DADDIES BOI generated significant positive responses during its festival run, with screenings at NewFest and Temecula. The creators are in early conversations with distributors, with aspirations to secure a streaming service acquisition. The planned series would consist of six to eight episodes of approximately 30 minutes each for the first season, with outlines developed for three seasons total. – Gregg W. Morris, the WORD
Synopsis Desperate to maintain their lifestyles as their youth, & options, fade, two aging sugar babies dive headfirst into the bizarre underworld of the “desire economy.” When a provocative new app called Daddies Boi promises fast cash and fresh connections,…
Louie Rinaldi (they/them) – ExecutiveProducer,CoCreator: Yeah, thank you. You know what? I mean, I get that. I’ve often, growing up, was jealous of a painter or some kind of artistry like that where you can go away to a cabin…
One of the strikes, reportedly launched by Israel, destroyed an elementary school for girls in the southern city of Minab, killing at least 85 people, Iranian semi-official outlet Tasnim News Agency reported — seemingly the first reported casualties of the conflict. Iran retaliated with strikes targeting Israel and U.S. bases in numerous Gulf Coast countries, including in a strike on the U.S. Navy’s 5th Fleet headquarters in Bahrain. Many U.S. bases in the region were partially evacuated prior to the first U.S.-Israeli strikes.
WALTZ FOR THREE has screened at numerous festivals, including St. Louis International Film Festival, Dallas International Film Festival, and Dances With Films 2025, and has been recognized in multiple Oscar-qualifying competitions. WALTZ FOR THREE filmmakers at the time of this the WORD Q&A were planning on overseas screenings.
Words escape description by this film reviewer. This film is unlike many in recent memory. – Review by Gregg W. Morris
BIGHT, directed by Mariara Walsh, explores themes of power, control, and the fragility of trust through character-driven storytelling on levels that few filmmakers dare to go. – Review by Gregg W. Morris
Because the film has a polarizing subject and huge political context, online discussions blend criticism of the documentary itself with political sentiment about the Trumps and Brett Ratner. (The Daily Beast) – Gregg W. Morris
