Category: Archives

Destination of old published stories.

Mapping Bacurau, March 13-24

Another Film at Lincoln Center whopper: Mapping Bacurau is an extensive carte-blanche series by co-directors Kleber Mendonça Filho and Juliano Dornelles on the occasion of their BACURAU theatrical release March 6 at the center. Their film was described by IndieWire’s David Ehrlich as a wonderfully “demented Western about the perils of rampant modernization” which exhilarated audiences at the the 2019 New York Film Festival and the 2019 Cannes Film Festival where it was awarded the Jury Prize. That remarkably demented zeitgeist infuses the March 13-24 series.

Film at Lincoln Center & UniFrance Announcement
25th Rendezvous with French Cinema, March 5-15

“It is a great honor to open our 25th edition of Rendez-Vous with French Cinema with Hirokazu Kore-eda’s new film The Truth in the presence of French and American film icons Juliette Binoche and Ethan Hawke,” says new Executive Director of UniFrance, Daniela Elstner. “Their presence highlights what French Cinema represents for American audiences today: An alternative voice and vision on world issues and collective consciousness, which is reflected throughout this year’s selection.”

Film Review
WHAT SHE SAID: THE ART OF PAULINE KAEL

The many fiercely smokin’, bitchin’, slam-dunkin’ scenes, comments, dialogues and conversations in this 98-minute gem by Director Rob Garver – using archival footage of interviews and scenes from films, collages of clips, shots of news and magazine pages plus contemporary interviews – generates visceral sensations one would expect from a get-down, in-your-face, action-adventure reality show.
By Gregg W. Morris

DOC NYC 2019 Film Review
IN MY BLOOD IT RUNS

IN MY BLOOD IT RUNS features a 10-year-old Arrernte child prodigy narrating his life in this splendid documentary shot in the Northern Territory of Australia, providing a broad vista of, one, how the Arrernte deal with apartheid and oppression through the spirituality of tradition and custom, and two, the grim realities of inveterate racism and bigotry that subjugate his people. Director Maya Newell’s unflinching in-your-face portrait doesn’t have a shred of cynicism.
Review by Gregg W. Morris

DOC NYC 2019
FIRE IN PARADISE

Drea Cooper, a co-director of this mesmerizing movie of people making life and death decisions to survive, lives in Oakland, California and noticed smoke November 8, 2018 but didn’t give it much thought until his mom called late in the evening: “Paradise is gone,” she said.