World premiere at Alice Tully Hall, Friday, September 27, 2019 – A richly textured epic of American crime, a dense, complex story told with astonishing fluidity. Based on Charles Brandt’s nonfiction book, I Heard You Paint Houses, about friendships and loyalty between men who commit unspeakable acts and turn on a dime against each other, yet, there is the possibility of redemption in a world where it seems as distant as the moon.
The roster of rich talent behind and in front of the camera and at the core of THE IRISHMAN are four great artists: Joe Pesci as Pennsylvania mob boss Russell Bufalino, Al Pacino as Teamsters president Jimmy Hoffa, and Robert De Niro as their right-hand man, Frank Sheeran, each working in the closest harmony imaginable with the film’s incomparable creator, Martin Scorsese.
THE IRISHMAN will be released in select theaters and on Netflix later this year.
“The Irishman is so many things: rich, funny, troubling, entertaining and, like all great movies, absolutely singular,” said New York Film Festival Director and Selection Committee Chair Kent Jones. “It’s the work of masters, made with a command of the art of cinema that I’ve seen very rarely in my lifetime, and it plays out at a level of subtlety and human intimacy that truly stunned me. All I can say is that the minute it was over my immediate reaction was that I wanted to watch it all over again.”
“It’s an incredible honor that The Irishman has been selected as the Opening Night of the New York Film Festival. I greatly admire the bold and visionary selections that the festival presents to audiences year after year,” said Martin Scorsese. “The festival is critical to bringing awareness to cinema from around the world. I am grateful to have the opportunity to premiere my new picture in New York alongside my wonderful cast and crew.”
Campari is the exclusive spirits partner for the 57th New York Film Festival and the presenting partner of Opening Night, extending its long-standing commitment to the world of film and art. Presented by Film at Lincoln Center, the 17-day New York Film Festival highlights the best in world cinema, featuring works from celebrated filmmakers as well as fresh new talent. The selection committee, chaired by Jones, also includes Dennis Lim, FLC Director of Programming, and Florence Almozini, FLC Associate Director of Programming.
Tickets for the 57th New York Film Festival will go on sale to the general public on September 8. Festival and VIP passes are on sale now and offer one of the earliest opportunities to purchase tickets and secure seats at some of the festival’s biggest events, including Opening Night. Support for Opening Night of the New York Film Festival benefits Film at Lincoln Center in its non-profit mission to support the art and craft of cinema.
Image credit: Niko Tavernise / Netflix
New York Film Festival Opening Night Films
2018 The Favourite (Yorgos Lanthimos, Ireland/UK/US)
2017 Last Flag Flying (Richard Linklater, US)
2016 13TH (Ava DuVernay, US)
2015 The Walk (Robert Zemeckis, US)
2014 Gone Girl (David Fincher, US)
2013 Captain Phillips (Paul Greengrass, US)
2012 Life of Pi (Ang Lee, US)
2011 Carnage (Roman Polanski, France/Poland)
2010 The Social Network (David Fincher, US)
2009 Wild Grass (Alain Resnais, France)
2008 The Class (Laurent Cantet, France)
2007 The Darjeeling Limited (Wes Anderson, US)
2006 The Queen (Stephen Frears, UK)
2005 Good Night, and Good Luck. (George Clooney, US)
2004 Look at Me (Agnès Jaoui, France)
2003 Mystic River (Clint Eastwood, US)
2002 About Schmidt (Alexander Payne, US)
2001 Va savoir (Jacques Rivette, France)
2000 Dancer in the Dark (Lars von Trier, Denmark)
1999 All About My Mother (Pedro Almodóvar, Spain)
1998 Celebrity (Woody Allen, US)
1997 The Ice Storm (Ang Lee, US)
1996 Secrets & Lies (Mike Leigh, UK)
1995 Shanghai Triad (Zhang Yimou, China)
1994 Pulp Fiction (Quentin Tarantino, US)
1993 Short Cuts (Robert Altman, US)
1992 Olivier Olivier (Agnieszka Holland, France)
1991 The Double Life of Veronique (Krzysztof Kieslowski, Poland/France)
1990 Miller’s Crossing (Joel Coen, US)
1989 Too Beautiful for You (Bertrand Blier, France)
1988 Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987 Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986 Down by Law (Jim Jarmusch, US)
1985 Ran (Akira Kurosawa, Japan)
1984 Country (Richard Pearce, US)
1983 The Big Chill (Lawrence Kasdan, US)
1982 Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981 Chariots of Fire (Hugh Hudson, UK)
1980 Melvin and Howard (Jonathan Demme, US)
1979 Luna (Bernardo Bertolucci, Italy/US)
1978 A Wedding (Robert Altman, US)
1977 One Sings, the Other Doesn’t (Agnès Varda, France)
1976 Small Change (François Truffaut, France)
1975 Conversation Piece (Luchino Visconti, Italy)
1974 Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973 Day for Night (François Truffaut, France)
1972 Chloe in the Afternoon (Eric Rohmer, France)
1971 The Debut (Gleb Panfilov, Soviet Union)
1970 The Wild Child (François Truffaut, France)
1969 Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968 Capricious Summer (Jiri Menzel, Czechoslovakia)
1967 The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966 Loves of a Blonde (Milos Forman, Czechoslovakia)
1965 Alphaville (Jean-Luc Godard, France)
1964 Hamlet (Grigori Kozintsev, USSR)
1963 The Exterminating Angel (Luis Buñuel, Mexico)
FILM AT LINCOLN CENTER
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Film at Lincoln Center fulfills its mission through the programming of festivals, series, retrospectives, and new releases; the publication of Film Comment; the presentation of podcasts, talks, and special events; the creation and implementation of Artist Initiatives; and our Film in Education curriculum and screenings. Since its founding in 1969, this nonprofit organization has brought the celebration of American and international film to the world-renowned arts complex Lincoln Center, making the discussion and appreciation of cinema accessible to a broad audience, and ensuring that it remains an essential art form for years to come.
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Film at Lincoln Center receives generous, year-round support from the National Endowment for the Arts and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. For more information, visit www.filmlinc.org and follow @filmlinc on Twitter and Instagram.