{"id":22035,"date":"2022-05-14T12:46:29","date_gmt":"2022-05-14T16:46:29","guid":{"rendered":"https:\/\/hunterword.com\/?p=22035"},"modified":"2022-05-14T17:28:51","modified_gmt":"2022-05-14T21:28:51","slug":"luis-de-leons-the-queen-of-the-desert-film-short-review","status":"publish","type":"post","link":"https:\/\/hunterword.com\/index.php\/luis-de-leons-the-queen-of-the-desert-film-short-review\/","title":{"rendered":"Luis De Leon&#8217;s THE QUEEN OF THE DESERT Film Short Review"},"content":{"rendered":"<p>QUEEN OF THE DESERT has been named an Official Selection of the Baltimore Black International Film Festival, the Toronto Black Film Festival, the Denton Black Film Festival (where it was named Finalist in the Best Shorts Narrative Category), the Front Range Film Festival and the Through Women\u2019s Eyes International Film Festival.<br \/>\n<a href=\"https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-22108\" src=\"https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy-971x1024.jpg\" alt=\"\" width=\"656\" height=\"692\" srcset=\"https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy-971x1024.jpg 971w, https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy-284x300.jpg 284w, https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy-768x810.jpg 768w, https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy-560x591.jpg 560w, https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy-260x274.jpg 260w, https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy-160x169.jpg 160w, https:\/\/hunterword.com\/wp-content\/uploads\/2022\/05\/queen-1056w1114-copy.jpg 1000w\" sizes=\"auto, (max-width: 656px) 100vw, 656px\" \/><\/a><\/p>\n<p>QUEEN OF THE DESERT is Director Mary Ann Rotondi\u2019s creative endeavor to make a movie commentary about what she believed were the dynamic social and political forces menacing this country and how they might be resolved. Rotondi, who won Best Woman Directed Short at the 2022 Poppy Jasper International Film Festival, uses two characters of different gender, ethnicity, personal values as well as social and political mores to express her point of view that the power of people\u2019s <a href=\"https:\/\/einhorncollaborative.org\/our-shared-humanity-what-is-it-and-how-can-we-see-it\/\" target=\"_blank\" rel=\"noopener\">shared humanity<\/a> can ameliorate the centrifugal forces she believes are tearing away at America.<\/p>\n<p>At first, this reviewer thought it was unrealistically idealistic. It didn\u2019t make sense how Gus, White, an unabashed patron of Confederate mores and memorabilia, would try to protect Livy, Black and stand-her-ground-proud, from a menacing state trooper. The empathy between the key characters seemed to form too fast for their differences to positively coincide.<\/p>\n<p>Yet, it\u2019s small and intimate details intricately woven into the story that give QUEEN OF THE DESERT clarity and make it shine. For example, parallels are revealed in selected scenes in the course of the 14-minute film. That is, those of Gus\u2019 troubled daughter and Livy, who is also troubled, allowing Gus\u2019 fatherly instincts to kick in, thus helping a young woman in need regardless of her race.<\/p>\n<p>Also, just as telling but also subtle, was Director Rotondi\u2019s scene of Livy finding a photo of Gus\u2019 daughter right before they get pulled out of the truck by the state trooper.<\/p>\n<p>The scenes of Livy\u2019s reminiscing about the thralldom of slavery and her heritage refute Gus\u2019 reasons for proudly displaying the confederate flag and the ethos it represents, thus revealing his flaws in the way he sizes her up. Yet, Livy&#8217;s stereotyping of Gus reveals her flaws in sizing him up. The scene of them sharing a bag of chips shows how their misbeliefs and narrow-mindedness can morph into a newfound level of mutual respect.<\/p>\n<p>Scenes like these allow us to understand the characters more and witness their metamorphosing development throughout the film. They also can encourage audiences to check up on their empathy<\/p>\n<p>The cinematography is gorgeous. Juxtaposition of the cramp setting of the cab and the panoramic-like views of the desert with scenes of two people at each other\u2019s throats before the setting in of relative harmony and the sharing of a stolen bag of chips powerfully symbolize the director\u2019s theme of how a true rapture can help transcend the gulfs that seem to separate us.<\/p>\n<p>The soundtrack cuts in and out with an almost hypnotic drone. This accentuates the tension throughout the movie. Even as the credits roll, the soundtrack is robust.<\/p>\n<p>Altogether, this film is a cinematic amalgam of tension, flaws, understanding, humanity and fulfillment in a terse and well orchestrated short. While it could take a couple of viewings for audiences to understand and appreciate the essence of QUEEN OF THE DESERT \u2013 and that\u2019s not an unpleasurable experience \u2013 the film succeeds illustrating what inspired the director to make her film \u2013 and to believe that we will believe.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cE1NRKkwRG0\" width=\"1000\" height=\"560\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<hr align=\"center\" noshade=\"noshade\" size=\"2\" width=\"60%\" \/>\n<p>&nbsp;<\/p>\n<p>According to film publicity, QUEEN OF THE DESERT was inspired by Director Rotund\u2019s visits to her home in Montana where she frequently encountered the Confederate flag. Montana does not have any meaningful connection to the Civil War, nor does it have having a sizable Black population. What is it about this symbol that is so powerful that cities and states around the country are removing Confederate memorabilia from government operated lands and venues. <a href=\"https:\/\/www.npr.org\/2021\/02\/23\/970610428\/nearly-100-confederate-monuments-removed-in-2020-report-says-more-than-700-remai\">[Click here for more info.]<\/a><\/p>\n<h3><strong>Cast &amp; Crew<\/strong><\/h3>\n<p><em>Robert Eli as Gus<\/em><br \/>\n<em>Michael Angelo Hodge as Second Police Officer<\/em><br \/>\n<em>Andrew Keller as First Police Office<\/em><br \/>\n<em>Jade Radford as Livy<\/em><\/p>\n<p><em>Produced by Jeanette Bonner, Ann Rotondi<\/em><br \/>\n<em>Music by Simon Taufique<\/em><br \/>\n<em>Cinematography by Luke Askelson<\/em><br \/>\n<em>Film Editing by Emily Chao<\/em><br \/>\n<em><a href=\"https:\/\/www.imdb.com\/title\/tt13409150\/fullcredits?ref_=tt_ov_st_sm\" target=\"_blank\" rel=\"noopener\">Everyone Else<\/a><\/em><\/p>\n<p>&nbsp;<\/p>\n<hr align=\"center\" noshade=\"noshade\" size=\"2\" width=\"60%\" \/>\n<p>&nbsp;<\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/blog.celtx.com\/what-is-a-short-film\/\" target=\"_blank\" rel=\"noopener\"><strong>Movie Short Films: The Skinny<\/strong><\/a><\/h3>\n<p>The <a href=\"https:\/\/www.oscars.org\/\">Academy of Motion Picture Arts and Sciences<\/a>, responsible for protecting and perpetuating the art of motion pictures, states that any film is a \u201cshort\u201d if its runtime, including credits, is <a href=\"https:\/\/www.oscars.org\/sites\/oscars\/files\/94aa_short_films.pdf\">less than 40 minutes<\/a>. Nevertheless, short films are creatively and professionally indistinguishable from longer-running \u201cfeature films.\u201d<\/p>\n<p>Aesthetically there are no technical differences between short and feature films, that is, they use the same processes for casting, production design, lighting and photography. The run time is simply shorter.<\/p>\n<p>There\u2019s a variety of reasons filmmakers opt to make short films rather than feature films, but it nearly always boils down to budgetary constraints. The old adage \u201ctime is money\u201d is more relevant in filmmaking than just about anywhere; after all, each page of your script constitutes roughly one minute of screen time, and each minute of screen time necessitates longer casting contracts, longer crew hires, longer equipment rentals, and so forth.<\/p>\n<p>Short films, however, play an incredibly vital role in Hollywood beyond simply cost-savings \u2014 they also help identify rising or undiscovered filmmaking talents. That\u2019s why you\u2019ll often see film festivals dedicated to short films, or dedicated short film competitions within larger festivals: for up-and-comers on a budget, it\u2019s the best way to increase your visibility and provide Hollywood suits with a sample of your filmmaking prowess.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/blog.celtx.com\/what-is-a-short-film\/\" target=\"_blank\" rel=\"noopener\">Click here for Short Film Source Information Used for This Article<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><em>Luis De Leon can be reached at ldeleon1129@gmail.com<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>QUEEN OF THE DESERT is Director Mary Ann Rotondi\u2019s creative endeavor to make a movie commentary about what she believed are the dynamic social and political forces menacing this country, writes <strong><i>the WORD&#8217;s<\/i><\/strong> Luis De Leon. Rotondi, who won Best Woman Directed Short at the 2022 Poppy Jasper International Film Festival, uses two characters of different gender, ethnicity, personal values as well as social and political mores to express her point of view that the power of people\u2019s shared humanity can ameliorate the centrifugal forces she believes are tearing away at America.<br \/>\n&nbsp;<br \/>\nIn other words, people living in the United States of America need to empathize more with people who don&#8217;t appear to be like them.<br \/>\n&nbsp;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/hunterword.com\/index.php\/luis-de-leons-the-queen-of-the-desert-film-short-review\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":79,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31,15,821],"tags":[],"class_list":["post-22035","post","type-post","status-publish","format-standard","hentry","category-film-tv-reviews","category-news-commentary-opinion-fit-to-print","category-short-flms"],"_links":{"self":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/22035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/users\/79"}],"replies":[{"embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/comments?post=22035"}],"version-history":[{"count":25,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/22035\/revisions"}],"predecessor-version":[{"id":22142,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/posts\/22035\/revisions\/22142"}],"wp:attachment":[{"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/media?parent=22035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/categories?post=22035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hunterword.com\/index.php\/wp-json\/wp\/v2\/tags?post=22035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}