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Destination of old published stories.

Inspired by one of the film’s directors, this is a bitter-sweet tale about downhill skateboarders coming to grips with the existential grief they are experiencing over the death of a teammate who died in a competition. This film is tagged as a documentary-drama-sport-movie yet it’s filmmaking is infused with a fierce spirituality that is cosmic, surrealistic and transcendent.
– By Gregg W. Morris

Woven in the thick, ethnographic fabric of Van Tassel’s poignant documentary narrative – in her pursuit of truth-the-whole-truth-&-nothing-but-the-truth – are sketches, vignettes, anecdotes, stories, customs, traditions, practices, sociopolitical analysis, and histories (regional and national). The result is an extraordinary story that absolutely has to be told and re-told, seen and re-seen, echoed and reechoed: The genocide is real and so are efforts to end it once and for all.
– Article-Review by Gregg W. Morris

“After a banner year of Tribeca programming, I do not envy our jurors’ task of selecting this year’s winners,” said Tribeca Festival Director and SVP of Programming Cara Cusumano. “I’m delighted to see they’ve chosen to honor a diverse, international, adventurous group of films that truly reflect the Tribeca spirit. We can’t wait to continue to follow and support all these films’ journeys into the world.” –
Article by Gregg W. Morris

“Cinema as a whole can be seen as a vehicle for empathy — in general, the goal of a film is to make the audience feel as if they have lived the experiences of the character onscreen, and can identify with their struggles,” writes H.R. Starzec on Medium.com. Starzec could have been writing about DRIVER.
“There’s a feeling of sensitivity and understanding at every level, and the filmmaker trusts that the audience is capable of extracting these feelings from film.” – A must see movie. Article by Gregg W. Morris