Savvy folks know they need their mojos working in these dreadful times of alarming never-ending ghastly breaking news headlines about the economy, tariffs, immigration, Gaza & Ukraine, White House TACO Tantrums … and so on … and so forth. Good…
WE ARE KINGS (2025) Film Short Review: Good? Bad? Ugly?
Streaming On Demand Since June 3 Is WHITE WITH FEAR: About the Heinous Weaponization of White Americans’ Racial Fears by Republican Right Wing Extremists and Extremist Right Wing News Media – Part 1

Described by critics as “riveting,” “masterful” and “absolutely required viewing,” and in the tradition of past classic documentary exposes such as Enron: The Smartest Guys in the Room and Inside Job, White With Fear uncovers the real-world consequences of manipulative tactics that seek to demonize immigrants, spread Islamophobia, and deploy a cynical and strategic campaign of racist rhetoric with real world effects. White With Fear is a potent journalistic undertaking that unearths the hidden political playbook and key operatives behind these efforts. – Article by Gregg W. Morris
The 32nd New York African Film Festival at the Brooklyn Academy of Music – Part 1
The 32nd New York African Film Festival, Audience Q&A With Film Director Angele Diabang – Part 2
SO LONG A LETTER, the opening night film for 32nd NY African Film Festival, was followed by an Audience Q&A With Director Angèle Diabang, Festival Director KareBn McMullan and Sophie Aziakou, who assisted as a translator. Some Key Points of…
the WORD Q&A With THIS LAND Director Mike Bradley
THIS LAND: Eye Opening, Awe-Inspiring Award-Winning Short Film Documentary Telling the Incredible Story of Ganienkeh, a Sovereign Mohawk Community in Upstate New York

Poignant and timely. An awe-inspiring, must-watch for those interested in – and those who should be interested in – social justice, real American history and the power of grassroots movements to make things happen positively. The film does not blink at the violence and menace perpetrated by non-Native Americans nor does it shrink from it but the footnotes shouldn’t be ignored. Filmmaker Mike Bradley offers viewers the rare opportunity to engage with a powerhouse cinematic narrative of resistance, cultural preservation and the ongoing struggle for indigenous rights.
– By Gregg W. Morris, the WORD

