THE STALKING FIELDS Film Review

THE STALKING FIELDS writers and director use an inimitable story-telling style I’m tempted to regard as unique because of the surprising way so many film elements coalesced coherently. It easy to image that in the hands of other filmmakers it easily could have been a cheesy romp of a B movie. Cleverly controlled and measured frenzy throughout the film adds to its virtuosity. – By Gregg W. Morris

LEGIONS Film Review

A powerful shaman, Antonio Poyju (played by actor Germán De Silva), is locked away in an asylum as evil demonic forces threaten to take control of Argentina. He must escape the psychiatric hospital and find his daughter, Helena Poyju (played by actress Lorena Vega); their combined powers could save Argentina. But … Helena has forgotten her powers! Antonio must reteach her the ways of magic. Potential audience should know: LEGIONS has oodles of nattily done comedial scenes and vignettes and a head-spinning, out of this world, phantasmagoric ending. Review by Gregg W. Morris.

BACK TO THE WHARF Film Review

BACK TO THE WHARF (2020), directed by Chinese Filmmaker Li Xiaofeng, scheduled for North American VOD release January 17, 2023 is, 1, a gem of epic proportions with an a riveting plot that never ceases to thicken; it unfolds like a kinetically charged Rubik’s Cube; 2, superb acting and fascinating characters in unforgettable roles; 3, cinematography fabulous and profound; and 4, a soul-stirring, elegiac film score with a brooding trumpet that can pierce the coldest heart. Review by Gregg W. Morris

What Hunter Students Told WORD Reporters about the 2022 Midterm Elections – First Article in a Series

College students voted in unusually large numbers, boosting the Democrats narrow 2022 midterm victories, according to NPR, the nonprofit news service Stateline of the Pew Charitable Trusts, CIRCLE and several other non-partisan news organizations. Two Hunter students and a Hunter NYPIRG coordinator were interviewed by this reporter about the 2022 midterm elections.
Article by Milan Dupuy.