The Shootout creates opportunities for filmmakers of color, particularly Asian Americans, and women to demonstrate their talent, gain exposure in the entertainment industry and create positive significant impact on the visibility of Asian and Asian American stories and characters in film and television. By Gregg W. Morris
It’s easy for this reviewer to imagine that everyone in an audience wherever DAVID streams is standing and applauding as this film comes to an end. This film can knock a smile off your face in one shot and immediately return it the next. In DAVE, his first, Director Zach Woods’ deft filmmaking can make you feel that you have to see it more than once. By Gregg W. Morris
This Reviewer Doesn’t Agree with the Raving Reviewers’ Descriptions & Opinions About Why They Are Raving … But He Absolutely Agrees with Their 5-Star Ooh-and-Ah Ratings. By Gregg W. Morris
THROUGH THE NIGHT is a bewitching, beguiling cinéma vérité, fly-on-the-wall picture perfect film about the lives of the owners and customers of a grassroots New Rochelle, New York, 24-hour day care center. It’s lensed by a filmmaker who wants to flood pop culture “with beautifully complex portrayals of the lives of working-class women of color” and their families who stoically draw on “titanic strength, love, and selflessness” in the menacing face of racism and sexism and the inequality of American capitalism. Review by Gregg W. Morris Opens tomorrow, December 11, 2020 in multiple virtual cinemas.
Karen Dalton – In My Own Time Released 2013-07-05 on Light In The Attic
1. 00:00:00 Karen Dalton Something on Your Mind 2. 00:03:23 Karen Dalton When a Man Loves a Woman 3. 00:06:22 Karen Dalton In My Own Dream 4. 00:10:40 Karen Dalton Katie Cruel 5. 00:13:02 Karen Dalton How Sweet It Is 6. 00:16:45 Karen Dalton In a Station 7. 00:20:37 Karen Dalton Take Me 8. 00:25:17 Karen Dalton Same Old Man 9. 00:28:02 Karen Dalton One Night of Love 10. 00:31:21 Karen Dalton Are You Leaving for the Country
Karen Dalton is often championed as one of the most unique and influential folk musicians to come out of the 1960’s Greenwich Village scene. It’s been a long while since “I’ve had a music-doc bring about a mind-body-soul experience.” By Gregg W. Morris
Eighty-four minutes of riveting cinematography. An edge-of-your-seat, bittersweet, smashingly lensed story about the fates of three young promising Cuban ballplayers dreaming of making it big in Major League Baseball in the States. Because of the U.S. embargo against Cuba, however, Cuban ball players like them who want to be signed to big contracts must leave their homes to try to establish residency in The Dominican Republic, Haiti or Costa Rica. This Caribbean rite of passage means players must trek the dangerous Central American migrant trail where bodies and atrocities never stop piling up. By Gregg W. Morris
Eighten-plus-minutes of exquisite black and white imagery of the gruesome and the horrific rendered beautifully in a narrative using folklore about the ungodly desolation caused by Super Typhoon Yolanda AKA Super Typhoon Haiyan, a Category 5 mega-monster that started laying siege to the Philippines Visayas group of islands, the country’s central region, population 17 million people, November 26, 2013. It shook the Philippines to its roots. This stunning film short is winning one award after another. By Gregg W. Morris
Filmmaker Joanna Vasquez Arong weaves together myths to tell how a small town in the Philippines copes with devastation and trauma in the aftermath of a typhoon. A girl’s voice divulges bits and pieces of her own memory of her grandmother and mother to tie in the experiences she felt visiting this ravaged town. Premiered at the 2020 Slamdance Film Festival.