Videos
72 Hour Shoot Out Competition
"Entertainment media is the method by which we as a country leave our history and tell our story about who we are as a people to the rest of the world."
— @JenBetitYen, Honoree for the #APAHM Reception at Gracie Mansion pic.twitter.com/c1H5k0cISp— NYC Mayor's Office (@NYCMayorsOffice) May 10, 2019
The Film Lab Sponsors 72 Hour Shoot Out Competition
The Film Lab is a 501c3 not-for-profit that has been dedicated to the promotion of gender and ethnic parity since 1998. We accomplish that goal in three ways
– (1) education – we run monthly events that are open to the public ranging from screenings to seminars to Q&As, all to draw light upon issues of race and gender in media – an example was a panel with Time Warner/Turner/HBO on Distribution;
– (2) outreach-support – we run various programs ranging from the famous 72 Hour Shootout filmmaking competition to filmmaking how-to workshops to networking parties, all of which work to connect people of color and mainstream media executives and to create mentorship and distribution opportunities for people creating diverse works; and
– (3) production – we produce media with positive and prolific perceptions of women and people of color. For example, we produce the television series Film Lab Presents, which airs on CrossingsTV, Time Warner Cable & Xfinity. We also have an online channel, AAFL TV, to which you can subscribe to for free at youtube.com/asamfilmlab for bold, innovative and deliciously diverse entertainment!
The Film Lab is partnering again with Backstage Magazine to support ethnic and gender parity in the arts through the Film Lab’s annual 72 Hour Shootout filmmaking competition, a global filmmaking competition for everyone from novices to established filmmakers.
Backstage will be conducting an intensive workshop, led by Christine McKenna-Tirella, to teach filmmakers, step-by-step, how to utilize all the resources for free (a special code for free services from Backstage Magazine will be given to attendees at the event and to those who register for the 72 Hour Shootout filmmaking competition).
To register and learn more about the Film Lab’s 72 Hour Shootout, please visit:
www.film-lab.org
www.Facebook.com/72HrShootout(c)2020
The Film Lab and the 72 Hour Shootout are Registered Trademarks of the Film Lab and may not be used without the Film Lab’s express written consent.
In the 72 Hour Shootout, filmmaking teams are given a common theme at the start of the Shootout (usually 8 pm EST, the first Thursday of June) and then have 72 hours to write, shoot, edit, and complete short films up to five minutes in length. For almost two decades, the Film Lab and the Shootout have provided a platform for faces, voices and stories too often marginalized, whitewashed or silenced by mainstream media.
Because of the pandemic, making films where we are bivouacked, sheltered, quarantined (voluntary and involuntary), marooned – et.al. – can be the paths for a great shootout.
Registrants can obtain screen tests and mentorships from major TV networks and established industry professionals to help develop their careers and the top ten films screen at the AAI Film Festival, on the TV series “Film Lab Presents,” and are promoted online via AAFL TV. Every year, registration opens online in MARCH and the Film Lab runs a series of workshops between March and June, free for registrants, to teach basic filmmaking skills and help people network and form teams.
The events are livestreamed for registrants around the globe. The actual 72 hours of filming takes place in June with the winning films premiering at the Asian American International Film Festival in July under the auspices of and in collaboration with Asian CineVision. Teams compete for access to a year of free educational and networking events, mentorships with executives at NBC, ABC, and more, cash, prizes and the chance to have their films screened at film festivals, both nationally and internationally.
The competition creates a valuable opportunity for filmmakers of color – focusing on Asian American filmmakers – and women to demonstrate their talent, gain exposure in the entertainment industry and impact the visibility of diverse stories and characters in film. Past Judges include hip hop icon Russell Simmons, producer Teddy Zee, ABC Primetime Casting Director Marci Phillips and playwright David Henry Hwang, among others.
First of Several 72 Hour Shoot Articles in These Pandemic Times
DOC NYC Returns for 10th Anniversary Edition, November 6-15, 2019
Schedule: 300+ Films, Episodic Content, Events Spanning 10 Days at the IFC Center, SVA Theater and Cinépolis Chelsea. Hundreds of Special Guests.
DOC NYC opens TOMORROW with its Opening Night Screening of Once Were Brothers: Robbie Robertson and The Band! There is only a limited number of tickets left for this screening so be sure to get yours now!DOC NYC is also having another 10 for $10 flash sale! Get tickets to 10 different films for only $10 each! Be sure to get in quick, this offer ends on noon Wednesday November 6!
DOC NYC, kicking off tomorrow. Shining a light on the different areas of the festival to help people plan their schedules This week:Highlighting our True Crime Section as part of the film lineup and the Short List panels being presented at DOC NYC PRO.
BURNING CANE – Another Q&A Snippet – Director Phillip Youman Talks About the New Orleans Creative Community That Helped Him With His Film
His film was selected at the 2019 Tribeca Film Festival for Best Narrative Feature, Best Actor and Best Cinematography. Director Housman and Moderator Erik Luers seen below. Showing at the IFC Center in NYC, Saturday, October 26, – Thursday, October 31, 1:10 p.m., 3:10 p.m., 5:10 p.m., 7:20 p.m.
As Bill Paxton’s Severen Said in NEAR DARK, ‘Yoo-hoo, Mayor de Blasio …’
NYC Bike Family Mass Die-in, Washington Square Park, July 9, 2019 by Transportation Alternatives. #NYCBikeFamily staged mass die-in to protest the killing of cyclists. Non-violent, peaceful memorial event. Drivers have killed 15 people on bikes this year — more than double the number killed this time last year.
#NYCBikeFamily: “We deserve safe passage. We deserve the pure joy of riding a bike. We will not stop riding and we will not accept this injustice.
Making sure that “Mayor Bill de Blasio knows that the NYC Bike Family will not stand for the threat on our lives. Vision Zero is in a state of emergency, and the only way to stop the killings is to break New York City’s car culture.
NYAFF 2019 Trailer
Error Correction May 2: A Wardrobe Mishap? Nah! A Zany Unexpected Moment? Could Be! Tribeca Film Festival 2019 Red Carpet, DRIVEWAYS
There was an error misidentifying CRSHD red carpet footage as DRIVEWAYS footage. Here is the link to the corrected video footage. Correct articles and footage in the works.
Gregg W. Morris can be reached gmorris@hunter.cuny.edu
WORKING WOMAN Preview
OPENING
New York City – Wednesday, March 27 at the IFC Center; Marlene Meyerson JCC of Manhattan
Director Michal Laviad
Orna (Liron Ben Shlush), the mother of three young children, wearing a lot of care taking hats, wants to help her husband struggling to start his own restaurant by wearing another hat. She takes a job, and, cutting to the chase, her boss sexually harasses her even as she her financial success is good for the company. His escalating, menacing sexual harassment creates a crisis for her.
“Slow Burning – builds its tension so subtly you don’t realize you’ve been holding your breath” – Elizabeth Kerr, Hollywood Reporter.
Holding our breaths? Uh oh!
Director Laviad says about the time she started identifying herself as a feminist, she began directing films in San Francisco in the 1980s. Her 10 documentary and narrative films look at complex social and political issues from the point of view of female protagonists, she says in a statement. “Making films from the point of view of women is a way to remind us that women’s ways of understanding and acting in the world matter, and are worth showing – and this theme is recurrent in all my work.”
Review coming soon.
Gregg W. Morris can be reached at gmorris@hunter.cuny.edu
hillbilly
Winner of the Best Documentary Feature at the 2018 Los Angeles Film Festival and made its New York City premiere at DOC NYC. Debuts Tuesday, January 8, 2019, on Digital, Cable and Satellite.
Directed by Sally Rubin and Ashley York
Cast – bell hooks, Amythyst Kiah, Frank X Walker, Crystal Good, Ronny Cox, Billy Redden, Michael Apted, Silas House
1:25:1 Run Time
What the Filmmakers Say
Since the presidential election, cultural divide in America has been the source of riveting and visceral discussions and arguments. Stereotyping and slurs are rampant, finger-pointing and name-calling abound. hillbilly is a personal and political journey by the filmmakers into the heart of the Appalachian coalfields, exploring the role of media misrepresentation in their creation of the iconic American “hillbilly,” and examining the social, cultural, and political underpinnings of this infamous stereotype.
hillbilly will surprise if not shock imaginations because of its revelations, such as the renown artists, poets, activists, queer musicians, “Affrilachian” poets, and intersectional feminists who are unexpected voices emerging from this historically misunderstood region. Author, feminist, and social activist bell hooks is a hillbilly.
Gregg W. Morris can be reached at gmorris@hunter.cuny.edi
THE DISTANT BARKING OF DOGS – Oscar Shortlisted Documentary
One of 15 contenders for Best Documentary Feature at 91st Academy Awards. The nominations to be released 22 January, 2019, and the winner to be announced at the 91st Academy Awards February 24, 2019.
What the Film Makers Say
Set in Eastern Ukraine on the front-line of the war, following the life of 10-year-old Ukrainian boy Oleg throughout a year, witnessing the gradual erosion of his innocence beneath the pressures of war. Oleg lives with his beloved grandmother, Alexandra, in the small village of Hnutove. Having no other place to go, Oleg and Alexandra stay and watch as others leave the village. Life becomes increasingly difficult with each passing day, and the war offers no end in sight. In this now half-deserted village where Oleg and Alexandra are the only true constants in each other’s lives, the film shows just how fragile, but crucial, close relationships are for survival.
Through Oleg’s perspective, the film examines what it means to grow up in a war zone: A child’s growing universal struggle to discover what the world is interlaced with all the dangers and challenges the war presents.
Directed by Simon Lereng Wilmont.
Produced by Monica Hellström (THE ACT OF KILLING), Final Cut For Real
Spotlight Award Nominee – Cinema Eye Honors 2019
Honorable Mention – Pare Lorentz Award – 2018 IDA Awards
Winner – First Appearance Award – IDFA 2017
Winner – Best Nordic Documentary – Göteborg Film Festival 2018
Winner – Golden Gate Award – SFFILM 2018
Winner – Fipresci Award – Thessaloniki Documentary Film Festival 2018
Winner – Best International Film – DocAviv Film Festival 2018
Nominee – Best European Documentary – European Film Awards 2018
Gregg W. Morris can be reached at gmorris@hunter.cuny.edu