
TOO ROUGH has cinematic derring-do and an inimitable storytelling prowess that can leave audiences in blissful awe. – By Gregg W. Morris

The premiere at The Asia Society showcased compelling and nuanced stories from underrepresented filmmakers. The premiere screening was followed by a filmmaker panel, moderated by Virginia Myung of CAPA (Coalition of Asian Pacific Americans). The films will be available on VOD for the next week through the festival. – By Gregg W. Morris

Laura Poitras’s All the Beauty and the Bloodshed is the centerpiece selection for the 60th New York Film Festival at Alice Tully Hall on October 7. Photographer and documentary subject Nan Goldin will design the 60th New York Film Festival poster to be l be revealed at a later date. – By Gregg W. Morris

Film at Lincoln Center: “In one of the year’s most gratifyingly ambitious American films, Noah Baumbach (Marriage Story) has adapted Don DeLillo’s epochal postmodern 1985 novel WHITE NOISE, long perceived as unfilmable, into a richly layered, entirely unexpected work of contemporary satire.” – By Gregg W. Morris

The way that Director Jake Wachtel made his film can mesmerize audiences around the world. He uses a “sci-fi lens to tell the story of a boy facing the alienating effects of technological progress (the literal displacement of his soul) as a mirror for forms of neo-colonialism and cultural displacement.” It is shot through a prism of mesmerizing psychedelic dreamscapes about reincarnation, artificial consciousness, and the Buddhist search for enlightenment, giving KARMALINK an amazing irresistible hallucinatory feel about it.
By Gregg W. Morris