Destination of old published stories.
Sitting in a corner in my parent’s basement, headphones to block out the sounds of footsteps stomping above me, I may be staring at a collage of names with occasional faces mixed in, and muting and un-muting myself to speak. This is what my “classroom” is like during the COVID-19 pandemic. And I detest it.
By Marlena Freitas
“Fucking millennials, they can’t handle their sausage and booze” – One of WITNESS PROTECTION’s great quips by Carlos Alazraqui & Jill-Michele Meleán
By Gregg W. Morris
“Someone once described [WITNESS INFECTION] as if John Hughes made a horror film, this is what it would be. And that was a huge compliment to us because, when you watch a John Hughes film, it has all these emotions in it and it has heart, it has drama, it has angst, it has adventure” – Jill-Michele Meleán
By Gregg W. Morris
Infectious word of mouth says this is a … comedy + horror resulting a wild ride of raucous fun. Cheesy makeup effects, cliche character development, and loads of throwback lines …
This sagaciously witty production serves as a reminder of the creative ingenuity that can make a short film as aesthetically sumptuous as a regular feature. In the course of 35 minutes, an important message is expressed subtly but in depth and through exquisite acting and the Oscar-winning plot.
By Entertainment Editor Anakeiry Cruz
New York City can be amazing lab for CUNY film students, says 72 Hour Shootout Coordinator Shing Chung.
By Gregg W. Morris
The Shootout creates opportunities for filmmakers of color, particularly Asian Americans, and women to demonstrate their talent, gain exposure in the entertainment industry and create positive significant impact on the visibility of Asian and Asian American stories and characters in film and television.
By Gregg W. Morris
NYT: “Opinion Video producer Alexander Stockton spent several days reporting at the Valleywise Medical Center in Phoenix.”
By GreggWMorris
At the Pepsi® Super Bowl Halftime Show, Weeknd sung, performed, dizzied 25,000 patrons. An inquiring mind would wonder how many made it home without taking that COVID bug home with them.
Article by Entertainment Editor Jack McAllister.
It’s easy for this reviewer to imagine that everyone in an audience wherever DAVID streams is standing and applauding as this film comes to an end. This film can knock a smile off your face in one shot and immediately return it the next. In DAVE, his first, Director Zach Woods’ deft filmmaking can make you feel that you have to see it more than once.
By Gregg W. Morris