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The astonishing way that the filmmakers can teleport audiences back to that day in 1963 will have audiences on the edge of their seats, literally and figuratively, every time they decided that they have to see it one more time. – By Gregg W. Morris
The way that Director Jake Wachtel made his film can mesmerize audiences around the world. He uses a “sci-fi lens to tell the story of a boy facing the alienating effects of technological progress (the literal displacement of his soul) as a mirror for forms of neo-colonialism and cultural displacement.” It is shot through a prism of mesmerizing psychedelic dreamscapes about reincarnation, artificial consciousness, and the Buddhist search for enlightenment, giving KARMALINK an amazing irresistible hallucinatory feel about it.
By Gregg W. Morris
The tenants of an exclusive home owners type association are disintegrating – allegorically and metaphorically – into a state of sadistic and vile misanthropy of Trumpian magnitudes. In 93+ minutes of riveting story telling, it’s as if the tenants are victims of a communal schizophrenic disorder of cosmic proportions yet to be recognized in the latest Diagnostic and Statistical Manual of Mental Disorders (DSM-5-TR). Winner of Best Cinematography in the TFF International Narrative Competition
By Gregg W. Morris
A kinetic, melodramatic romp of orgasmic cinematic delights with a sizzling film score, steamy dance scenes, unflinching cinematographic verisimilitude, savvy directing and acting in a family drama movie genre rarely rendered on screen: A family drama with class fused with drag culture.
A few of its many accolades: FilmOut San Diego, US, Best Supporting Actress Cloris Leachman and Best First Narrative Feature, Phil Connell; L.A. Outfest, US, Grand Jury Prize, International Feature Special Mention, Cloris Leachman; Lovers Film Festival, Italy, Young Lovers Jury, Matthew Shepherd Award, Phil Connell. More accolades inside. – Review by Gregg W. Morris.
Early Reviews: The Austin Chronicle hailed it as a “genial dramedy reminiscent of Zach Braff’s GARDEN STATE.” Midwest Film Journal: The film is a refreshingly naturalistic drama with kind characters, clever writing and a sympathetic story that gives “a touching depiction of bereavement and contemplation of identity.” See lots more talk about GIVE AND TAKE in article.
By Gregg W. Morris