“After a banner year of Tribeca programming, I do not envy our jurors’ task of selecting this year’s winners,” said Tribeca Festival Director and SVP of Programming Cara Cusumano. “I’m delighted to see they’ve chosen to honor a diverse, international, adventurous group of films that truly reflect the Tribeca spirit. We can’t wait to continue to follow and support all these films’ journeys into the world.” –
Article by Gregg W. Morris
BLACK TABLE caught me off guard. I was swept up into the film so fast that I fumbled and stumbled shifting into reviewer mode. It took 30 minutes before I stopped swallowing and gulping scenes down, and a measure of…
The most electrifying and boundary-breaking filmmaking competition of the year has launched. – By Gregg W. Morris
A stellar account about several upstate New Yorkers who say they have had close encounters with UFOs AKA UAPs. They are not portrayed in this polished documentary of Directors Pacho Velez and Daniel Claridge as wacky, or particularly eccentric.
They come across as everyday people though some have experienced a measure here or there of derision for publicly sharing their outer worldly experiences. Believe this reviewer when he says that he was tempted, really temped, to circumvent the Saturday, June 8, 2 p.m. embargo so that he could be the first to shout to the heavens: See this movie! – Gregg W. Morris
“Cinema as a whole can be seen as a vehicle for empathy — in general, the goal of a film is to make the audience feel as if they have lived the experiences of the character onscreen, and can identify with their struggles,” writes H.R. Starzec on Medium.com. Starzec could have been writing about DRIVER.
“There’s a feeling of sensitivity and understanding at every level, and the filmmaker trusts that the audience is capable of extracting these feelings from film.” – A must see movie. Article by Gregg W. Morris
MADE IN ETHOPIA was filmed over four years and this reviewer was amazed at the considerable access the filmmakers had with interviewees and their families and the community as a whole. That kind of access occurs because of the incredible filmmaking finesses of filmmakers for dealing with people to tell incredible stories. – Review by Gregg W. Morris
At Tribeca, we’ve transformed our immersive offerings to meet the growing demand for expansive experiences,” Tribeca Co-Founder and CEO Jane Rosenthal was quoted as saying in a press release. “As artists transition from digital platforms to live audiences, we’ve embraced the opportunity to explore new avenues in immersive programming. Our curated showcase, in collaboration with Mercer Labs, features exclusive works from renowned artists across diverse disciplines. This marks a significant milestone in festival history and continues Tribeca’s commitment to innovation, creativity and technology.” – By Gregg W. Morris
This year’s festival jury includes a diverse roster of groundbreaking filmmakers, award-winning actors, celebrated multi-hyphenate producers, and leaders from entertainment, including David O. Russell, Selma Blair, Asghar Farhadi, Kim Cattrall, Chinonye Chukwu, Nisha Pahuja, Nikyatu Jusu, Sheila Nevins, Francesca Scorsese, Clara McGregor, and more. In addition to the awards in competition categories, the Nora Ephron Award, created to honor the spirit and vision of the legendary filmmaker and writer, will be presented.
– Article By Gregg W. Morris
Since 2005, Tribeca and CHANEL have brought together esteemed artists who generously gift an original work to winning filmmakers of the Festival. – Article by Gregg W. Morris
Brave New Films in its latest video release delves into former President Donald Trump’s frequent claims and allegations about crime waves in America’s major cities. The crime waves, of course, don’t exist, though right-wing and extreme right wing news media, insist they do. The Trump administration was marred by a staggering number of criminal activities.
From corruption and fraud to obstruction of justice, Brave New Films explore the numerous legal challenges and scandals that plagued Trump and his inner circle. BNF wants people to discover how Trump’s rhetoric about urban crime deflects from the real wave of criminality that swept through the White House during his tenure – and, yet, reverberates still.
Please Note: WORD Editor-Publisher’s position is that Trump is a racist, sexist, homophobic, miscreant and sociopath. There are way too many, he believes, who are way to nonchalant about his racism, sexism, homophobia and antisocial personality disorder.
About Brave New Films: Robert Greenwald and BNF create free documentary films that inform the public, challenge corporate media, and motivate people to take action on social issues nationwide. Brave New Films’ investigative films have shined a light on the Bush, Obama and Trump administration, voter suppression, U.S. drone strikes, the prosecution of whistleblowers and Walmart’s corporate practices.
BNF’s mission is to champion social justice issues by using a model of media, education, and grassroots volunteer involvement that inspires, empowers, motivates and teaches civic participation and makes a difference.
Gregg W. Morris can be reached at gregghc@comcast.net or profgreggwmorris@gmail.com.
Editor, Publisher Gregg W. Morris