THE PROFESSIONAL PARENT has racked up 44 official selections at international film festivals, including eight official Oscar®-qualifying festivals, across 23 countries. The film last screened in NYC in 2024 at the Canadian Screen Award Qualifying New York Shorts…
Category: Film/TV Reviews
TOW – One of Several Movies Premiering at Tribeca Fest 2025 That Deserves OSCAR Attention – Part 1
the WORD’s Tribeca Fest Film Review of SONGS OF BLACK FOLK: A 26-Minute Rhapsodic Documentary That Will Take Your Breath Away – Part 1 of 2 (Update June 9)

“A testament to the resilience, creativity, and cultural richness of Black artists in the Pacific Northwest. At its heart is the annual music program that brings together the largest gathering of Black musical talent on a single stage in the region, a powerful celebration of Juneteenth and the spirit of community it embodies.” –
Let’s Go Spread the Word.
SLUMLORD MILLIONAIRE: The riveting story telling about the unsafe living conditions, unethical and corrupt landlord practices and an housing court system that seems to exacerbate the misery of millions of NYC tenants and renters is startling
It’s easy to see why this film was the 2025 NYC DOC Audience Award Winner. Now, in 2025 it’s coming to PBS. The PBS documentary Slumlord Millionaire delves into the housing injustices faced by tenants in New York City,…
WE ARE KINGS (2025) Film Short Review: Good? Bad? Ugly?
Banzai?!
Savvy folks know they need their mojos working in these dreadful times of alarming never-ending ghastly breaking news headlines about the economy, tariffs, immigration, Gaza & Ukraine, White House TACO Tantrums … and so on … and so forth. Good…
Streaming On Demand Since June 3 Is WHITE WITH FEAR: About the Heinous Weaponization of White Americans’ Racial Fears by Republican Right Wing Extremists and Extremist Right Wing News Media – Part 1

Described by critics as “riveting,” “masterful” and “absolutely required viewing,” and in the tradition of past classic documentary exposes such as Enron: The Smartest Guys in the Room and Inside Job, White With Fear uncovers the real-world consequences of manipulative tactics that seek to demonize immigrants, spread Islamophobia, and deploy a cynical and strategic campaign of racist rhetoric with real world effects. White With Fear is a potent journalistic undertaking that unearths the hidden political playbook and key operatives behind these efforts. – Article by Gregg W. Morris
The 32nd New York African Film Festival, Audience Q&A With Film Director Angele Diabang – Part 2
SO LONG A LETTER, the opening night film for 32nd NY African Film Festival, was followed by an Audience Q&A With Director Angèle Diabang, Festival Director KareBn McMullan and Sophie Aziakou, who assisted as a translator. Some Key Points of…
the WORD Q&A With THIS LAND Director Mike Bradley
THIS LAND: Eye Opening, Awe-Inspiring Award-Winning Short Film Documentary Telling the Incredible Story of Ganienkeh, a Sovereign Mohawk Community in Upstate New York

Poignant and timely. An awe-inspiring, must-watch for those interested in – and those who should be interested in – social justice, real American history and the power of grassroots movements to make things happen positively. The film does not blink at the violence and menace perpetrated by non-Native Americans nor does it shrink from it but the footnotes shouldn’t be ignored. Filmmaker Mike Bradley offers viewers the rare opportunity to engage with a powerhouse cinematic narrative of resistance, cultural preservation and the ongoing struggle for indigenous rights.
– By Gregg W. Morris, the WORD
VULCANIZADORA: An Enigmatic, Esoteric Film by an Award Winning Director Whose Movie Has a Posse of Film Aficionados Singing Its Praises While Scratching Their Heads

“Auditorium Movendum Caveat Ab Hoc Cinematographico”: This film is flushed with graphic depictions of shredded jaws, self-harm and flagellation and reproach, physical cruelty, human combustion and other horrors. It should not be viewed by children, the elderly or, the gods forbid, the squeamish. – Article, Review by Gregg W. Morris