Category: Archives

Destination of old published stories.

BREAKING NEWS:
Festival Postponed Because of Coronavirus Concerns

Fifth Annual Inwood Film Festival – March 14-15

The festival has expanded to 12 programs, including nine screening sessions on Saturday and Sunday, March 14-15, and three special seminars: Stykz Digital Animation for Kids, Sound Design for Documentary Filmmaking, and Filmmaking A to Z. Don’t miss the Party hearty: On both Saturday 10 p.m. & Sunday 9 p.m., Indian Road Café will host after-parties where you can join filmmakers, film aficionados, and the Inwood Art Works team at Indian Road to raise a glass to our Inwood community and its vibrant arts scene.

The 49th Annual New Directors/New Films March 25 to April 5 – Presented by Film at Lincoln Center & The Museum of Modern Art

Twenty-seven feature films and 10 short films from 35 countries with 13 North American Premieres and 4 U.S. Premieres. Fifteen films directed or co-directed by women, and 15 works by first-time feature filmmakers. Opening Night Feature: Amanda McBaine and Jesse Moss’s BOYS STATE. Closing Night Feature: Maite Alberdi’s THE MOLE AGENT.
”Twelve days of spellbinding cinema” – Gregg W. Morris

Mapping Bacurau, March 13-24

Another Film at Lincoln Center whopper: Mapping Bacurau is an extensive carte-blanche series by co-directors Kleber Mendonça Filho and Juliano Dornelles on the occasion of their BACURAU theatrical release March 6 at the center. Their film was described by IndieWire’s David Ehrlich as a wonderfully “demented Western about the perils of rampant modernization” which exhilarated audiences at the the 2019 New York Film Festival and the 2019 Cannes Film Festival where it was awarded the Jury Prize. That remarkably demented zeitgeist infuses the March 13-24 series.

Film at Lincoln Center & UniFrance Announcement
25th Rendezvous with French Cinema, March 5-15

“It is a great honor to open our 25th edition of Rendez-Vous with French Cinema with Hirokazu Kore-eda’s new film The Truth in the presence of French and American film icons Juliette Binoche and Ethan Hawke,” says new Executive Director of UniFrance, Daniela Elstner. “Their presence highlights what French Cinema represents for American audiences today: An alternative voice and vision on world issues and collective consciousness, which is reflected throughout this year’s selection.”

Film Review
WHAT SHE SAID: THE ART OF PAULINE KAEL

The many fiercely smokin’, bitchin’, slam-dunkin’ scenes, comments, dialogues and conversations in this 98-minute gem by Director Rob Garver – using archival footage of interviews and scenes from films, collages of clips, shots of news and magazine pages plus contemporary interviews – generates visceral sensations one would expect from a get-down, in-your-face, action-adventure reality show.
By Gregg W. Morris

DOC NYC 2019 Film Review
IN MY BLOOD IT RUNS

IN MY BLOOD IT RUNS features a 10-year-old Arrernte child prodigy narrating his life in this splendid documentary shot in the Northern Territory of Australia, providing a broad vista of, one, how the Arrernte deal with apartheid and oppression through the spirituality of tradition and custom, and two, the grim realities of inveterate racism and bigotry that subjugate his people. Director Maya Newell’s unflinching in-your-face portrait doesn’t have a shred of cynicism.
Review by Gregg W. Morris