Destination of old published stories.
Laura Poitras’s All the Beauty and the Bloodshed is the centerpiece selection for the 60th New York Film Festival at Alice Tully Hall on October 7. Photographer and documentary subject Nan Goldin will design the 60th New York Film Festival poster to be l be revealed at a later date. – By Gregg W. Morris
Film at Lincoln Center has announced an exciting roster of additional film series and new release programming for its 2022 summer season, September 30 – October 16. – By Gregg W. Morris
Film at Lincoln Center: “In one of the year’s most gratifyingly ambitious American films, Noah Baumbach (Marriage Story) has adapted Don DeLillo’s epochal postmodern 1985 novel WHITE NOISE, long perceived as unfilmable, into a richly layered, entirely unexpected work of contemporary satire.” – By Gregg W. Morris
WUHAN WUHAN is picture perfect videography with cinematic panache and visual imagery portraying the lives of several Wuhan residents at the height of the coronavirus pandemic in February and March, 2020, in the city where the coronavirus began, Wuhan, the capital of Hubei Province in the People’s Republic of China. Wuhan is the largest city in Hubei and the most populous city in Central China with a population of over eleven million. – Review by Gregg W. Morris
2-Minute Trailer –– https://www.pbs.org/pov/watch/wuhanwuhan/video-wuhan-wuhan/ Part 1: Pretty Much Everything an Audience Needs to Know About the Making of YUHAN HUHAN Part 2: Film Review – In the Works. Soon to be Published Part 3: Interview with former WORD Writer Who…
UNFINISHED BUSINESS is one of the most exciting films to play at the 2022 Tribeca Film Festival. Veteran Director-Producer Alison Klayman tells tells the story of the New York Liberty, which is inseparable form the story of the WNBA, yet, tells the story of the WNBA, which is inseparable from story of the Liberty. – By Gregg W. Morris
Tickets go on sale July 1 for the fully in-theater 20th anniversary edition of the New York Asian Film Festival (NYAFF), presented by the New York Asian Film Foundation and Film at Lincoln Center (FLC), running from July 15–28, 2022 at FLC, as well as on July 23 and July 28–31 at Asia Society, which will be co-presenting a selection of key films and a Hong Kong marathon day. International stars and acclaimed filmmakers will return in-person to grace the NYAFF red carpet at FLC, receive awards, speak at Q&A sessions, and impart wisdom during masterclasses and special talks.
The bravura filmmaking will keep audiences on the edge of their seats 90-plus minutes, and Director-Writer Hengl accomplishes this sans the customary horror film trimmings used by many filmmakers to add zest to their zestless cinemas: Gore, zombies, demonic possessions, X-rated prurience, CGI. Review by Gregg W. Morris.
He’s been a professor at the school, a staff writer for The New Yorker, an author, a documentary producer, and the director of the Ira A. Lipman Center for Journalism and Civil and Human Rights.
