyone has called in sick except the head doctor. Meanwhile random sinkholes are appearing throughout Korea and her lazy boyfriend gets a job filling them in. Narrator Maggie keeps us abreast of these bizarre set pieces, and wait until you see who she is. Bursting with creativity, Yi Ok-seop\u2019s seemingly oblique and hilarious feature debut is an absurdist observation on believing in others as well as oneself.<\/p>\n <\/p>\n <\/p>\n \u8449\u554f\u5916\u50b3\uff1a\u5f35\u5929\u5fd7<\/strong> In this exciting offshoot of the popular Ip Man series, Max Zhang reprises his role as the eponymous Master Z. After his defeat by Ip Man, Master Z leaves the martial arts world. However one day he runs afoul of vicious drug dealers who bring him back into the fighting fray. Soon tensions between Master Z and the dastardly hoodlums escalate into a ruthless rivalry leading to an inevitable final duel. Revolutionary kung fu movie director Yuen Woo-ping directs an all-star cast including Michelle Yeoh, Tony Jaa and Dave Bautista in this dynamic kung fu spectacular.<\/p>\n <\/p>\n <\/p>\n \u5947\u9580\u9041\u7532<\/strong> After practically inventing the kung fu comedy genre, director Yuen Woo-ping eventually added fantasy elements to the mix, starting with this absolutely batshit crazy cult classic. The loose and wild plot involves a Qing dynasty official in conflict with the emperor that results in both his wife and the prince dead. He finds another child and makes it look like he is the prince. At the heart of this is when the grown fake prince meets an odd bickering couple who practice kung fu magic and all sorts of wacky antics ensue. Non-stop martial arts zaniness, NOT TO BE MISSED!<\/p>\n <\/p>\n <\/p>\n \u606d\u559c\u516b\u5a46<\/strong> Singular auteur Pang Ho-Cheung strikes again with his brilliant combination of uproarious lowbrow gags and insightful humanism, a Chinese New Year movie whose literal title is \u201cCongratulations Bitches.\u201d At its heart this freewheeling tale is about the profundity of true friendship, while on the surface it\u2019s a wild sitcom built around a desperate scavenger hunt for breast milk. Replete with sexual hang ups, mean girl feuds and literal bathroom humor, nothing is sacred in Pang\u2019s twisted but endearingly frank universe. So much so he even makes a cameo as a womanizer caught between a rock and a hard place.<\/p>\n <\/p>\n <\/p>\n \ub3c8<\/strong> Once upon a time street crime was the scourge of big cities and modern society. These days it\u2019s large scale white collar financial scams. Rising star Ryu Jun-yeol stars as a young aspiring stockbroker reaching for the golden ring, only to be shoved off his horse by an unscrupulous sociopath (Yoo Ji-tae, Old Boy<\/em>). Money <\/em>establishes a thrilling plot built around a devious scheme that serves as an indictment of avarice and materialism, as entertaining as it is illuminating.<\/p>\n <\/p>\n <\/p>\n \uc774\uc7a5<\/strong> A dysfunctional family is forced begrudgingly into an instant reunion when they have to move their father\u2019s grave due to construction. Four bickering sisters and one nightmarish problem child take a road trip from hell to the home of their surly uncle to settle accounts. From obnoxious to self-centered, rebellious and just beleaguered by life, there is nary a redeemable one in the bunch. This dark comedy of both manners and errors mixes astute social, psychological and even political observations with cringeworthy moments that escalate out of control. A candid critique of modern society as funny as it is cruel.<\/p>\n <\/p>\n <\/p>\n \u30df\u30b9\u30bf\u30fc\u30fb\u30ed\u30f3<\/strong> It\u2019s \u201clike Chaplin meets Miike,\u201d a New York critic wrote about Mr. Long, and rarely has a film combined such punishing violence with such poignant humanity, working both as a hard-hitting actioner and a self-actualization tale. Long (Chang) is a Taiwanese hitman whose exceptional artistry with his 6-inch knife is as legendary as his reticence. When a job goes wrong in Tokyo, he takes refuge in a rundown neighborhood and befriends a little boy. Soon, his cooking skills earn him a local following, and he puts his knife to use cutting up food rather than people. But the mob is never far behind.<\/p>\n <\/p>\n <\/p>\n \uae30\ubb18\ud55c \uac00\uc871<\/strong> A rogue zombie gets way more than he bargained for after running afoul of the peculiar and opportunistic Park family. They own a rural gas station and survive more on tourist traps of their own design than bona fide repair work. When the Park patriarch regains youthful vitality after a zombie bite, the get rich quick light bulbs go off. As the plague spreads, the more than eccentric Parks rely on outrageous feats of ingenuity to conquer the undead in hopes of turning a profit. Director Lee Min-jae\u2019s action-packed and self-referential debut takes everything to task with uproarious abandon.<\/p>\n <\/p>\n <\/p>\n \u0e19\u0e23\u0e01 6 \u0e40\u0e21\u0e15\u0e23<\/strong>
\nFive Million Dollar Life<\/strong>
\nMoon Sungho, Japan, 2019, DCP, 112m<\/strong>
\nCast: Ayumu Mochizuki, Anna Yamada, Ryu Morioka, Satoru Matsuo, Sumire Ashina, Mutsuo Yoshioka, Shingo Mizusawa, Taro Suwa<\/strong>
\nJapanese with English subtitles<\/strong>
\nNorth American Premiere | Uncaged Competition<\/strong>
\nDirector Moon Sungho in attendance (Intro and Q&A)<\/strong><\/p>\n
\n
\nAnother Child<\/strong>
\nKim Yoon-seok, South Korea, 2019, DCP, 96m<\/strong>
\nCast: Yum Jung-ah, Kim So-jin, Kim Hye-jun, Park Se-jin, Kim Yoon-seok<\/strong>
\nKorean with English subtitles<\/strong>
\nNorth American Premiere | Uncaged Competition<\/strong>
\nDirector Kim yoon-seok in attendance (Intro and Q&A)<\/strong><\/p>\n
\n![\"\"](\"http:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/THE-ATTORNEY-STILL-3.jpg\")
<\/p>\n
\nThe Attorney<\/strong>
\nWong Kwok Fai, 2019, DCP, 102m<\/strong>
\nCast: Alex Fong, Patrick Tam Yiu Man, Carlos Chan, Nina Paw Hee-Ching, Liu Kai Chi, Kenneth Tsang Kong<\/strong>
\nCantonese with English subtitles<\/strong>
\nInternational Premiere<\/strong><\/p>\n
\n
\nChikaura Kei, Japan, 2018, DCP, 116m<\/strong>
\nCast: Lu Yulai, Tatsuya Fuji, Sayo Akasaka, Kio Matsumoto<\/strong>
\nJapanese and Mandarin with English subtitles<\/strong>
\nNew York premiere<\/strong><\/p>\n
\n
\nThe Crossing<\/strong>
\nBai Xue, China, 2018, DCP, 99m<\/strong>
\nCast: Huang Yao, Sunny Sun, Carmen Soup, Elena Kong May Yee, Ni Hongjie.<\/strong>
\nCantonese and Mandarin with English subtitles<\/strong>
\nProducer Cary Cheng in attendance (Introduction and Q&A)<\/strong>
\n[premiere N\/A]<\/strong><\/p>\n
\n
\nDare to Stop Us<\/strong>
\nShiraishi Kazuya, Japan, 2018, DCP 118m,<\/strong>
\nCast: Kadowaki Mugi, Iura Arata, Yamamoto Hiroshi<\/strong>
\nJapanese with English subtitles<\/strong>
\nNew York Premiere<\/strong><\/p>\n
\n
\nDark Figure of Crime<\/strong>
\nKim Tae-gyoon, South Korea, 2018, DCP, 109m<\/strong>
\nCast: Kim Yoon-seok, Ju Ji-hoon<\/strong>
\nKorean with English subtitles<\/strong>
\nNew York Premiere<\/strong><\/p>\n
\n![\"\"](\"http:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/FABLE-STILL-3.jpg\")
<\/p>\n
\nThe Fable<\/strong>
\nKan Eguchi, Japan, 2019, DCP, 122m<\/strong>
\nCast: Junichi Okada, Fumino Kimura, Koichi Sato, Mizuki Yamamoto, Ryo Kimura, Kai Inowaki, Jiro Sato, Ken Yasuda, Yuya Yagira, Osamu Mukai, Sota Fukushi, Daisuke Miyagawa<\/strong>
\nJapanese with English subtitles<\/strong>
\nCentrepiece | U.S Premiere<\/strong>
\nDirector Kan Eguchi in attendance (Introduction & Q&A)<\/strong><\/p>\n
\n
\nTHE FATAL RAID <\/strong>
\nJacky Lee, Hong Kong, 2019, DCP, 96m<\/strong>
\nCast: Patrick Tam, Michael Tong, Jeana Ho, Kristy Yeung, Jade Leung<\/strong>
\nMandarin, Cantonese with English subtitles<\/strong><\/p>\n
\n
\nA First Farewell<\/strong>
\nWang Lina, China, 2018, DCP, 87 m<\/strong>
\nCast: Isa Yasan, Kalbinur Rahmati<\/strong>
\nUighur and Mandarin with English subtitles<\/strong>
\nU.S. Premiere<\/strong><\/p>\n
\n
\nFly me to the Saitama<\/strong>
\nHideki Takeuchi, Japan, 2019, DCP, 107m<\/strong>
\nCast: Fumi Nikaido, Gackt, Yusuke Iseya, Masaki Kyomoto<\/strong>
\nJapanese with English subtitles<\/strong>
\nNew York Premiere<\/strong><\/p>\n
\n![\"\"](\"http:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/FURIE-STILLS-1.jpg\")
<\/p>\n
\nFurie
\nLe Van Kiet, Vietnam, 2019, DCP, 97m
\nCast: Veronica Ngo, Phan Than Nhien, Mai Cat Vi
\nVietnamese with English subtitles
\nActress Veronica Ngo in attendance
\nVeronica Ngo will receive the Daniel A. Craft Award for Excellence in Action Cinema<\/strong><\/p>\n
\n
\nG Affairs<\/strong>
\nLee Cheuk-pan, Hong Kong, 2018, DCP 105m<\/strong>
\nCast: Chapman To, Hanna Chan, Kyle Li Yam San, Huang Lu, Alan Luk, Griselda Yeung<\/strong>
\nCantonese with English subtitles<\/strong>
\nNorth American Premiere<\/strong>
\nDirector Lee Cheuk-pan, actress Hanna Chan, actor Kyle Li Yam San in attendance (Introduction and Q&A)<\/strong><\/p>\n
\n
\nThe Gun<\/strong>
\nTake Masaharu, Japan, 2018, DCP 97m <\/strong>
\nCast: Murakami Nijiro, Hirose Alice, Lily Franky<\/strong>
\nJapanese with English subtitles<\/strong>
\nNorth American Premiere<\/strong><\/p>\n
\n
\nHan Dan<\/strong>
\nHuang Chao-liang, Taiwan, 2019, DCP, 125m<\/strong>
\nCast: George Hu, Cheng Jen-shuo, Esther Huang, Jack Kao<\/strong>
\nMandarin and Taiwanese with English subtitles<\/strong>
\nNorth American Premiere | Uncaged Competition<\/strong>
\nDirector Huang Chao-liang in attendance (Introduction and Q&A)<\/strong><\/p>\n
\n
\nHard-Core<\/strong>
\nYamashita Nobuhiro, Japan, 2018, DCP 124m<\/strong>
\nCast: Yamada Takayuki, Satoh Takeru, Arakawa YosiYosi<\/strong>
\nJapanese with English subtitles<\/strong>
\nNorth American Premiere<\/strong><\/p>\n
\n
\nIf You Are Happy <\/strong>
\nChen Xiaoming, 2019, DCP, 99m<\/strong>
\nCast: Guan Xuan, Xu Xing, Fu Miao, Tu Hua<\/strong>
\nMandarin with English subtitles<\/strong>
\nActress Fu Miao in attendance (Introduction and Q&A)<\/strong><\/p>\n
\n![\"\"](\"http:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/IRON-MONKEY-STILL-1.jpg\")
<\/p>\n
\nIron Monkey
\nYuen Woo-ping, Hong Kong, 1993, 35mm, 90 m
\nCast: Donnie Yen, Yu Rongguang, Jean Wang, Angie Tsang, Yuen Shun-yi
\nCantonese with English subtitles<\/strong><\/p>\n
\n
\nIt’s a Mad, Mad, Mad, Mad Show<\/strong>
\nHsieh Nien Tsu, Taiwan, 2019, DCP, 103m
\nCast: Ou Han Sheng, Lim Min Chen, Liu Kuang Ting, Na Dou
\nMandarin with English subtitles
\nNorth American Premiere<\/strong><\/p>\n
\n
\nSabu, Japan, 2018, DCP 102m <\/strong>
\nCast: Aoyagi Sho, Machida Keita, Suzuki Nobuyuki, Akiyama Shintaro, Tsutsui Mariko<\/strong>
\nJapanese with English subtitles<\/strong>
\nNorth American Premiere<\/strong>
\nDirector SABU in attendance (Introduction and Q&A)<\/strong><\/p>\n
\n
\nJinpa<\/strong>
\nPema Tseden, China, 2018, DCP, 103m<\/strong>
\nCast: Jinpa, Genden Phuntsok, Sonam Wangmo<\/strong>
\nMandarin with English subtitles<\/strong>
\nU.S. Premiere<\/strong><\/p>\n
\n
\nKokdu: A Story of Guardian Angels<\/strong>
\nKim Tae-yong, South Korea, 2018, DCP, 72m<\/strong>
\nCast: Kim Su-an, Choi Go, Cho Hee-bong<\/strong>
\nU.S. Premiere<\/strong>
\nComposer Bang Jun-seok in attendance (Introduction and Q&A)<\/strong><\/p>\n
\n
\nLying to Mom<\/strong>
\nNojiri Katsumi, Japan, 2018, DCP, 133m
\nCast: Kishibe Ittoku, Hara Hideko, Kiryu Mai, Ryo Kase, Kishimoto Kayoko, Omori Nao
\nJapanese with English subtitles
\nNorth American Premiere | Uncaged Competition
\nDirector Katsumi Nojiri in attendance (Introduction and Q&A)<\/strong><\/p>\n
\n
\nKenneth Lim Dagatan, Philippines, 2018, DCP, 77 m<\/strong>
\nCast: Anna Luna, Alessandra Malonzo, Enzo Osorio, Kate Alejandrino, Rafael Siguion-Reyna, Ian Curtis, Susan Africa<\/strong>
\nTagalog with English subtitles | Uncaged Competition<\/strong>
\nInternational Premiere<\/strong>
\nDirector Kenneth Lim Dagatan in attendance (Introduction and Q&A)<\/strong><\/p>\n
\n
\nMaggie
\nYi Ok-seop, South Korea, 2018, DCP 88m<\/strong>
\nCast: Lee Ju-young, Moon So-ri, Koo Kyo-hwan
\nKorean with English subtitles
\nNorth American Premiere | Uncaged Competition
\nDirector Yi Ok-seop and Actor Koo Kyo-hwan in attendance (Introduction and Q&A)<\/strong><\/p>\n
\n
\nMaster Z: The Ip Man Legacy<\/strong>
\nYuen Woo-ping, Hong Kong, China, 2018, DCP, 108m<\/strong>
\nCast: Max Zhang, Dave Bautista, Liu Yan, Michelle Yeoh, Tony Jaa<\/strong>
\nMaster Yuen Woo-ping will receive the Star Asia Lifetime Achievement Award and will participate in an Introduction and Q&A<\/strong>
\n[premiere N\/A]<\/strong><\/p>\n
\n
\nThe Miracle Fighters<\/strong>
\nYuen Woo-ping, Hong Kong, 1982, HD file, 95m<\/strong>
\nCast: Yuen Yat-Choh, Leung Kar-Yan, Yuen Cheung-Yan, Brandy Yuen, Eddy Ko, Yuen Shun-Yi, Huang Ha, Tino Wong Cheung<\/strong>
\nCantonese with English subtitles<\/strong>
\nTribute to Master Yuen Woo-ping (with Master Yuen in attendance)<\/strong><\/p>\n
\n
\nMISSBEHAVIOR<\/strong>
\nPang Ho-Cheung, Hong Kong, 2019, DCP, 88m<\/strong>
\nCast: Isabel Chan, Dada Chen, Gigi Leung, June Lam, Yanki Din<\/strong>
\nCantonese with English subtitles<\/strong>
\n[premiere N\/A]<\/strong><\/p>\n
\n
\nMoney<\/strong>
\nPark Noo-ri, South Korea, 2019, DCP, 115m<\/strong>
\nCast: Ryu Jun-yeol, Yoo Ji-tae, Jo Woo-jin, Kim Jae-young<\/strong>
\nKorean with English subtitles<\/strong>
\nNew York Premiere<\/strong>
\nDirector Park Noo-ri and actor Ryu Jun-yeol in attendance (Introduction and Q&A)<\/strong>
\nActor Ryu Jun-yeol will receive the Screen International Rising Star Asia Award<\/strong><\/p>\n
\n![\"\"](\"http:\/\/hunterword.com\/wp-content\/uploads\/2019\/06\/MOVE-THE-GRAVE-STILL-1.jpg\")
<\/p>\n
\nMove the Grave<\/strong>
\nJeong Seung-o, South Korea, 2018, DCP, 92m<\/strong>
\nCast: Jang Ri-woo, Lee Sun-hee, Gong Min-jeung, Yun Geumseona, Kwak Min-kyu<\/strong>
\nKorean with English subtitles<\/strong>
\nInternational Premiere<\/strong><\/p>\n
\n
\nMr. Long<\/strong>
\nSabu, Japan, 2017, DCP, 129m<\/strong>
\nCast: Chang Chen, Aoyagi Sho, Yao Yiti, Bai Junyin, Masashi Arifuku<\/strong>
\nJapanese, Taiwanese with English subtitles<\/strong>
\nDirector SABU in attendance (Introduction and Q&A)<\/strong>
\n[premiere N\/A]<\/strong><\/p>\n
\n
\nThe Odd Family: Zombie on Sale<\/strong>
\nLee Min-jae, South Korea, 2019, DCP, 112m<\/strong>
\nCast: Jung Jae-young, Kim Nam-gil, Uhm Ji-won, Lee Soo-kyung, Jung Ga-ram, Park In-hwan<\/strong>
\nKorean with English subtitles<\/strong>
\nNorth American Premiere<\/strong><\/p>\n
\n
\nThe Pool<\/strong>