WORD, Gregg Morris So my question is, how does the United States compare to other countries in dealing with this? Is it doing a decent job or just waking it up? Are some countries ahead of the game on…
Category: Film/TV Reviews
A Must-See That Really Must Be Seen … Or Else!
SEXTORTION: THE HIDDEN PANIC – Apex Sexual Predators Are Stalking Our Kids Right Under Our Noses – Part 1 of 3
Netflix Six-Part Gem of a Series, “Becoming Abi.” Here’s Part 2 of the Review Plus Q&A
Netflix Six-Part Gem of a Series Begins October 28
“Becoming Abie” – The Review Plus Q&A, Part 1
Damn the Pandemic, Full Speed Ahead Film Review
Part 2, Director Juan Felipe Zuleta’s UNIDENTIFIED OBJECTS
Damn the Pandemic, Full Speed Ahead Film Review
Director Juan Felipe Zuleta’s UNIDENTIFIED OBJECTS–Part 1
AFTER SHE DIED Film Review – 7,042 YouTube Trailer Views Can’t Be Wrong!
AFTER SHE DIED follows a young woman who’s freaked that her father’s new girlfriend looks exactly like her dead mother.–[Doppelgänger Alert.] Destined to Develop a Cult Following? Inexplicably weird, horror-supernatural movies might improve their fates for success, if they find…
STREET REPORTER Film Review – An Award Winning Cinematic Gem 26 Minutes Long, Packing the Wallop of a Full Length Award Winning Documentary
Director Laura Waters Hinson’s STREET REPORTER is a captivating documentary about homelessness featuring a homeless person cum photo journalist pursuing the truth, the whole truth and nothing but the truth about homeless in the Nation’s Capitol. Advocacy, investigative and ethnographic journalism are fused transcendently in this 26-minute film short packing the wallop of those full length, five-star documentary films. Critics raves’ and reviews about this award winning film aren’t shy calling it as an Oscar contender.
Part 2, RIOTSVILLE, USA Film Review
RIOTSVILLE, USA Film Review – A Stunningly Poetic and Cinematically Furious Reflection on the Righteous Inner City Rebellions of the 1960s & the U.S. Army Militarized Ops That Worked to Destroy Them
In RIOTSVILLE, USA, Director Sierra Pettengill, like a consummate painter with a cinematic palette, fuses archival national news media reportage from the late 1960s with archival U.S. military film and video footage from that same period in a cinematic exposition exposing the insidious nature of the militarization which was – and continues to be – primarily, but not exclusively, focused on Black people fighting for the real Life, Liberty and the Pursuit of Happiness. Pettengill’s paints veraciously without one misstep of historical and philosophical significance unlike so many other chroniclers, filmmakers and documentarians of that period. – By Gregg W. Morris