First Ever American Muslim rom-com and Japanese stop-motion masterpiece take Audience Awards; Uncaged Award goes to debut feature from China
After screening a record 75 films over 16 days in person and virtually, the 20th Edition closed out an epic run Sunday, August 22, with back-to-back screenings of three thrilling titles: Evan Jackson Leong’s Chinatown-set crime thriller Snakehead; Yoon Jae-Keun’s head-spinning Spiritwalker, winner of the NYAFF 2021 Daniel A. Craft Award for Excellence in Action Cinema; and the NYAFF Closing Film, Kim Ji-hoon’s blockbuster disaster comedy Sinkhole.
The festival, which brought the best new Asian films to audiences in New York and across the country from August 6 – 22, announced two Audience Award winners and the recipient of the Uncaged Award for Best Feature Film. Audiencesvoted in person at Film at Lincoln Center and at SVA Theatre, as well as on the Eventive platform, for their favorite festival films. The positive reactions via social media confirmed that NYAFF reached a wide viewership in virtual space.
After a close tally, two Audience Awards were handed out, the first to Iman Zawahry’s groundbreaking Americanish (USA, 2021) a pioneering romantic comedy made predominantly by and about American Muslim women. One of the films in NYAFF’s inaugural Asian American Focus section, it was shot in Jackson Heights, Queens, and the audience turnout was by far the largest during the festival.
The other Audience Award winner was Takahide Hori’s Junk Head (Japan, 2021), a dystopian sci-fi stop-motion masterwork that follows the eponymous protagonist on a series of shape-changing adventures after he’s sent deep underground to help save mankind. The self-trained director spent seven years creating every aspect of the film almost entirely by himself.
The Uncaged Award Jury was composed of Michael Rosenberg (President, Film Movement), Janice Chua (Vice President of Imagine International) and Evan Jackson Leong (director, Linsanity, Snakehead). The Uncaged Award for Best Feature Film shines the spotlight on first- or second-time directors and celebrates their passion, their vision, and their willingness to take risks. This year’s competition included six films, from directors in China, Japan, South Korea, Hong Kong, Singapore and Taiwan.
Uncaged Award ANIMA, Director Cao Jinling,Courtesy of Fortissimo Films
Announcing the award, Janice Chua said, “This is a beautiful cinematic poem about climate issues, but also a moving narrative that explores the myths of the Evenki people. It’s a challenge narratively to comment on climate issues and Anima does that elegantly through characters who struggle to navigate between their traditional way of life and modern capitalism. We are deeply in love with the cinematography as well as the female lead, Chun, who owns her widowhood and decisions fearlessly. Anima, in so many ways, represents modern international cinema. Congratulations!”
Said Michael Rosenberg, President, Film Movement to the audience, “We have decided to give an Honorable Mention to Namkoong Sun’s Ten Months. We really enjoyed the film, especially the lead actress, who was very good. Despite the age of her character, she’s still trying to find a way to become an adult. We found this coming-of-age story both resonant and believable. We liked the lightness of touch in the chapter breaks, and humorous moments spread through the film. And we were also impressed by the way the film took issue with the patriarchy through exposing a lack of career opportunities for pregnant women and the illegality of abortion in South Korea, making important points without being too preachy. We feel it should travel well internationally.”
Executive Director Samuel Jamier also said, “We are really proud that three of our four award-winning filmmakers are women, since we have been focusing for the past several years on promoting female-forward films. I believe this is confirmation that NYAFF provides an important platform for Asian and Asian American female directors to bring their stories to a nationwide audience.”
The New York Asian Film Festival is curated by Executive Director Samuel Jamier; Associate Director Claire Marty; Programmers David Wilentz, Karen Severns and Koichi Mori; and Jenny Lin and Rob Domingo (Asian American Forum, Emerging Voices Shorts Showcase).
NYAFF Executive Director Samuel Jamier closed out the 20th edition of the festival by expressing his gratitude to the festival’s supporters, sponsors, partners and volunteers. NYAFF looks forward to welcoming audiences to the 21st edition once again in person. Festival dates for 2022 will be announced at a later time.
About the New York Asian Film Festival NYAFF): The Village Voice has called it “the best film festival in New York,” and The New York Times has called it “one of the city’s most valuable events.” Launched in 2002, the festival selects only the best, strangest, and most entertaining movies to screen for New York audiences, ranging from mainstream blockbusters and art-house eccentricities to genre and cult classics.
It was the first North American film festival to champion the works of Johnnie To, Bong Joon-ho, Park Chan-wook, Takashi Miike, and other auteurs of contemporary Asian cinema. Since 2010, it has been produced in collaboration with Film at Lincoln Center.
The New York Asian Film Foundation is America’s premier 501(c)(3) nonprofit organization dedicated to the exhibition and appreciation of Asian film culture in all its forms, with year-round festivals and programs, and a view to building bridges between Asia and America.
The New York Asian Film Foundation’s flagship event is the annual New York Asian Film Festival (NYAFF), which has been presented in collaboration with Film at Lincoln Center since 2010. Now entering its 20th year, NYAFF is North America’s leading festival of Asian cinema. The Foundation’s other events and initiatives include special screening events and an annual Winter Showcase at the SVA Theatre.
The New York Asian Film Festival, a program of the New York Asian Film Foundation, is made possible in part by the New York State Council on the Arts with the support of former Governor Andrew M. Cuomo and the New York State Legislature.