Director-Writer Vlad Yudin’s documents the lives of several mixed martial arts stars, such as Jon Jones, former UFC light-heavyweight champion; Ronda Rousey, first ever UFC women’s bantamweight champion; and Rashad “Suga” Evans, former UFC light-heavyweight champion. Also included are Ronda…
Author: Greggory Morris
The WORD’s Classified Ads
The WORD is excited to offer online classified ads to Hunter College and New York City. From student housing to roommates to textbooks to jobs and internships, there is something for everyone here. loading classifieds…
Queens Free Press Reports on Lockout at LIU-Brooklyn
http://www.queensfreepress.com/2016/09/23/students-reflect-on-faculty-lockout-at-liu-brooklyn/
THE BEST DEMOCRACY MONEY CAN BUY Film Review
On the eve of the Mother of All U.S. Presidential Debates, Gonzo Guerrilla Journalist Greg Palast’s THE BEST DEMOCRACY MONEY CAN BUY, alleging a conspiracy by extreme right wing powers to nullify the votes of at least 1 million people,…
Participants for the 54th New York Film Festival Artist Academy and Critics Academy
The Artist Academy is an immersive creative experience for filmmakers early in their careers, and the Critics Academy, a workshop for aspiring film critics, at the 54th New York Film Festival (September 30 – October 16). The NYFF Critics Academy,…
New York Film Festival 54th Lineup for Annual Avant-Garde Showcase, Projections
STARVING THE BEAST – Film Review
Starving the beast is a right wing political strategy to force the federal government to reduce spending by depriving it of revenue. Steve Mims’ and Bill Banowsky’s STARVING THE BEAST is a lucid and compelling 75-minute rebuttal, eloquently expressed with…
Film Review
I AM NOT A SERIAL KILLER
Director Billy O’Brien’s I AM NOT A SERIAL KILLER (adapted from Author Dan Well’s novel) is made in the vein of five-star art house horror gems like EXISTS (2014) and IT FOLLOWS (2014), that is, low budget with the heart of a major motion picture.
WHITE GIRL Film Review

What Quentin Tarantino did for the aestheticization of mind f*cking cinematic violence, Director-Writer Elizabeth Wood’s ravishing work of soft porn may do for filmmakers daring to feature libidinous white females who gorge on sex and drugs yet barely suffer the dire consequences and debasement that happen to real life profligates.

