Surprising how much can fit into so little.
MONEY TALK$ is a daring and poignant unsentimental portrait of a society on the brink. Director Tony Mucci’s directorial debut showcases a deft understanding of how money can become a powerful agent of human behavior. By tracing the path of a single banknote, the film invites viewers to reflect on the moral and societal costs of economic survival, making it a standout work in contemporary short filmmaking. – Review by Gregg W. Morris, Editor, Reviewer of the WORD
THE PROFESSIONAL PARENT has racked up 44 official selections at international film festivals, including eight official Oscar®-qualifying festivals, across 23 countries. The film last screened in NYC in 2024 at the Canadian Screen Award Qualifying New York Shorts…
Based on a true event, it’s directed by Stephanie Laing, written by Jonathan Keasey and Brant Boivin, and starring Rose Byrne, Dominic Sessa, Demi Lovato, Ariana DeBose, Octavia Spencer, and Simon Rex. {I’m publishing Part 1 because I want to…
“A testament to the resilience, creativity, and cultural richness of Black artists in the Pacific Northwest. At its heart is the annual music program that brings together the largest gathering of Black musical talent on a single stage in the region, a powerful celebration of Juneteenth and the spirit of community it embodies.” –
Let’s Go Spread the Word.
Savvy folks know they need their mojos working in these dreadful times of alarming never-ending ghastly breaking news headlines about the economy, tariffs, immigration, Gaza & Ukraine, White House TACO Tantrums … and so on … and so forth. Good…
This is one of those films that can make viewers be more curious about indigenous cultures, particularly those in their own area because the story telling is so telling. It’s a film that can inspire change.
Poignant and timely. An awe-inspiring, must-watch for those interested in – and those who should be interested in – social justice, real American history and the power of grassroots movements to make things happen positively. The film does not blink at the violence and menace perpetrated by non-Native Americans nor does it shrink from it but the footnotes shouldn’t be ignored. Filmmaker Mike Bradley offers viewers the rare opportunity to engage with a powerhouse cinematic narrative of resistance, cultural preservation and the ongoing struggle for indigenous rights.
– By Gregg W. Morris, the WORD
Non-linear story telling techniques, phantasmagoric and kaleidoscopic imagery, surrealistism and an evocative, minimalistic soundscape (with occasional nuances of a fetus heartbeat), and a dab of cinematic accoutrements will have slews and slews of audience members gasping and fidgeting (literally and figuratively) on the edge of their seats. – By Gregg W. Morris
Taking place April 3 – April 6 in New Orleans, Louisiana at the Prytania Theatres, the horror festival will welcome audiences back to America’s most haunted city with a terrifying selection of new and classic films as well as the extensive offs-screen offerings including interactive events, live performances, immersive programming and special guests that the annual horror staple has become known for. By Gregg W. Morris, Editor, Reviewer
John Henry Ramirez Deathbed Post Mortem Eulogy. All right, let’s see. Y’all can still hear me right? Y’all can still hear me? All right. If y’all are seeing this, then obviously the State of Texas has murdered me. I’m sorry that y’all had to go through that. Thank you for everything. It’s been rough, but it’s been good having y’all with me, all y’all that stuck with me. – Excerpts of John Henry Ramirez’s eulogy about his execution. Article, review by Gregg W. Morris