Taking place April 3 – April 6 in New Orleans, Louisiana at the Prytania Theatres, the horror festival will welcome audiences back to America’s most haunted city with a terrifying selection of new and classic films as well as the extensive offscreen offerings including interactive events, live performances, immersive programming and special guests that the annual horror staple has become known for. – By Gregg W. Morris, Editor, Reviewer
A few grisly scenes that made me cringe but overall there were no goosebumps. I wasn’t spooked. The hair on my neck didn’t rise to the occasion. Nevertheless, this reviewer thinks what the filmmakers may have in mind for the long term – typical of independent filmmakers who make film shorts – could be a goosebumping-hair-raising SCREAM IF THINGS GO THEIR WAY.
– Article by Gregg W. Morris
The Waco Indie Film Festival, formerly known as the Deep in the Heart Film Festival, brings the Central Texas community together through independent film. Established in 2017, they engage audiences with films from major festivals and Texas talent. They build networks and careers through their industry education and promotion. Add in some chips & salsa with the Waco Indie magic, and they create one of the most unique experiences on the festival circuit. For more information visit www.wacoindie.com and Facebook.com and Instagram.com. – Article by Gregg W. Morris
Director Wendi Tang’s FISHTANK: Winner of the 8th Tribeca x Chanel Through Her Lens Program. Winner of the 2022 Film Pipeline Short Script Competition. Audiences should be prepared for a surreal drama combining traditional narrative with experimental elements to challenge audiences’ understanding of the norms ingrained in society and expected of them.
I think I’ve pretty much deciphered the surreal and the enigmatic for a review article that doesn’t spoil nor despoil the cinematic surprises in Director Tang’s deftly made flick. However, FISHTANK also required a different approach to reviewing it – audiences may have to keep eyes and ears more open more than usual.
– Reviewer Gregg W. Morris
ANJULA is scheduled to screen at the prestigious 2024 HollyShorts Film Festival in August. – By Gregg W. Morris
Director Adam J. Graves – “I wanted to capture that wondrous combination of magic and emotion, of innocence and mischief, which is part of childhood itself — these are kids after all, not statistics. Though every film is collaborative, this one was much more so than most. Were it not for the talent and support of the children of the Salaam Baalak Trust (especially our brilliant star, Sajda Pathan), we never could have brought this important story to the screen.” – Review-Article by Gregg W. Morris
MADE IN ETHOPIA was filmed over four years and this reviewer was amazed at the considerable access the filmmakers had with interviewees and their families and the community as a whole. That kind of access occurs because of the incredible filmmaking finesses of filmmakers for dealing with people to tell incredible stories. – Review by Gregg W. Morris
At Tribeca, we’ve transformed our immersive offerings to meet the growing demand for expansive experiences,” Tribeca Co-Founder and CEO Jane Rosenthal was quoted as saying in a press release. “As artists transition from digital platforms to live audiences, we’ve embraced the opportunity to explore new avenues in immersive programming. Our curated showcase, in collaboration with Mercer Labs, features exclusive works from renowned artists across diverse disciplines. This marks a significant milestone in festival history and continues Tribeca’s commitment to innovation, creativity and technology.” – By Gregg W. Morris
“We are finally able to see the fruits of post-pandemic productions and it’s a sight to behold,” said Michael Lerman, co-founder and director of film programming of The Overlook Film Festival. “This year’s lineup is full of bigger, scarier, more personal, more bombastic fever dreams that are sure to haunt you for the rest of 2024.” – Article by Gregg W. Morris
For the first time in Cine Las Americas’ history, all films in the narrative competition are directed by women and 2 out of the 3 documentary competition films are directed by women. Another first taking place during this year’s edition is the fact that both the Opening and Closing night selections are directed by women. – By Gregg W. Morris