“Fucking millennials, they can’t handle their sausage and booze” – One of WITNESS PROTECTION’s great quips by Carlos Alazraqui & Jill-Michele Meleán
By Gregg W. Morris
“Someone once described [WITNESS INFECTION] as if John Hughes made a horror film, this is what it would be. And that was a huge compliment to us because, when you watch a John Hughes film, it has all these emotions in it and it has heart, it has drama, it has angst, it has adventure” – Jill-Michele Meleán
By Gregg W. Morris
Because human remains and “the pasquinade teeth of Vito Morelli” were somehow grounded into Tablioni’s famous meat sausage that everyone craves, residents in the California town, if not the state or the rest of the country, are at risk of becoming human shish kabobs and slop-sloppy Joes – and zombies.
By Gregg W. Morris
Infectious word of mouth says this is a … comedy + horror resulting a wild ride of raucous fun. Cheesy makeup effects, cliche character development, and loads of throwback lines …
New York City can be amazing lab for CUNY film students, says 72 Hour Shootout Coordinator Shing Chung.
By Gregg W. Morris
The Shootout creates opportunities for filmmakers of color, particularly Asian Americans, and women to demonstrate their talent, gain exposure in the entertainment industry and create positive significant impact on the visibility of Asian and Asian American stories and characters in film and television.
By Gregg W. Morris
NYT: “Opinion Video producer Alexander Stockton spent several days reporting at the Valleywise Medical Center in Phoenix.”
By GreggWMorris
It’s easy for this reviewer to imagine that everyone in an audience wherever DAVID streams is standing and applauding as this film comes to an end. This film can knock a smile off your face in one shot and immediately return it the next. In DAVE, his first, Director Zach Woods’ deft filmmaking can make you feel that you have to see it more than once.
By Gregg W. Morris
This Reviewer Doesn’t Agree with the Raving Reviewers’ Descriptions & Opinions About Why They Are Raving … But He Absolutely Agrees with Their 5-Star Ooh-and-Ah Ratings.
By Gregg W. Morris
THROUGH THE NIGHT is a bewitching, beguiling cinéma vérité, fly-on-the-wall picture perfect film about the lives of the owners and customers of a grassroots New Rochelle, New York, 24-hour day care center. It’s lensed by a filmmaker who wants to flood pop culture “with beautifully complex portrayals of the lives of working-class women of color” and their families who stoically draw on “titanic strength, love, and selflessness” in the menacing face of racism and sexism and the inequality of American capitalism.
Review by Gregg W. Morris
Opens tomorrow, December 11, 2020 in multiple virtual cinemas.