
The astonishing way that the filmmakers can teleport audiences back to that day in 1963 will have audiences on the edge of their seats, literally and figuratively, every time they decided that they have to see it one more time. – By Gregg W. Morris
Laura Poitras’s All the Beauty and the Bloodshed is the centerpiece selection for the 60th New York Film Festival at Alice Tully Hall on October 7. Photographer and documentary subject Nan Goldin will design the 60th New York Film Festival poster to be l be revealed at a later date. – By Gregg W. Morris
Film at Lincoln Center: “In one of the year’s most gratifyingly ambitious American films, Noah Baumbach (Marriage Story) has adapted Don DeLillo’s epochal postmodern 1985 novel WHITE NOISE, long perceived as unfilmable, into a richly layered, entirely unexpected work of contemporary satire.” – By Gregg W. Morris
The way that Director Jake Wachtel made his film can mesmerize audiences around the world. He uses a “sci-fi lens to tell the story of a boy facing the alienating effects of technological progress (the literal displacement of his soul) as a mirror for forms of neo-colonialism and cultural displacement.” It is shot through a prism of mesmerizing psychedelic dreamscapes about reincarnation, artificial consciousness, and the Buddhist search for enlightenment, giving KARMALINK an amazing irresistible hallucinatory feel about it.
By Gregg W. Morris
WUHAN WUHAN is picture perfect videography with cinematic panache and visual imagery portraying the lives of several Wuhan residents at the height of the coronavirus pandemic in February and March, 2020, in the city where the coronavirus began, Wuhan, the capital of Hubei Province in the People’s Republic of China. Wuhan is the largest city in Hubei and the most populous city in Central China with a population of over eleven million. – Review by Gregg W. Morris