Because human remains and “the pasquinade teeth of Vito Morelli” were somehow grounded into Tablioni’s famous meat sausage that everyone craves, residents in the California town, if not the state or the rest of the country, are at risk of becoming human shish kabobs and slop-sloppy Joes – and zombies.
By Gregg W. Morris
Inspired by three short stories written by Isaac Bashevis Singer – The Briefcase, Alone and Old One – Max Kohn, the main character and a riveting writer enthusiast, takes us on an adventure dictated not only by his wildest dreams but also his deepest desires.
This Reviewer Doesn’t Agree with the Raving Reviewers’ Descriptions & Opinions About Why They Are Raving … But He Absolutely Agrees with Their 5-Star Ooh-and-Ah Ratings.
By Gregg W. Morris
Eighten-plus-minutes of exquisite black and white imagery of the gruesome and the horrific rendered beautifully in a narrative using folklore about the ungodly desolation caused by Super Typhoon Yolanda AKA Super Typhoon Haiyan, a Category 5 mega-monster that started laying siege to the Philippines Visayas group of islands, the country’s central region, population 17 million people, November 26, 2013. It shook the Philippines to its roots.
This stunning film short is winning one award after another.
By Gregg W. Morris
This reviewer has no idea if Director Christina Yoon ever watched a ‘Twilight Zone,’ and could care less if she did or didn’t. It is only in this reviewer’s imagination that there are irresistible similarities between MIRROR and ‘Eye of the Beholder,’ a Twilight Zone episode. If challenged, I would give Sterling’s 5 stars out of 5 for its time. And Yoon’s? 5 stars, undeniably delicious.
Shimmying like a kinetically charged Hollywood action-adventure film, DESERT ONE can make audiences feel as if they are flies on the wall, eyewitnesses to history through the marvel of a space-time-continuum created for them by a filmmaker in pursuit of truth, the whole truth and nothing but the truth regarding The 1979 Iranian Hostage Crisis.
By Gregg W. Morris
“Diaz’s film is clear, gripping, balanced – straight from the mouths of journalists, apologists, and the president himself. One is taken to the finer detail of the glorification of power, the abuse of power, and the deadly engagement of writing it as it is.”
By Marivir R. Montebon.
Told lyrically and poetically and with such cinematic bravura by Director Brian Ivie & Cinematographer Daniel Stuart that it transcends the best of the news media stories in an extraordinary way.
By Gregg W. Morris – Jules&Mickey played by Maika Monroe and Bill Skarsgård are an expletive-taunting, gun-wielding, pain-inflicting Bonnie&Clyde brimming with machismo, and they rob and steal at gunpoint to make $$$ to retire to a Florida beach. Fate has them subsequently meet up with George and Gloria played by Jeffrey Donovan and Kyra Sedgwick who could have easily starred in Director Wes Craven’s five-star horror piece, THE PEOPLE UNDER THE STAIRS, as Craven’s serial killing cannibalistic home owners. Uh oh!
It’s the sublime cinematic way Director Diana Peralta and Cinematographer Tim Curtin tell this gem of a story that will make DE LO MIO an unforgettable closing night film experience.