“After a banner year of Tribeca programming, I do not envy our jurors’ task of selecting this year’s winners,” said Tribeca Festival Director and SVP of Programming Cara Cusumano. “I’m delighted to see they’ve chosen to honor a diverse, international, adventurous group of films that truly reflect the Tribeca spirit. We can’t wait to continue to follow and support all these films’ journeys into the world.” –
Article by Gregg W. Morris
BLACK TABLE caught me off guard. I was swept up into the film so fast that I fumbled and stumbled shifting into reviewer mode. It took 30 minutes before I stopped swallowing and gulping scenes down, and a measure of…
The most electrifying and boundary-breaking filmmaking competition of the year has launched. – By Gregg W. Morris
A stellar account about several upstate New Yorkers who say they have had close encounters with UFOs AKA UAPs. They are not portrayed in this polished documentary of Directors Pacho Velez and Daniel Claridge as wacky, or particularly eccentric.
They come across as everyday people though some have experienced a measure here or there of derision for publicly sharing their outer worldly experiences. Believe this reviewer when he says that he was tempted, really temped, to circumvent the Saturday, June 8, 2 p.m. embargo so that he could be the first to shout to the heavens: See this movie! – Gregg W. Morris
“Cinema as a whole can be seen as a vehicle for empathy — in general, the goal of a film is to make the audience feel as if they have lived the experiences of the character onscreen, and can identify with their struggles,” writes H.R. Starzec on Medium.com. Starzec could have been writing about DRIVER.
“There’s a feeling of sensitivity and understanding at every level, and the filmmaker trusts that the audience is capable of extracting these feelings from film.” – A must see movie. Article by Gregg W. Morris
MADE IN ETHOPIA was filmed over four years and this reviewer was amazed at the considerable access the filmmakers had with interviewees and their families and the community as a whole. That kind of access occurs because of the incredible filmmaking finesses of filmmakers for dealing with people to tell incredible stories. – Review by Gregg W. Morris