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Their approach to storytelling is highly interdisciplinary, blending traditional forms and new media to give a voice to unique perspectives and subcultures in innovating and daring ways.
Inspired by one of the film’s directors, this is a bitter-sweet tale about downhill skateboarders coming to grips with the existential grief they are experiencing over the death of a teammate who died in a competition. This film is tagged as a documentary-drama-sport-movie yet it’s filmmaking is infused with a fierce spirituality that is cosmic, surrealistic and transcendent.
– By Gregg W. Morris
Woven in the thick, ethnographic fabric of Van Tassel’s poignant documentary narrative – in her pursuit of truth-the-whole-truth-&-nothing-but-the-truth – are sketches, vignettes, anecdotes, stories, customs, traditions, practices, sociopolitical analysis, and histories (regional and national). The result is an extraordinary story that absolutely has to be told and re-told, seen and re-seen, echoed and reechoed: The genocide is real and so are efforts to end it once and for all.
– Article-Review by Gregg W. Morris
A stellar account about several upstate New Yorkers who say they have had close encounters with UFOs AKA UAPs. They are not portrayed in this polished documentary of Directors Pacho Velez and Daniel Claridge as wacky, or particularly eccentric.
They come across as everyday people though some have experienced a measure here or there of derision for publicly sharing their outer worldly experiences. Believe this reviewer when he says that he was tempted, really temped, to circumvent the Saturday, June 8, 2 p.m. embargo so that he could be the first to shout to the heavens: See this movie! – Gregg W. Morris
“Cinema as a whole can be seen as a vehicle for empathy — in general, the goal of a film is to make the audience feel as if they have lived the experiences of the character onscreen, and can identify with their struggles,” writes H.R. Starzec on Medium.com. Starzec could have been writing about DRIVER.
“There’s a feeling of sensitivity and understanding at every level, and the filmmaker trusts that the audience is capable of extracting these feelings from film.” – A must see movie. Article by Gregg W. Morris
MADE IN ETHOPIA was filmed over four years and this reviewer was amazed at the considerable access the filmmakers had with interviewees and their families and the community as a whole. That kind of access occurs because of the incredible filmmaking finesses of filmmakers for dealing with people to tell incredible stories. – Review by Gregg W. Morris
At Tribeca, we’ve transformed our immersive offerings to meet the growing demand for expansive experiences,” Tribeca Co-Founder and CEO Jane Rosenthal was quoted as saying in a press release. “As artists transition from digital platforms to live audiences, we’ve embraced the opportunity to explore new avenues in immersive programming. Our curated showcase, in collaboration with Mercer Labs, features exclusive works from renowned artists across diverse disciplines. This marks a significant milestone in festival history and continues Tribeca’s commitment to innovation, creativity and technology.” – By Gregg W. Morris
This year’s festival jury includes a diverse roster of groundbreaking filmmakers, award-winning actors, celebrated multi-hyphenate producers, and leaders from entertainment, including David O. Russell, Selma Blair, Asghar Farhadi, Kim Cattrall, Chinonye Chukwu, Nisha Pahuja, Nikyatu Jusu, Sheila Nevins, Francesca Scorsese, Clara McGregor, and more. In addition to the awards in competition categories, the Nora Ephron Award, created to honor the spirit and vision of the legendary filmmaker and writer, will be presented.
– Article By Gregg W. Morris