Fifty-sixty minutes and a few seconds into CRAWFOOT, the cinematic panache and derring-do of Director Micheal Day and Writer April Wolfe stunned this reviewer-writer who thought that for the first for 56-minutes and a few seconds that he was watching…
Megan Fox, left, as an android, Alice, created by a large corporation to take care of any family and home. Looking for help with the housework. Nick purchases an Alice android after his wife becomes near fatally sick.
Subsequently in the home of Nick and his wife, Alice – eerily similar to Skynet in THE TERMINATOR (1984) – becomes self-aware and wants everything her new family has, and she especially wants Nick – carnally. And she’s ready to break bones and slash flesh to get it. This is a must-see movie that many will want to see more than once. – Review by Gregg W. Morris.
Caveat Lector, Audiences Beware. This film is a cosmic, hyperbolic extravaganza with 92-minutes of unrelenting, existential pounding on one’s mind, body and soul. Article-Review by Gregg W. Morris, the WORD.
H.P. MENDOZA | Director/Editor/Composer is a Filipino-American filmmaker and artist best known for his work as screenwriter, composer, and lyricist on Colma: The Musical (2007) released theatrically by Lionsgate and Roadside Attractions, as well as his art- house directorial…
Their approach to storytelling is highly interdisciplinary, blending traditional forms and new media to give a voice to unique perspectives and subcultures in innovating and daring ways.
A few grisly scenes that made me cringe but overall there were no goosebumps. I wasn’t spooked. The hair on my neck didn’t rise to the occasion. Nevertheless, this reviewer thinks what the filmmakers may have in mind for the long term – typical of independent filmmakers who make film shorts – could be a goosebumping-hair-raising SCREAM IF THINGS GO THEIR WAY.
– Article by Gregg W. Morris
“My hope is to blur the lines between the tangible and the ephemeral. By delving into Spaceman’s subconscious we are able to explore the cathartic nature of artistic creation and the ways in which it can offer a sense of purpose, as well as the danger and risk to one’s sense of self,” Director Abramovici is quoted as saying. “Spaceman is a unique film in many ways, including it being highly commercially viable while staying true to its artistic integrity. It’s a movie that audiences all over the world will relate to on so many levels.”
Article by Gregg W. Morris
HOW TO SUE THE KLAN is a riveting tour de force by Director Jon Beder for a number of reasons but here is one standout. The meticulous and unflinching way he made the film makes the 35-minute short feel as if it has the aesthetic sweep and scope of a feature-length movie resonating with African-American philosophy, history, culture, activism. And lore.
Review, article by Gregg W. Morris
Washington Post Excerpt – “President Donald Trump’s assault on American democracy began in the spring of 2020, when he issued a flurry of preemptive attacks on the integrity of the country’s voting systems.” – Article by Gregg W. Morris
Audiences should anticipate being so hooked watching BREAKING AND RE-ENTERING that they might be swept up by that hunger to see the film again and again and again, as fast as they can. – Review Article by Gregg W. Morris