
So many selections that a Part 2 was needed. By Gregg W. Morris, WORD Editor, Publisher

Thirty features including new films from Pedro Almodóvar, Jane Campion, Jonas Carpignano, Joel Coen, Julia Ducournau, Bruno Dumont, Michelangelo Frammartino, Rebecca Hall, Ryûsuke Hamaguchi, Mia Hansen-Løve, Todd Haynes, Joanna Hogg, Hong Sangsoo, Tatiana Huezo, Radu Jude, Alexandre Koberidze, Kira Kovalenko, Nadav Lapid, Pietro Marcello, Avi Mograbi, Radu Muntean, Francesco Munzi, Gaspar Noé, Panah Panahi, Jonas Poher Rasmussen, Alice Rohrwacher, Céline Sciamma, Joachim Trier, Anisia Uzeyman, Paul Verhoeven, Apichatpong Weerasethaukul, Saul Williams, and Ramon and Silvan Zürcher.
By Gregg W. Morris, WORD Editor, Publisher

THE MEANING OF HITLER’s bravura cinematography and deft use of visuals – such as animation, graphics, vintage news reels, Hollywood and foreign movie footage, social media visuals – as well as interviews with historians and writers speaking with a believe-it-or-not-if-you-dare tempo about a truth, a whole truth and nothing but that truth – resulted in a sweeping panoramic documentary with prophetic and apocalyptic tones about the Who, What, Where, When, Why & How of the never-ending macabre fascination with Hitler.
By Gregg W. Morris

Director Craig Center’s bravura time-looping 6:45 made me recall my first time-looping film experience, or at least a version there of, when I saw the kinetically charged super rock opera JESUS CHRIST SUPERSTAR (1973) about 60 times over a period of 5 weeks in Lisbon, Portugal. I kid you not.
Q&A by Gregg W. Morris

There are horror films and then there are horror films that blow audiences out of their seats – and then comes along a tour de force by a director, writer, producers and cast so compelling that a reviewer like me can’t resort to the conventional film review. The scope and magnitude of the film and the derring-do are just too immense and, dare I say, borderline unique. What is Director Craig Center up to with a movie like 6:45 being released in these horrifying times?
By Gregg W. Morris

An annual cinematic event and globally recognized platform that aims to amplify female, non-binary, LGBTQIA+, BIPOC, and people with disabilities’ voices in entertainment. The week-long Festival, presented by the Bentonville Film Foundation, in partnership with founding sponsor Walmart and presenting sponsor Coca-Cola, is known for its dedication to championing marginalized and underrepresented voices in film with 65 percent of the competition titles directed by women, giving voice to directors who are 71 percent female, 75 percent BIPOC or AAPI and 33 percent LGBTQIA+.”
By Gregg W. Morris

A 2020 selection at the Sitges Film Festival and FrightFest: The family patriarch (AKA Dad, Hubbie) at the wheel of the family car menacingly tailgates a slow moving van, thus pissing off (irriteren) the van driver, a sociopathic killing machine who doffs a yellow hazmat suit so that he can safely spray a fatally toxic, flesh-burning concoction on people who fail to apologize appropriately for insulting him. Whoa! A metaphorical masterpiece about Dutch society?
By Gregg W. Morris

One reason for the bravado moviemaking, this reviewer believes – besides its virtuoso directing, cinematography, acting and production elements – is the imaginative segueing of kaleidoscopic style flashbacks, surrealistic dreamlike scenarios and iconic scenes of contemporary heartland America circa 2013 that create a verisimilitude of astonishing transcendental proportions that you only experience from the best of the best movies. – By Gregg W. Morris