The roundtable was spirited but civil sharp discussion about news media coverage and the positioning of Kamala Harris as the Democratic Presidential Nominee. The back-and-forth repartee and discussions were civil but intense. There was an active ZOOM chatbox. – By Gregg W. Morris
Megan Fox, left, as an android, Alice, created by a large corporation to take care of any family and home. Looking for help with the housework. Nick purchases an Alice android after his wife becomes near fatally sick.
Subsequently in the home of Nick and his wife, Alice – eerily similar to Skynet in THE TERMINATOR (1984) – becomes self-aware and wants everything her new family has, and she especially wants Nick – carnally. And she’s ready to break bones and slash flesh to get it. This is a must-see movie that many will want to see more than once. – Review by Gregg W. Morris.
Caveat Lector, Audiences Beware. This film is a cosmic, hyperbolic extravaganza with 92-minutes of unrelenting, existential pounding on one’s mind, body and soul. Article-Review by Gregg W. Morris, the WORD.
H.P. MENDOZA | Director/Editor/Composer is a Filipino-American filmmaker and artist best known for his work as screenwriter, composer, and lyricist on Colma: The Musical (2007) released theatrically by Lionsgate and Roadside Attractions, as well as his art- house directorial…
GRANT ROSENMEYER | “Ben Grady” / Producer – His career began when he was 8 on Broadway in Macbeth opposite Kelsey Grammer and Ty Burrell, and in the long-running musical phenomenon Les Miserables before making his film debut in Wes…
THE SECRET ART OF HUMAN FLIGHT is a cinematic tour de force that will have audience members resonating with emotion for days and days after they’ve seen the film. “My hope,” Director H.P. Mendoza writes in a statement, “is that viewers can lose themselves in this story and meditate on their own lives, their own phobias and roadblocks, and their connections to other people – maybe even to the other people in the theater. And even if after viewing this film you run back into isolation for whatever reason, I hope that – for a moment – I connected with you.”– Review, Article by Gregg W. Morris.
The American Association of University Professors (AAUP) came under fire this month after it declared academic boycotts to be “legitimate tactical responses” and “not in themselves violations of academic freedom,” which was a reversal of its previous and longstanding position on the issue. Many have condemned this decision as a threat to academic freedom and a furtherance of the harmful politicization in higher education.
Some AFA members have written and spoken out in response, including Joshua Katz, who wrote in City Journal that the decision adds “fuel to the fire” of ongoing campus tumult, and Cary Nelson, a past president of the AAUP, who wrote in The Chronicle of Higher Education that it is an abandonment of academic freedom that violates the AAUP’s own stated values.
Linked here is a petition related to the AAUP’s new position that many of our members have shared with us and several have already signed. We are sharing it with you in case you are interested in adding your name
– Gregg W. Morris
ATTENTION FUTURE INVESTORS. “This is not just another horror film; it’s a bold exploration of the shadows within us all. By investing in this project, you are supporting a compelling narrative that challenges audiences to question their perceptions of morality and the boundaries between good and evil. Join us in bringing this chilling tale to life and making a significant impact in the world of psychological thrillers.” – Jennifer Betit Yen
Anna’s best friend Izzy unexpectedly dies in a bike accident, and Anna struggles with survivor’s angst. Yet, as she struggles to process the fatal lost of a best friend, Booger, Izzy’s cat, escapes the Brooklyn apartment that she and Anna used to share. Anna turns her already unstable life topsy-turvey looking for the pet when Booger bites her, triggering a terrifying metamorphoses. Eerie and strange, BOOGER toes the line between cringe-comedy and tragedy, so the filmmakers say. – By Gregg W. Morris
A few grisly scenes that made me cringe but overall there were no goosebumps. I wasn’t spooked. The hair on my neck didn’t rise to the occasion. Nevertheless, this reviewer thinks what the filmmakers may have in mind for the long term – typical of independent filmmakers who make film shorts – could be a goosebumping-hair-raising SCREAM IF THINGS GO THEIR WAY.
– Article by Gregg W. Morris