Those on the lookout for films with the cinematic magic to raise their spirits during these COVID-19 surges should consider this mesmerizing hallucinogenic & hypnagogic tale by Director Sivita Singh. It can make you feel as if you are experiencing a loopy de loop of phantasmagoric proportions during these perilous days. By Greggory W. Morris
Kara, who lives in a dystopian country where abortion is illegal and the penalties are draconian for those who break the law, is desperate to get one, nevertheless, and that desperation has driven her to take risks that could get her imprisoned if not dead on a slab in an abortion clinic. She is willing to take any risk, face any peril – and she most certainly does in Director Marianne Farley’s foreboding but exquisitely made five-star edge-of-the-seat thriller. Is Dirctor Farley’s FRIMAS a prophetic foretelling of what is on America’s horizon because of TX SB8?
A sublime piece of filmmaking about the horrors of traumatic childhood experiences by a filmmaker who, Caveat Emptor, makes sure you feel the pain. Writes Dr. Murray A. Strauss, Founder of the Family Research Laboratory at the University of New Hampshire, “The family is the most violent institution, group, or setting that a typical citizen is likely to encounter. There are exceptions such as the police or the army in time of War.” – By Gregg W. Morris
A 14-minute film short made with extra tender loving care, as if every scene was meticulously planned, down to the last nuance, down to the last surprise. The filmmakers, drawing on a well of creativity, infused imaginative scenarios of the everyday angst of lovee-dovee neurotic couples with a verisimilitude that syncs well with an other worldly cosmic finish. It’s that good. – By Gregg W. Morris
It was five-minutes, 38-seconds into this marvel of a film – melancholic yet tempered with cosmic bliss – when I experienced the first swell of an unexpected rapture, brought on by scenes of the spoken-word-like-rapping of Zowie pitching to publishers of adult books about a children’s book she wants published. Her main character may be the only character, and she is a girl whose superpowers are diminishing, and who frequently falls on the floor or to the ground like a klutz at certain moments in the time-space continuum. Audiences need to be ready to deal with otherworldly themes in this film. – By Gregg W. Morris
A female techie, Nigerian, living the life of a recluse in a remote German forest, on an evening jog inadvertently crosses paths with an android, also female, prostate and comatose on the ground – and decides to carry it home. Stunning cinematography … but there’s one hitch: The storyline is so ephemerally gauzy and byzantine, it’s as if the the filmmakers decided that the out-of-this-world cinematography was more than enough for their film – and left it to audiences to figure out a plot for themselves.
Review by Gregg W. Morris.
THE MEANING OF HITLER’s bravura cinematography and deft use of visuals – such as animation, graphics, vintage news reels, Hollywood and foreign movie footage, social media visuals – as well as interviews with historians and writers speaking with a believe-it-or-not-if-you-dare tempo about a truth, a whole truth and nothing but that truth – resulted in a sweeping panoramic documentary with prophetic and apocalyptic tones about the Who, What, Where, When, Why & How of the never-ending macabre fascination with Hitler.
By Gregg W. Morris
This is the fourth feature film by Mexican-American Director Rodrigo Reyes, and it is a history lesson that should be taught in high schools and colleges across the country.
By Ismael Nunez.
There are horror films and then there are horror films that blow audiences out of their seats – and then comes along a tour de force by a director, writer, producers and cast so compelling that a reviewer like me can’t resort to the conventional film review. The scope and magnitude of the film and the derring-do are just too immense and, dare I say, borderline unique. What is Director Craig Center up to with a movie like 6:45 being released in these horrifying times?
By Gregg W. Morris
A 2020 selection at the Sitges Film Festival and FrightFest: The family patriarch (AKA Dad, Hubbie) at the wheel of the family car menacingly tailgates a slow moving van, thus pissing off (irriteren) the van driver, a sociopathic killing machine who doffs a yellow hazmat suit so that he can safely spray a fatally toxic, flesh-burning concoction on people who fail to apologize appropriately for insulting him. Whoa! A metaphorical masterpiece about Dutch society?
By Gregg W. Morris