
The Lives of Independent Filmmakers the WORD Is there anything you might’ve done different? Jessica I do think, yeah, there are moments of that. The first thing that comes to mind for me is that I would’ve loved to had…
Destination of old published stories.
ATTENTION FUTURE INVESTORS. “This is not just another horror film; it’s a bold exploration of the shadows within us all. By investing in this project, you are supporting a compelling narrative that challenges audiences to question their perceptions of morality and the boundaries between good and evil. Join us in bringing this chilling tale to life and making a significant impact in the world of psychological thrillers.” – Jennifer Betit Yen
Trump stares down first derailment of his campaign-to-courthouse strategy Editor’s Note: May he be damned with more derailments.
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A trailblazing, avant-garde, horror movie swelling beyond “normal” cinematic horror dimensions – deserving this reviewer’s rarely invoked WWCEA rating: WOW-WOW-CAVEAT-EMPTOR-esque-ALERT.
——It’s a powerful sensory cinematic experience that may be challenging for some viewers as it was for some reviewers because of the filmmakers’ creative us of a werecreature, which is a shapeshifter that can metamorphose from human to a particular animal form.
——Nevertheless, audiences in search of a really, really scary movie should not be deterred nor befuddled by the first appearance ever in a movie of a weremonster that isn’t a werewolf. This horror movie is sublime in so many ways waiting to be discovered by audiences!
Review by Gregg W. Morris.
IN WONDERLAND Review Excerpt: How do you explain loss to a child? It’s a delicate matter, especially for children seeking asylum. Writer and director Andrea Camacho McCracken explores this challenging question in her short film, IN WONDERLAND” which showed…
This latest article about TWILIGHT OF THE DEAD scripted by Shannon McGee and graphic images of George A. Romero’s 1968 NIGHT OF THE LIVING DEAD by CoCo Lin.