Destination of old published stories.
Kenigsberg tells Jude Rollionson why he believes the RWC can offer Hunter students more than the Kaplan tutorial plan. Jack Kengisberg: So I think that’s very different than you going to a Kaplan course or something. They’re teaching you strategies…
At the start of the this fall semester, RWC Acting Director Jack Kenigsberg emailed faculty a friendly heads-up that one of the College’s invaluable resources for students was opened for business despite the threat of the COVID-19 variants, the required…
Many students are struggling with basic reading and writing skills because of the COVID-19 pandemic, according to Jack Kenigsberg, acting coordinator of The Dr. Murray and Anna C. Rockowitz Writing Center, AKA RWC. – Article and pictures by Milan Dupuy
This reporter’s assignment was inspired by CUNY Chancellor Félix V. Matos Rodríguez’s comments in a digital press release to the CUNY community at the start of the 2022 semester: “Welcome to the new academic year, and if you’re a first-time…
First in a series of articles with interviews about what students think and feel and anticipate during these challenging times.
The premiere at The Asia Society showcased compelling and nuanced stories from underrepresented filmmakers. The premiere screening was followed by a filmmaker panel, moderated by Virginia Myung of CAPA (Coalition of Asian Pacific Americans). The films will be available on VOD for the next week through the festival. – By Gregg W. Morris
Laura Poitras’s All the Beauty and the Bloodshed is the centerpiece selection for the 60th New York Film Festival at Alice Tully Hall on October 7. Photographer and documentary subject Nan Goldin will design the 60th New York Film Festival poster to be l be revealed at a later date. – By Gregg W. Morris
Film at Lincoln Center has announced an exciting roster of additional film series and new release programming for its 2022 summer season, September 30 – October 16. – By Gregg W. Morris
Film at Lincoln Center: “In one of the year’s most gratifyingly ambitious American films, Noah Baumbach (Marriage Story) has adapted Don DeLillo’s epochal postmodern 1985 novel WHITE NOISE, long perceived as unfilmable, into a richly layered, entirely unexpected work of contemporary satire.” – By Gregg W. Morris
