Author: Greggory Morris
WITNESS INFECTION 5Ws-and-H Q&A with Writers Carlos Alazraqui and Jill-Michele Meleán – Part 2
WITNESS INFECTION 5Ws-and-H Q&A with Writers Carlos Alazraqui and Jill-Michele Meleán – Part 1

“Someone once described [WITNESS INFECTION] as if John Hughes made a horror film, this is what it would be. And that was a huge compliment to us because, when you watch a John Hughes film, it has all these emotions in it and it has heart, it has drama, it has angst, it has adventure” – Jill-Michele Meleán
By Gregg W. Morris
WITNESS INFECTION Film Review

Because human remains and “the pasquinade teeth of Vito Morelli” were somehow grounded into Tablioni’s famous meat sausage that everyone craves, residents in the California town, if not the state or the rest of the country, are at risk of becoming human shish kabobs and slop-sloppy Joes – and zombies.
By Gregg W. Morris
Film Teaser
WITNESS INFECTION – Showing Up “Everywhere” March 30
New Coordinator on Board: Part 2 of the 5Ws & H – Who, What, When, Where, Why & How – of the 2021 17th Annual 72 Hour Shootout Competition
The Who, What, Where When and How of the Spectacular Asian American Film Lab and Its 17th Annual 72 Hour Shootout Competition Celebrating and Empowering Voices and Stories Too Often Marginalized by Mainstream Media
Part 1

The Shootout creates opportunities for filmmakers of color, particularly Asian Americans, and women to demonstrate their talent, gain exposure in the entertainment industry and create positive significant impact on the visibility of Asian and Asian American stories and characters in film and television.
By Gregg W. Morris
Brutality of SARS-CoV-2. COVID-19 Inside a COVID-19 I.C.U
DAVID Film Short Review

It’s easy for this reviewer to imagine that everyone in an audience wherever DAVID streams is standing and applauding as this film comes to an end. This film can knock a smile off your face in one shot and immediately return it the next. In DAVE, his first, Director Zach Woods’ deft filmmaking can make you feel that you have to see it more than once.
By Gregg W. Morris




