the WORD

Film/TV, Film/TV Reviews

by Greggory Morris • December 26, 2021

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← NYC DOC Film Review: EXPOSURE (2021)
The intimate panoramic scope and breath of this sublime account of women expeditioners skiing to the North Pole makes for one of the most rhapsodic films in recent years.

Attention Audiences – A Damn the Pandemic, Full Speed Ahead Film Review (And Don’t Forget Your Masks When You See the Film): Director Skye Wallin’s AMERICAN GADFLY →