Tyler Ham Pong, Secretary, Asian American Film Lab, Inc. Besides your responsibilities with Film Lab Inc., what’s going on in your personal career? – “I’m always auditioning and working towards the next project. I actually just found out some good…
The Shootout is an annual, global filmmaking competition celebrating diversity in front of and behind the camera. Teams compete for access to a year of free educational and networking events, mentorships with executives at major networks like ABC, cash, prizes and the chance to have their films screened at film festivals, both nationally and internationally, and on television. The top 50 films from the Shootout will air across the country. Join the revolution, make an amazing film and take your career to the next level! – Article by Gregg W. Morris
Chongqing is located in southwest China, covering 82,400 square kilometers, and more than 90 percent of the area is mountain land. After many tributaries of the Sichuan Basin merge into the Yangtze River in Chongqing, they create an outlet to connect to the outside world.
Article by WORD senior political writer Xinlin Tang, an Intrnational Student who lives in Chongqing.
“Well, I do think that this film is about an issue that of course, will outlast us, right? We are just links in a long chain of films, literally. There are other films that are about this issue that are in my film. I gave them homage and put clips in our film to show that we weren’t the first. We will not be the last. This is a forever problem in some ways,” says Director Hadley Austin in here interview with WORD Editor-Reviewer Gregg W. Morris.
Trump stares down first derailment of his campaign-to-courthouse strategy Editor’s Note: May he be damned with more derailments.
Click Here {Update, Saturday, March 23}
This film short will wet cinematic appetites. The feature that this reviewer suspects is in the works could be a mindbender.
Review by Gregg W. Morris
Disability Language That Viewers & Audiences Should Know – And Film Reviewers, Of Course Disability Language Director Reid Davenport: ● I, along with many other disabled people, identify with “disability” (and all its iterations) as a political identity. The reasoning…
Producer Keith Wilson Statement (Edited for Style) In 2018, I met Reid in a Downtown Oakland cafe because I was stuck. I had begun working on a feature-length film (now a live documentary) about the late performance artist and teacher…
Reid Davenport:“All of the footage in I DIDN’T SEE YOU THERE is shot by me from my literal point-of-view. The motivation for this is twofold: 1, to jar viewers with shots from a camera held by my spastic body or mounted to my wheelchair, and, 2, to unequivocally rebuke the norm of disabled people being seen and not heard In this film, viewers listen to my voiceover without ever seeing the entirety of my face.”
Review, articles by Gregg W. Morris