
So many selections that a Part 2 was needed. By Gregg W. Morris, WORD Editor, Publisher

Thirty features including new films from Pedro Almodóvar, Jane Campion, Jonas Carpignano, Joel Coen, Julia Ducournau, Bruno Dumont, Michelangelo Frammartino, Rebecca Hall, Ryûsuke Hamaguchi, Mia Hansen-Løve, Todd Haynes, Joanna Hogg, Hong Sangsoo, Tatiana Huezo, Radu Jude, Alexandre Koberidze, Kira Kovalenko, Nadav Lapid, Pietro Marcello, Avi Mograbi, Radu Muntean, Francesco Munzi, Gaspar Noé, Panah Panahi, Jonas Poher Rasmussen, Alice Rohrwacher, Céline Sciamma, Joachim Trier, Anisia Uzeyman, Paul Verhoeven, Apichatpong Weerasethaukul, Saul Williams, and Ramon and Silvan Zürcher.
By Gregg W. Morris, WORD Editor, Publisher

THE MEANING OF HITLER’s bravura cinematography and deft use of visuals – such as animation, graphics, vintage news reels, Hollywood and foreign movie footage, social media visuals – as well as interviews with historians and writers speaking with a believe-it-or-not-if-you-dare tempo about a truth, a whole truth and nothing but that truth – resulted in a sweeping panoramic documentary with prophetic and apocalyptic tones about the Who, What, Where, When, Why & How of the never-ending macabre fascination with Hitler.
By Gregg W. Morris

Director Craig Center’s bravura time-looping 6:45 made me recall my first time-looping film experience, or at least a version there of, when I saw the kinetically charged super rock opera JESUS CHRIST SUPERSTAR (1973) about 60 times over a period of 5 weeks in Lisbon, Portugal. I kid you not.
Q&A by Gregg W. Morris

There are horror films and then there are horror films that blow audiences out of their seats – and then comes along a tour de force by a director, writer, producers and cast so compelling that a reviewer like me can’t resort to the conventional film review. The scope and magnitude of the film and the derring-do are just too immense and, dare I say, borderline unique. What is Director Craig Center up to with a movie like 6:45 being released in these horrifying times?
By Gregg W. Morris