The Lives of Independent Filmmakers the WORD Is there anything you might’ve done different? Jessica I do think, yeah, there are moments of that. The first thing that comes to mind for me is that I would’ve loved to had…
Author: Greggory W Morris
Q&A With NIGHT OF THE HARVEST (2024) Filmmakers Chris Carter and Jessica Morgan – Part 1 of 2
NIGHT OF THE HARVEST – A Cannily Made Low Budget Movie Bristling With the Panache and Moxie of a Big Budget Film. Caveat Lector: This Award Winning Film Can Freak the Bejesus Out of Audiences
Do I like this film? Rather, it’s more accurate to state that I was possessed by this film early on in the story-telling and was stunned to learn that I was possessed, that my mind, body and soul had been seduced by incredible story telling that made me suspend belief beyond belief. – Gregg W. Morris
Richard Prince’s September 22 Piping Hot Journal-isms Roundtable Discussion About News Coverage of Kamala Harris
SUBSERVIENCE (2024) Film Review – Audiences Should Know This Movie Can Scare the Bejesus Out of Them
Megan Fox, left, as an android, Alice, created by a large corporation to take care of any family and home. Looking for help with the housework. Nick purchases an Alice android after his wife becomes near fatally sick.
Subsequently in the home of Nick and his wife, Alice – eerily similar to Skynet in THE TERMINATOR (1984) – becomes self-aware and wants everything her new family has, and she especially wants Nick – carnally. And she’s ready to break bones and slash flesh to get it. This is a must-see movie that many will want to see more than once. – Review by Gregg W. Morris.
Review of a Film Byzantine Beyond Belief and Bordering on the Unreal – GUY MANLEY: SUPER SPY
Part 3, Filmmakers’ Biographies for THE SECRET ART OF HUMAN FLIGHT
H.P. MENDOZA | Director/Editor/Composer is a Filipino-American filmmaker and artist best known for his work as screenwriter, composer, and lyricist on Colma: The Musical (2007) released theatrically by Lionsgate and Roadside Attractions, as well as his art- house directorial…
Part 2, Cast Biographies for THE SECRET ART OF HUMAN FLIGHT
GRANT ROSENMEYER | “Ben Grady” / Producer – His career began when he was 8 on Broadway in Macbeth opposite Kelsey Grammer and Ty Burrell, and in the long-running musical phenomenon Les Miserables before making his film debut in Wes…
THE SECRET ART OF HUMAN FLIGHT – Part 1
THE SECRET ART OF HUMAN FLIGHT is a cinematic tour de force that will have audience members resonating with emotion for days and days after they’ve seen the film. “My hope,” Director H.P. Mendoza writes in a statement, “is that viewers can lose themselves in this story and meditate on their own lives, their own phobias and roadblocks, and their connections to other people – maybe even to the other people in the theater. And even if after viewing this film you run back into isolation for whatever reason, I hope that – for a moment – I connected with you.”– Review, Article by Gregg W. Morris.
The First Day of Classes 2024 Fall Semester at Hunter College/CUNY: Bada Bing, Bada Boom - Part 1
The American Association of University Professors (AAUP) came under fire this month after it declared academic boycotts to be “legitimate tactical responses” and “not in themselves violations of academic freedom,” which was a reversal of its previous and longstanding position on the issue. Many have condemned this decision as a threat to academic freedom and a furtherance of the harmful politicization in higher education.
Some AFA members have written and spoken out in response, including Joshua Katz, who wrote in City Journal that the decision adds “fuel to the fire” of ongoing campus tumult, and Cary Nelson, a past president of the AAUP, who wrote in The Chronicle of Higher Education that it is an abandonment of academic freedom that violates the AAUP’s own stated values.
Linked here is a petition related to the AAUP’s new position that many of our members have shared with us and several have already signed. We are sharing it with you in case you are interested in adding your name
– Gregg W. Morris