A tour de force by a director who said he wanted to explore really scary things in his life that resulted from incredible bad luck, diabolical cruelty and the possibility of unfathomable terrible things happening in the future. Uh oh! – Article by Gregg W. Morris
Category: Film/TV/Video
Film Review
A Robert Greenwald Brave New Worlds Production
E. JEAN CARROLL V. DONALD TRUMP
A powerful documentary bringing to life the brave testimony of writer E. Jean Carroll, who accused former President Donald Trump of sexual abuse. In a landmark legal case, Trump was held liable for sexual abuse and defamation, with a court ordering him to pay $83.3 million in damages.
{Facebook removed link to a Medium.com article I wrote about the documentary because I used the word “Riveting” in describing the film.}
Can be reached at gregghc@comcast.net, profgreggwmorris@gmail.com
THE STORY OF G.I. JOE (1945), Starring Robert Mitchum and Burgess Meredith, Now Available on HD Blu-Ray and DVD With New Extras
Ignite Films 2024 enhanced restoration of Director William A. Wellman’s 1945 classic WWII war film, THE STORY OF G.I. JOE starring Robert Mitchum and Burgess Meredith, now available on HD Blu-ray and DVD. “We at Ignite Films consider the film…
Review of a Film Byzantine Beyond Belief and Bordering on the Unreal – GUY MANLEY: SUPER SPY
THE SECRET ART OF HUMAN FLIGHT – Part 1
THE SECRET ART OF HUMAN FLIGHT is a cinematic tour de force that will have audience members resonating with emotion for days and days after they’ve seen the film. “My hope,” Director H.P. Mendoza writes in a statement, “is that viewers can lose themselves in this story and meditate on their own lives, their own phobias and roadblocks, and their connections to other people – maybe even to the other people in the theater. And even if after viewing this film you run back into isolation for whatever reason, I hope that – for a moment – I connected with you.”– Review, Article by Gregg W. Morris.
U.S. Theatrical Premiere August 2 at Film Forum:
WAR GAME – Here’s the WORD Prelude for This Adrenaline Pumper Already Getting Rave Reviews
Siddhant Adlakha, Variety: “As the game grows more complex, WAR GAME invokes footage not only of January 6 but of other flashpoints in American history involving protest, state violence or religious extremism — Kent State, the MOVE bombings, Waco and so on — building a tapestry of the past, as a chilling reminder of what might happen if warnings go unheeded.”
ALAM: Poignant and Politically Fraught Coming of Age Tale – Premiering via VOD/Digital on 4/26 (Review in the Works)
Talk about Jungian Synchronicity (events are chance occurrences from a statistical point of view, but meaningful in that they may seem to validate paranormal ideas) and with April 5, 2024 “Breaking News” headlines about President Biden and Israel Prime Minister Benjamin Netanyahu’s phone chat-chat, timing couldn’t be better. – Article by WORD editor Gregg W. Morris. Review in the works.
Film Review
I DIDN’T SEE YOU THERE: A Mindboggling, Mind-blowing, Mind-bending Film Experience
Reid Davenport:“All of the footage in I DIDN’T SEE YOU THERE is shot by me from my literal point-of-view. The motivation for this is twofold: 1, to jar viewers with shots from a camera held by my spastic body or mounted to my wheelchair, and, 2, to unequivocally rebuke the norm of disabled people being seen and not heard In this film, viewers listen to my voiceover without ever seeing the entirety of my face.”
Review, articles by Gregg W. Morris
2023 Harlem International Film Festival – May 18-28
Film Review of Recently Re-released IRRESVERSIBLE (2002) with its companion IRREVERSIBLE: STRAIGHT CUT (2023) by Gaspar Noé.
Excerpt from the production notes: “On the original release of IRREVERSIBLE, critics responded vehemently, and the relationship between the violence of the film and its form was central to how it was perceived and valued. However, as yet, there has been little critical response to the Straight Cut and, as a result, there has been little discussion about how the revised structure impacts on the film’s meaning and the permissibility of its depiction of violence.”
This reviewer wonders what respected American filmmakers in these contemporary times will be saying about the new release. What will respected Filmmakers of Color as well as respected Film Reviewers of Color say? Last, but absolutely not least, what’s will be on the minds of respected women filmmakers and film reviewers? – Review by Gregg W. Morris