“A testament to the resilience, creativity, and cultural richness of Black artists in the Pacific Northwest. At its heart is the annual music program that brings together the largest gathering of Black musical talent on a single stage in the region, a powerful celebration of Juneteenth and the spirit of community it embodies.” –
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The 2025 Tribeca Festival kicked off with the world premiere of the highly anticipated HBO documentary Billy Joel: And So it Goes, an expansive and deeply personal portrait of the life and music of New York City icon Billy Joel,…
It’s easy to see why this film was the 2025 NYC DOC Audience Award Winner. Now, in 2025 it’s coming to PBS. The PBS documentary Slumlord Millionaire delves into the housing injustices faced by tenants in New York City,…
Savvy folks know they need their mojos working in these dreadful times of alarming never-ending ghastly breaking news headlines about the economy, tariffs, immigration, Gaza & Ukraine, White House TACO Tantrums … and so on … and so forth. Good…
Described by critics as “riveting,” “masterful” and “absolutely required viewing,” and in the tradition of past classic documentary exposes such as Enron: The Smartest Guys in the Room and Inside Job, White With Fear uncovers the real-world consequences of manipulative tactics that seek to demonize immigrants, spread Islamophobia, and deploy a cynical and strategic campaign of racist rhetoric with real world effects. White With Fear is a potent journalistic undertaking that unearths the hidden political playbook and key operatives behind these efforts. – Article by Gregg W. Morris
This year’s theme, “Fluid Horizons: A Shifting Lens on a Hopeful World,” honors the resilience of African youth and the forebears who paved the way for them. – By Gregg W. Morris.
SO LONG A LETTER, the opening night film for 32nd NY African Film Festival, was followed by an Audience Q&A With Director Angèle Diabang, Festival Director KareBn McMullan and Sophie Aziakou, who assisted as a translator. Some Key Points of…
This is one of those films that can make viewers be more curious about indigenous cultures, particularly those in their own area because the story telling is so telling. It’s a film that can inspire change.
Poignant and timely. An awe-inspiring, must-watch for those interested in – and those who should be interested in – social justice, real American history and the power of grassroots movements to make things happen positively. The film does not blink at the violence and menace perpetrated by non-Native Americans nor does it shrink from it but the footnotes shouldn’t be ignored. Filmmaker Mike Bradley offers viewers the rare opportunity to engage with a powerhouse cinematic narrative of resistance, cultural preservation and the ongoing struggle for indigenous rights.
– By Gregg W. Morris, the WORD
“Auditorium Movendum Caveat Ab Hoc Cinematographico”: This film is flushed with graphic depictions of shredded jaws, self-harm and flagellation and reproach, physical cruelty, human combustion and other horrors. It should not be viewed by children, the elderly or, the gods forbid, the squeamish. – Article, Review by Gregg W. Morris