Surprising how much can fit into so little.
Those on the lookout for films with the cinematic magic to raise their spirits during these COVID-19 surges should consider this mesmerizing hallucinogenic & hypnagogic tale by Director Sivita Singh. It can make you feel as if you are experiencing a loopy de loop of phantasmagoric proportions during these perilous days. By Greggory W. Morris
Kara, who lives in a dystopian country where abortion is illegal and the penalties are draconian for those who break the law, is desperate to get one, nevertheless, and that desperation has driven her to take risks that could get her imprisoned if not dead on a slab in an abortion clinic. She is willing to take any risk, face any peril – and she most certainly does in Director Marianne Farley’s foreboding but exquisitely made five-star edge-of-the-seat thriller. Is Dirctor Farley’s FRIMAS a prophetic foretelling of what is on America’s horizon because of TX SB8?
A 14-minute film short made with extra tender loving care, as if every scene was meticulously planned, down to the last nuance, down to the last surprise. The filmmakers, drawing on a well of creativity, infused imaginative scenarios of the everyday angst of lovee-dovee neurotic couples with a verisimilitude that syncs well with an other worldly cosmic finish. It’s that good. – By Gregg W. Morris
It was five-minutes, 38-seconds into this marvel of a film – melancholic yet tempered with cosmic bliss – when I experienced the first swell of an unexpected rapture, brought on by scenes of the spoken-word-like-rapping of Zowie pitching to publishers of adult books about a children’s book she wants published. Her main character may be the only character, and she is a girl whose superpowers are diminishing, and who frequently falls on the floor or to the ground like a klutz at certain moments in the time-space continuum. Audiences need to be ready to deal with otherworldly themes in this film. – By Gregg W. Morris
A female techie, Nigerian, living the life of a recluse in a remote German forest, on an evening jog inadvertently crosses paths with an android, also female, prostate and comatose on the ground – and decides to carry it home. Stunning cinematography … but there’s one hitch: The storyline is so ephemerally gauzy and byzantine, it’s as if the the filmmakers decided that the out-of-this-world cinematography was more than enough for their film – and left it to audiences to figure out a plot for themselves.
Review by Gregg W. Morris.
This is the fourth feature film by Mexican-American Director Rodrigo Reyes, and it is a history lesson that should be taught in high schools and colleges across the country.
By Ismael Nunez.
Accomplished filmmaker Ben Proudfoot, because of a tip from a friend, inadvertently Googles his way to one of the greatest women basketball players ever to step on a court in these here United States. Also, he writes, she is “a gifted and open storyteller with a clarion memory.” Together, they make cinematic “music” unlike any many of us have seen and heard in years. A film that is literally and figuratively a beacon of hope and harmony with its nostalgia bitter and sweet, especially during this brutal period of COVID-19.
Is this not the seeds for a magnum opus feature film of some length if not sequels? A lengthy TV series, or a Netflix super-duper special? This reviewer is ready to be signed up!
This sagaciously witty production serves as a reminder of the creative ingenuity that can make a short film as aesthetically sumptuous as a regular feature. In the course of 35 minutes, an important message is expressed subtly but in depth and through exquisite acting and the Oscar-winning plot.
By Entertainment Editor Anakeiry Cruz
It’s easy for this reviewer to imagine that everyone in an audience wherever DAVID streams is standing and applauding as this film comes to an end. This film can knock a smile off your face in one shot and immediately return it the next. In DAVE, his first, Director Zach Woods’ deft filmmaking can make you feel that you have to see it more than once.
By Gregg W. Morris
A familiar ring of a single, hard working mom willing to do whatever she can muster to help her young daughter. But it’s the sumptuous way that Director Xiu tells the story with impressive acting by principal and supporting actors, imaginative cinematography, a suspenseful plot with several surprises, a film score poignantly sweet. There will come a time in this film when viewers will gasp like they’ve never gasped before because of a brilliantly done scene in a exquisitely made film with flawless cinematography. Audiences should also be on the alert for a tapestry of spell-binding irony.