Author: Editor Gregg Morris

I DIDN’T SEE YOU THERE, Part 3:
Credits, Et.Al.

Disability Language That Viewers & Audiences Should Know – And Film Reviewers, Of Course Disability Language Director Reid Davenport: ● I, along with many other disabled people, identify with “disability” (and all its iterations) as a political identity. The reasoning…

I DIDN’T SEE YOU THERE, Part 2
The Filmmakers

Producer Keith Wilson Statement (Edited for Style) In 2018, I met Reid in a Downtown Oakland cafe because I was stuck. I had begun working on a feature-length film (now a live documentary) about the late performance artist and teacher…

Film Review
I DIDN’T SEE YOU THERE: A Mindboggling, Mind-blowing, Mind-bending Film Experience

Reid Davenport:“All of the footage in I DIDN’T SEE YOU THERE is shot by me from my literal point-of-view. The motivation for this is twofold: 1, to jar viewers with shots from a camera held by my spastic body or mounted to my wheelchair, and, 2, to unequivocally rebuke the norm of disabled people being seen and not heard In this film, viewers listen to my voiceover without ever seeing the entirety of my face.”

Review, articles by Gregg W. Morris

A Tribeca Film Festival 2022 Must See!
Film Review of Director Peter Hengl’s FAMILY DINNER {♦ LAST PUBLIC SCREENING, Wednesday, 6/15 @ 8:15 p.m. – Tribeca Film Center}

The bravura filmmaking will keep audiences on the edge of their seats 90-plus minutes, and Director-Writer Hengl accomplishes this sans the customary horror film trimmings used by many filmmakers to add zest to their zestless cinemas: Gore, zombies, demonic possessions, X-rated prurience, CGI. Review by Gregg W. Morris.