
This is the fourth feature film by Mexican-American Director Rodrigo Reyes, and it is a history lesson that should be taught in high schools and colleges across the country.
By Ismael Nunez.

Director Craig Center’s bravura time-looping 6:45 made me recall my first time-looping film experience, or at least a version there of, when I saw the kinetically charged super rock opera JESUS CHRIST SUPERSTAR (1973) about 60 times over a period of 5 weeks in Lisbon, Portugal. I kid you not.
Q&A by Gregg W. Morris

There are horror films and then there are horror films that blow audiences out of their seats – and then comes along a tour de force by a director, writer, producers and cast so compelling that a reviewer like me can’t resort to the conventional film review. The scope and magnitude of the film and the derring-do are just too immense and, dare I say, borderline unique. What is Director Craig Center up to with a movie like 6:45 being released in these horrifying times?
By Gregg W. Morris

An annual cinematic event and globally recognized platform that aims to amplify female, non-binary, LGBTQIA+, BIPOC, and people with disabilities’ voices in entertainment. The week-long Festival, presented by the Bentonville Film Foundation, in partnership with founding sponsor Walmart and presenting sponsor Coca-Cola, is known for its dedication to championing marginalized and underrepresented voices in film with 65 percent of the competition titles directed by women, giving voice to directors who are 71 percent female, 75 percent BIPOC or AAPI and 33 percent LGBTQIA+.”
By Gregg W. Morris